~process post~ 𝙗𝙞𝙠𝙞𝙣𝙞 𝙦𝙪𝙞𝙡𝙩 𝙞𝙣 𝙩𝙝𝙚 𝙧𝙤𝙪𝙣𝙙 shot by
@torihilshey 💓 (6 ft. x 6 ft. x 12 ft., installed in the mercy gallery at loomis chaffee school, this past fall) 💓 what 2023 has looked like for me, sculpture wise: a year long process of: collecting materials (5 quilts c. 1910 - 1970 sourced from eBay + 31 previously worn “girls” bikini tops c. 2000 - 2015 sourced from thrift stores in San Diego), hand sewing restoration of the quilts - keeping to the original maker’s design and palette, machine sewing collaging the the 5 quilts into a single 18 ft. long piece, hanging the 18 ft. long piece in the round for the first time (light weight metal modular hoops velcro in to serve as internal skeleton support) as to begin the trigonometry trials and trepidations necessary to get the angle in the round, cutting the angle (which when laid flat on the floor looks like cutting a wave through the middle of the quilts), sewing velcro into the top and middle edges of the two halves so that it can fix onto 3 skeleton hoops, rolling the piece onto the 3 metal hoops at once (in order for it to hang properly), installing four leader lines that connect the two quilt halves and will help maintain the center angle, then a period of many adjustments, darts, and fixes to get it to hang right / look good from every vantage point, thennn the bikini tensions and connections are safety pinned in place (a few days process of negotiation on site), these tensions and connections are then hand sewn in place, and the biggest piece I’ve ever gotten to make is made!!! thank you to my mom for being my second pair of studio hands/helping me conceive of the technical aspects of how to wrangle this, thank you to
@davborski and john from the
@thewadsworth +
@realartways for the install support, thank you to
@christian.ryan_99 at
@loomischaffeevisualarts for the opportunity to scale up in a way I don’t have access to in NYC, thank you to
@hkelyasin for sharing space with me, thank you to
@lvmclaughlin for writing our exhibition essay, thank you to
@torihilshey for image documentation, thank you to everyone who made the trek to see this and other works in “accumulated proximities”