Hi, hope you’re all having a great start to the year. I’m still running a little late to my life, but catching up!
As part of my open studio at
@run.artistrun I’m hosting a collaborative storytelling performance of the telephone game. We’ve got some amazing people participating and I think it’ll be fun watching the fragile nature of storytelling unfold in realtime!
There will be kueh, snacks, as well as drinks provided. So please come 👍
Huge thanks to
@echooiismee for the poster design! Follow her works!
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OPENING EVENT AND COLLABORATIVE PERFORMANCE:
Friday 27 March, 2026�6-8pm
WHERE:�Run Artist Run �(6 Waterside Place, Docklands)�
Access note: RAR is located at the west end of Collins St trams 11 + 48, plus a 2-minute walk from the last tram stop. Wheelchair accessible gallery, bathroom has a no-step entry but is unfortunately not accessible.
OPEN STUDIO HOURS:
Saturday 28th and Sunday 29th March, 12-6pm
Friday 3rd, Saturday 4th, Sunday 5th April, 12-6pm
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CONTEXT FOR KUEH LAPIS! + PERFORMANCE:
When recalling the past, my mother’s hands dance back and forth through the decades. Her truth is derived from memory, and in this space where history is estranged from linear time, belief becomes more relevant to her than proof. Details surface wrapped in questions and contradictions. With each retelling, dates shift, locations blur, even feelings rearrange themselves.
But to search for a fixed truth in these stories is to overlook their nature. There are stories that refuse to sit still. They sway towards ego, towards shame, towards protection, towards love. This isn’t always an intentional attack on accuracy, but a by-product of living. As storytellers, truth doesn’t only exist in the historical and concrete, it sits quietly across what we’ve chosen to express, how we’d like to be perceived, and what remains withheld. How we tell a story speaks to what still haunts us when returning to a memory.
