ALAN MADIĆ

@nike BREAKING4 — identity, logo, bespoke timer typeface, for Faith’s record breaking attempt featured in the Breaking 4 zine and poster by @cameronstrand created by @nike and @somethingspecialstudios CD @some__days__

@louisvuitton @pharrell Louis Vuitton Men’s SS25 show’s visual identity. Made with @convoy .

[EB010] Meet EB Venezia, by Alan Madić and Clara Dousson, a typeface inspired by the work produced for Olivetti and their typewriters. Designed in 1976 for the TES 501 electronic typewriter, a typeface named “Venezia” served as the basis for Madić and Dousson’s new typeface. After an initial version, called “Extra” and designed whilst they were students, Madić and Dousson developed the design further into these smooth, rounded shapes, contrasting with the rigidity of typefaces for typewriters. They have developed a unique system of units allowing the typeface to have proportional spacing whilst remaining constrained within a precise grid, giving EB Venezia a pleasant texture for continuous reading. The availability of several weights, from light to bold, makes it suitable for use across a wide range of media, from signage and book design to logos. The typeface is still in development and will have an extended character set, fitting Électro-bibliothèque’s standard. Italics are also in production and will be ready for the final release, scheduled for the end of 2026. Called “Avant-première”, our beta program allows you to try and buy our upcoming typefaces. Buy the typefaces in beta version at a discount price, receive the complete font when they will be fully finished and released. EB Venezia Design: Clara Dousson, Alan Madić (2021–2025) Development: Clément Le Tulle-Neyret (2025–2026) Cuts: 4 (Chiara, Normale, Media, Nera) Files format: OTF, WOFF, WOFF2 Version: Avant-première (1.000) Release: 07/05/2026 @alanmadic @claradousson #electrobibliotheque #typefaces #venezia #alanmadic #claradousson

SIRCA in use for @epoch.review Pompeii. @leonardvernhet @clementgicquel @thomasleprovost A 480 page special issue of EPOCH dedicated, and shot in the archeological park of Pompeii. Featuring words and works by Harley Weir, Wade Guyton, Bruno Staub, Zoe Natale Mannella, Paul Kooiker, Thomas Prior, Jonas Lindstroem, Debra Shaw, Nadine Fraczkowski, David Zilber, Jeremy Deller, Adrian Maben, and many more. Creative direction: @leonardvernhet @permanent.files Editor-in-chief @roughversion Fashion editor @marcgoehring Graphic Designers @clementgicquel @thomasleprovost Production @lb_rmb Licensing and trials available at

@msgm Signature monogram over the years. AD @studiotemp

@nike Breaking4 — identity, logo, bespoke timer typeface, large-scale stadium graphics, banners and merch for the event at Stade Charléty in Paris. Developed last summer for Faith Kipyegon’s sub-4 mile attempt. Grateful for the opportunity to contribute to such an ambitious moment in athletics. CD @some__days__   Thanks to all of the amazing people at Nike, agencies, and production partners who worked on this massive effort and brought the event to life.      SOME DAYS    ECD: Steve Reinmuth @sreinmuth     Senior Designer: Alan Madic @alanmadic     Senior Designer: Andy Liang @andlia     Senior Designer: Pauline Le Pape @paulinelpape     Motion: Mikey Kelly @mikikeli    Partner: Caitlin Reinmuth @mrsmuth2k1        Campaign Photography: Matt Moran @mattmoranphoto    Campaign Art Direction: Nike   Event Photography: Cameron Strand @cameronstrand , Tyler Joe + many others      NIKE Event Design and Production   Bryon Panaia, Renee Ramraj, Steve Berkas, Allison Kerst, Rachel Mason, Theresa Nguyen, Avida Jackson, Gabby Cool, Luis Liwag, John Radaza, Kaitlin Ward, Che Lin, Daniel Palau, Nicholas Nanpei, Rob Aldinger, Courtney Vermass, Molly Matthew

@albert__moya @raya.diplomatica Title design and credits.

Honored to introduce Edito: An independent Paris-based type foundry exploring the cultural and visual potential of contemporary typography. Each release emerges from a dialogue between research, design, and visual culture, bridging historical awareness with new interpretations of typographic form. Established in Paris by @alanmadic . Licensing and trials available at

@nike Air Max SNDR: The Lost Years — 25th anniversary exhibition design and posters. CD @convoy

@gsl_gallery Monogram. AD @studiotemp

INTRODUCING: SIRCA A contemporary re-evaluation of Walter Käch’s serif display models. Rooted in a critical re-reading of his mid-century letterforms, what began as a single study evolved into a concise family of three essential weights, each balancing typographic clarity with subtle warmth. Käch’s models stood at the intersection of geometric construction and humanist gesture, a dialogue that Sirca reopens through a contemporary lens. All cuts share the same serif structure, an uncommon choice that defines the family’s collective tone. The Bold is drawn with weight added inward, resulting in a denser, more compact appearance that echoes the condensed display types of the late ’60s phototype era. While the Regular preserves the timeless grace and proportions of its historical sources, the newly introduced Bold channels a sharper, more expressive tone. Together, they form a genre-blending system: classic yet vivid, crafted for editorial, titles, logotypes, and any context where typography leads the narrative. A design shaped by the past, sharpened for the century ahead. 2024-2025 Design: @alanmadic Font engineering and production care: @bordeausolenn Spacing and Kerning: Igino Marini Special thanks: @jacob.j.wise @claradousson 

Now available at

@miumiu Private Wishes campaign titles. CD @LinaKutsovskaya  @beg00dstudios AD @studiotemp