Pull Door, 2025
78 x 38 cm
Stained glass
A site specific installation in the gallery door of @mezzanine_studios , exhibited for 'Macaroni Pie' curated by the wonderful @i2z2y
Always up for juicy stained glass commissions so do get in touch.
Neither Fish Nor Flesh, 2025
43 x 67 x 16 cm
Marble and ceramic mosaic, stained glass
Shown at @somersethouse as part of 'Along More Latent Lines' hosted by @kitmapper
Thank you to everyone who came along, and to Kitmapper for making it happen ❤️
Very delayed install shots from this month's exhibition 'Cut From The Same Cloth' at @bprojectspace
Thank you so much to everyone who came along 🫂
Special shoutout to @lilyashrowan for the curating a brilliant show and to @andiacoralandiacoral for putting up with us during install ❤️🔥
(Image 4 is of Hamish's beautiful performance not a pic of just him standing triumphantly in front of my work)
SACRED SPRING (2023)
61 x 100 x 3 cm
Calacatta & Verde Alpi marble mosaic, grout, beeswax, PVC
Imagery taken from Blasius Weffring’s woodcut frontispiece for Giorgio Agricola’s 1556 treatise De re Metallica (On the Nature of Metals).
[For anyone interested, Agricola’s work catalogued and illustrated the techniques of mining, refining and smelting metallic compounds and remained the authoritative text on the practice over 180 years following its publication. It was a key vehicle in the dissemination of metallurgical processes formerly held as a purely oral tradition among technicians and craftspeople. It would prove a catalyst for the development of mass extraction and industrialisation throughout the preceding centuries. Incidentally, the first complete translation of the text from its original Latin into English was completed in 1912 by Herbert and Lou Hoover - who later became President and First Lady of the United States.]
More details to follow :)
Thank you so much to all who came along on Sunday to see 'Blubber' - the exhibition that marked the end of our week-long residency @generalpractice
A massive thank you to all at GP for having us - and for all you do for the arts in Lincolnshire.
A final thank you to @andiacoralandiacoral and @karolinkadworska for another wonderful collaboration. It felt incredibly special to return to this space and make work with you once again.
💛🐳🪦
📸 @andiacoralandiacoral
![SACRED SPRING (2023)61 x 100 x 3 cmCalacatta & Verde Alpi marble mosaic, grout, beeswax, PVCImagery taken from Blasius Weffring’s woodcut frontispiece for Giorgio Agricola’s 1556 treatise De re Metallica (On the Nature of Metals).[For anyone interested, Agricola’s work catalogued and illustrated the techniques of mining, refining and smelting metallic compounds and remained the authoritative text on the practice over 180 years following its publication. It was a key vehicle in the dissemination of metallurgical processes formerly held as a purely oral tradition among technicians and craftspeople. It would prove a catalyst for the development of mass extraction and industrialisation throughout the preceding centuries. Incidentally, the first complete translation of the text from its original Latin into English was completed in 1912 by Herbert and Lou Hoover - who later became President and First Lady of the United States.]More details to follow :)](https://sp1.picnob.com/p/pt_6855556353406257265463_0_fef6093bb7efe8d543264b82f7d42746.jpg?o=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&h=98129ae4f0b1e4ba9ddec532cc999c16)
