@_paskamer_

↘ Paskamer is a collaborative exhibition design practice. ↘ Humour, pop culture, and storytelling ↘ Design (spatial/graphic), curation, production
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🚨 We got you a massive 90% welcome discount on our products 💸 💸 💸 Over the last few months, we @axlfrd @schick.bianca @pzulini @jonashejduk @dungeon_and_design have been busy. And now, it's time to bring you in. paskamer opening: Hildegardistraat 31 Rotterdam (NL) 12th October 2024, open doors from 18.00- 22.00 Much like its name suggests (not), we’re here to spread love, care, and a little gentle rebellion far and wide. We’ll squeeze your brains, and you’ll head home with a treat. Oh, and in case you’re wondering, 'paskamer' translates to 'changing room' in English. Things are only warming up-stick around, it's about to get interesting.
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1 year ago
In a time of war, when the fragility of life is a daily, bodily reality, the question of how we survive together becomes most urgent. Our upcoming exhibition, How matter comes to matter, explores precarity as a shared condition and a ground for collaborative survival—among human and non-human beings alike. It approaches survival not as an individual feat, but as a collective practice of vulnerability and interdependence. The featured artists articulate survival through “material kinship,” where objects carry ancestral traces and memory, and where “knowing” something means becoming kin: to be entangled with. Join us in a world that persists beyond visibility, one already present yet waiting to be fully realized: a world where matter matters, and collective survival emerges through the tender entanglements of our shared existence. How do we matter in the world? ✨SAVE THE DATE - INVITE OPENING✨ Friday, June 12, 7:30 - 10 PM incl free drink (doors open 7PM) + listening session (more info follows) Featuring works by Yassine Ben Abdallah ( @enissay.b ), Tin Ayala ( @tintintintintintin__ ), Vera van der Burg ( @veravdburg ), Arjun Das ( @arjundasinart ), Katarzyna Perlak ( @katarzyna_perlak ), and Ginevra Petrozzi ( @ginevraarvenig ). Curated by Cecilia Casabona ( @pro.zaziliae ) Soundtrack by Erik Campanini ( @erlo_rikenz ) and Alessio Bruno ( @alebrubass ) Scenography & Graphic Design by Paskamer ( @_paskamer_ ) #onomatopee #omp #newexhibition #eindhovencity #exhibitionspace
556 4
3 days ago
Terugkijken: de opening van Greige Fantastic Fotograaf @carlijnginther heeft een mooie sfeerimpressie gemaakt van de opening van VBCN OPEN tentoonstelling Greige Fantastic in De Nieuwe Schatkamer van De Nederlandsche Bank. De tentoonstelling is open op werkdagen en is gratis te bezoeken. Photographer Carlijn Ginther has captured a beautiful atmospheric impression of the opening of the VBCN OPEN exhibition Greige Fantastic in De Nieuwe Schatkamer of De Nederlandsche Bank. The exhibition is open on weekdays: free entry. --- De tentoonstelling komt voort uit een samenwerking tussen De Nederlandsche Bank, De Vereniging Bedrijfscollecties Nederland en het Stedelijk Museum Amsterdam. Maia Kenney werd bij de totstandkoming begeleid door Amanda Pinatih, conservator vormgeving en hedendaagse kunst bij het Stedelijk Museum. #greigefantastic #vbcnopen #denieuweschatkamer
129 5
1 month ago
Greige Fantastic 📦🗿💎 Curated by @vagrantbaker , winner of the @verenigingbedrijfscollecties OPEN Curator Prize, a project in collaboration with the @denederlandschebank and @stedelijkmuseum 🌝 Thank you so much to Maia Kenney and Ginevra Petrozzi and the entire team involved, we had a big funky time working on this massive exhibition design, that we meticulously crafted these past months! 🍾 The show brings together 17 artworks from Dutch corporate collections and imagines an odd, magical other side of office life. We developed this world together with commissioned artist @ginevraarvenig , who appears as a “witch” that somehow ended up in an office. 🦠 the show runs until mid June in Amsterdam at the Dutch National Bank. + we made it to @hetparool 🦴 - - - #exhibitiondesign #corporate #artcollections #contemporarycurator #love
66 4
2 months ago
Kom naar de VBCN OPEN expositie GREIGE FANTASTIC en dompel je onder in de magische wereld van kunstwerken uit bedrijfscollecties. De tentoonstelling is gratis te bezoeken van 13 maart t/m 19 juni in De Nieuwe Schatkamer van VBCN-lid De Nederlandsche Bank. Curator Maia Kenney, winnaar van de VBCN OPEN Curatorenprijs 2025, heeft een bijzondere tentoonstelling samengesteld, waarin multimediakunstenaar Ginevra Petrozzi 17 kunstwerken uit Nederlandse bedrijfscollecties met magie tot leven wekt. Het Rotterdamse designcollectief Paskamer heeft de tentoonstelling en het grafisch ontwerp vormgegeven. De Nieuwe Schatkamer: Frederiksplein 61, 1017 XL, Amsterdam.  Greige Famtastic is gratis te bezoeken op maandag t/m vrijdag van 09:00 uur t/m 17:00 uur. Greige Fantastic is mogelijk gemaakt door de VBCN, De Nederlandsche Bank, het Mondriaanfonds en de AkzoNobel Art Foundation. Het Stedelijk Museum Amsterdam is mentoring-partner. Meer informatie: check de link in onze bio Eng: Visit the VBCN OPEN exhibition Greige Fantastic and immerse yourself in the magical world of artworks from corporate collections. You can visit the exhibition from 13 March till 19 June in De NIeuwe Schatkamer at De Nederlansdche Bank. Maia Kenney, winner of the VBCN OPEN Curatorial Prize 2025, curated the exhibition. She asked multimedia artist Ginevra Petrozzi to develop a new installation especially for this purpose, in which 17 artworks are brought to life by magical means. The Rotterdam-based design collective Paskamer designed the exhibition space, as well as the visual identity. De Nieuwe Schatkamer: Frederiksplein 61, 1017 XL, Amsterdam.  Open on Mondays till Fridays from 09:00 uur to 17:00 uur. FREE ENTRY Greige Fantastic is supported by VBCN, De Nederlandsche Bank, Mondriaan Fund and AkzoNobel Art Foundation. Stedelijk Museum Amsterdam is a mentoring partner. More information? Check the link in our bio. #greigefantastic #vbcnopen #denieuweschatkamer #paskamer #ginevrapetrozzi
141 3
2 months ago
✨Final weekend to explore How to enter from the exit, a research-driven project reimagining cultural institutions through collaboration✨ WE: “Cultural institutions are at a crossroads. With shifting political, economic, and social conditions, we need to look again at what these spaces do, and for whom. What kind of work happens here? Whose needs are met? What should a cultural institution offer, and how could it do that? With How to enter from the exit, we want to turn the exhibition space into a place where institutions aren’t shown as finished images, but as processes, shaped by collaboration, experiment, and shared knowledge.” @petefung : “The Office for Social Imaginaries looks and acts like a patent office (all the forms and bureaucracy) but instead of locking ideas away as property, it turns them into shared resources. What if we could subvert the paperwork around intellectual property for the purpose of the commons?” @noam_yr : “The Viral Institution is an experimental system designed to explore what might be the smallest functional element of an institution. Using an old vending machine that was already at Onomatopee, along with some digital screens, the installation becomes a compact site where informational surplus is produced, circulated, and valorized.” @marenbang : “Faith Looks Better at Slow Motion reimagines an altarpiece. Instead of saints, there are Maradona, Peter Shilton, and a football as ceramic figures, fixed on foosball rods. Next to it, a film moves between the surface and the tensions beneath: my interest in football, the parallels I see with religion (and faith), and my doubts about originality and timing.” @_paskamer_ : “We imagined the exhibition as a scene in the middle of loading, with forms present but context still unfinished. A long grey curtain runs through the room at Onomatopee, forming a backdrop for each work. Grey textiles and colored lines recall the aesthetics of 3D modeling software. Across the floor, spheres carry textures drawn from a render library, paired with tags from our collective process. They sit in the space like unfinished assets, in the process to be applied. They can be rolled, sat on, or read.”
142 2
5 months ago
✨ Opening night is almost here! ✨ Join us this Friday for the opening of How to enter from the exit — a collective curatorial experiment at Onomatopee. 📍 Friday, October 10 | 7:30–10 PM (doors open 7 PM) 🎟️ Free entry, drink & guided tours throughout the evening! At Onomatopee Next to celebrating, you’re also welcome to join one of three guided tours during the opening evening and meet the curators, and artists behind the project, and experience the works up close. How to enter from the exit reimagines cultural institutions as dynamic systems shaped by collaboration, experimentation, and shared knowledge. Using Onomatopee as a case study, the project unfolds through three installations and a shared living platform — creating space to practice “work in common.” More info via #linkinbio. Collective curatorial experiment by Bianca Schick (@schick.bianca ), Cecilia Casabona (@pro.zaziliae ), Maren Bang (@marenbang ), Noam Y. Son (@noam_yr ) & Pete Fung (@petefung ). Graphic identity by Alex Foradori (@axlfrd ) & Bianca Schick Exhibition design by Paskamer (@_paskamer_ ) We’d love to see you there! 💥 #HowToEnterFromTheExit #Onomatopee #ExhibitionOpening #Collective #Curatorial #Experiment #EindhovenCity #ArtAndCommons
112 1
7 months ago
Erotting on interspecies relationships, microorganisms, wool, reframing bedrot culture. 📅 Friday April 25, 2025 📍 Paskamer x Elin Margot ⏰ 19:00 - Hildegardistraat 31, Rotterdam Rec-s /Rex/ [reporting live]: Rec-s /Rex/ [reporting live]: @elin_margot was our remote resident. Now she is here at Paskamer and we are opening up the bed (kingsize) not to perform, not to reset just to rot, together. No sterile surfaces, no fixing just bodies doing what they do when they stay close. Internet nihilism, turned inside out and filled with microbes. A quiet kind of exchange. A kind of gift. Elin, is a designer, researcher, and educator based in Iceland. Through speculative design and material research, she explores how everyday tools and systems can be reimagined. Her work often involves the public and focuses on alternative ways of producing, caring, and living together. More to come. Paskamer team: @schick.bianca @pzulini @jonashejduk @axlfrd #paskamer #rotterdam #exhibitions
30 1
1 year ago
🛍️🍕 Last day of @designbiennalerotterdam On Saturday, March 1, we host a graphics roundtable and pizza-aperitivo at Paskamer. A conversation around the table with information designer and illustrator Fabio Salvadori @sass_scimiro featuring graphic works made during his stay at Paskamer (October-November 2024). We will also present his newly printed comic, “Swallow the Toad - Ragnarok”, available to take home, along with tattoos and printed works. Together with @sass_scimiro and @nedkaar , we will talk about unsolicited gifts, food, traditions, and clichés. xx Paskamer Hildegardistraat 31,Rotterdam • Saturday March 01, 2025 • Open doors: 4 PM • Presentation and conversation: 5:30 PM • Pizza tasting and open bar: 6:30–9 PM(ish), graphic shop also open
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1 year ago
This week & next at Paskamer Come by, say hi, and hang out with us! 📍 Paskamer at @designbiennalerotterdam Rotterdam W70 (Weena 70, Rotterdam) Everyday from 11:00-17:00 (closed on Monday 22 and Tueasday 23) Presenting works of @sass_scimiro and @nedkaar 📍 Paskamer at @_paskamer_ Sat, Feb 22 (opening event/7pmish ✨) Sun, Feb 23 (4pm–7pmish) Mon, Feb 24 – Wed, Feb 26 (closed) Thu, Feb 27 (4pm–7pmish) Fri, Feb 28 (4pm–7pmish) Sat, Feb 29 – (closing event/TBA✨) But we’re happy to open by appointment! Just email us at → [email protected]
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1 year ago
CHANGE OF PLAN! New date, same excitment: ⏱️ Saturday 22nd February, 2025⏱️ 📍 PASKAMER x Ned Kaar (@nedkaar ) ⏰19:00 Rec-s /Rex/ [reporting live]: Rec-s /Rex/ [reporting live]: Ned has been at Paskamer for a while now. It’s been a month, a little delayed, but here we are: Ned Kaar Season. “If a designer works in the woods, does anyone value him?” A lamp is a lamp. A coin is a coin. A brick is a brick. A ring is a ring. A hair straightener is a hair straightener. A gift is a gift. A job is a job. And still… The question lingers. During the @designbiennalerotterdam , stop by and see what they could be. Join us for a special book reading, a beautiful book and some music to close the evening. Complimentary refreshments provided by the paskamer team. Bring a duvet if you like. We look forward to seeing you! (Notes in the speech bubbles by Ned) Therese will also be a dj set by the one and only @polarwolf___ #readings #books #light #darkness #surface
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1 year ago
PASKAMER x Emma Huffman @emm.ahuff Workshop: Movements of Gifting In Japan, there are many subtle rules for gifting money. One of which is the use of the Fukusa, a piece of cloth to wrap and protect the envelope of money; Every detail matters: the design of the Fukusa, the direction of the wrapping and unwrapping, as well as the movement of the hands during the process of unwrapping and gifting the envelope. What makes the Fukusa unique is that it is owned by the gifter and is not given to the receiver in the process of gift-giving, making the act both personal and ceremonial. What kind of textile wrapping would you design to express yourself as a gifter? How would you choreograph the movements of wrapping and unwrapping to make the experience special? Come join the workshop to create your own textile wrapping, in time for Valentine and many more occasions to come. With Love, Paskamer and Emma For more info and registration: 🔗link in bio Paskamer team : @axlfrd @jonashejduk @pzulini @schick.bianca #workshop #rotterdam #design #japanesecraft #valentinesday #gift #fukasa #wrapping
23 0
1 year ago