Gilda Bruno

@_gilbruno

Editor @cose.journal Lifestyle @livingetcofficial Subbed FT Life & Arts. In FT, AnOther, BJP, Dazed, Document, Elephant, i-D, Konfekt, VICE, WePresent
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Frank Lloyd Wright’s Arizona winter residence and desert laboratory, Taliesin West, photographed in Scottsdale last March, or how I fell in love with the work of an architecture legend. Shot on film and digital 🌳 @wrighttaliesin #franklloydwright #taliesinwest #organicarchitecture #wrightsites
194 21
1 year ago
A couple of weeks ago, I sat down with @kaoutherbenhania to discuss the making of #FourDaughters, one of the most revealing, haunting films I have ever seen. I wrote about it in a new story for the @ft_weekend . — In the opening shots of Four Daughters, Eya, Tayssir and their mother Olfa stare shyly into Kaouther Ben Hania’s camera lens. They are the remaining members of a Tunisian family wrecked by the disappearance of the two older children: Ghofrane and Rahma were teenagers when, in 2015, they joined the Islamic State terrorist group in Libya, before being imprisoned. Sparked by their absence, Four Daughters maps the depths of their mother’s and sisters’ grief to answer the question: why did they leave? Ben Hania became aware of the family’s story in 2016 through television appearances made by Olfa in which she blamed the Tunisian government for her daughters’ fate. After Ghofrane ran away, Olfa had reported Rahma — who wanted to join her sister — to the police, but no one stopped her. The film searches for the root of the daughters’ decision to leave, without reaching for snap judgments. “Nowadays, there is no place for nuance or understanding,” Ben Hania laments when we meet at a private members’ club in London’s Soho. But, she adds, “cinema helps us go deeper than our preconceptions.”
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2 years ago
Back in April, I joined @samwkemp on a three-day hike that took us from the medieval alleyways of Viterbo right into the heart of Rome via the verdant borghi of Capranica, Vetralla and Sutri. We finished face to face with Saint Peter’s Basilica, having walked nothing but a small stretch of the 2,000-kilometres-long, ancient religious pilgrimage that is Via Francigena. We arrived at the peak of Holy Week, on Good Friday, to be precise, many rain showers, 113,242 steps, a few panini and a — luckily, peaceful — encounter with a wild boar later. Blame it on the aria di festa one could begin to smell as Easter approached, the surrounding landscape’s porous, mysterious caves, or on a subconscious inkling of what would happen that very Monday (we promise you, it wasn’t us), but I never felt quite as one with, hooked by and attached to my own country before. A handful of the photos I shot along the way have made it into Sam’s contribution to the cover story of @natgeotraveluk ’s September Issue, “Italian Journeys”. I am sharing them here alongside some of my favourite outtakes. Infinite thanks to @aishanazar for trusting me with this, especially in such temperamental weather, and to Sam for putting up with me (even more than usual, that is). He wrote about the experience far more eloquently than I did here, so grab your copy at your nearest newsstand. Out now in print!
132 21
9 months ago
Venetian Visions. Venice, November 2025
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7 days ago
As part of Cluster Crafts: 10 Years at the @rocalondongallery , join us for a special panel discussion: ⁠ ⁠ GROUNDED IN MATERIAL - A Discussion on Materials and Responsible Production in Crafts and Design⁠ ⁠ 27 May I 6:30–7:30 PM I at @rocalondongallery ⁠ ⁠ 🎟 Limited seats available - reserve via link in bio.⁠ ⁠ Join us for an evening of conversation with:⁠ ⁠ Gilda Bruno (@_gilbruno ) — Moderator⁠ Gareth Neal (@garethnealfurniture )⁠ Peter Marigold (@petermarigold )⁠ Sarah Myerscough (@sarahmyerscoughgallery )⁠ ⁠ Marking 10 years of Cluster, this conversation explores material-led practices in contemporary craft and design, with a focus on how artists engage deeply with materials as a starting point for making. In dialogue with the exhibition, it considers evolving relationships with materials and what responsible production looks like in craft and design today.⁠ ⁠ The discussion will also examine the relationship between artists and gallerists, and how collaboration and shared values influence how work is made and supported. Bringing together two artists and their gallerist, the panel reflects on how material-driven practices operate within both studio and gallery contexts today.⁠ ⁠ Part of our 10-year anniversary exhibition celebrating the future of contemporary craft.⁠ ⁠ Special thanks to our curator and producer @gigimeacci , and our partners @rocalondongallery and @landartcollective !
133 11
11 days ago
A true whirlwind of a month ⭕️🪡 mostly gesticulating
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23 days ago
Fitting in. Basel, Switzerland. June 2025
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1 month ago
So, have you watched @kristogger ’s The Drama yet? 👁️ Was chuffed to have the opportunity to chat with production designer @clubzed about the many objects and artworks that helped her bring Emma and Charlie’s beautiful-messy world to life. Out on @livingetcofficial “If there is one thing that The Drama, Norwegian director Kristoffer Borgli’s hotly debated romantic comedy drama starring Zendaya and Robert Pattinson as the soon-to-wed Emma and Charlie, immediately got me thinking about when I watched it last week, it is our eternal struggle to keep up appearances. As a high-achieving literary editor at fictional publisher Mission Publishing and the head curator of Boston’s Cambridge Art Museum (the real Addison Gallery of American Art in Andover, Massachusetts), respectively, the young, promising couple does that exceptionally well in the storied city apartment they share throughout the film. Until, days before the big ‘I do’, a long-kept secret leaves their perfectly imperfect nest unraveled... Against an 1800s period architectural shell, a patchwork of iconic mid-century modern designs styled alongside contemporary canvases, hundreds of books, and countless collectibles paints their emotional dimension; the creative sensibility, interests, and subtle obsessions that keep the fiancés closer together.” Thanks again @dariawilk_ #TheDrama #A24 #KristofferBorgli #RobertPattinson #Zendaya
508 11
1 month ago
I can hardly imagine what it must have felt like to reunite with the love of your life after such a long time, and only four years away from turning a full 100. Thank you for every carezza and every laugh. God wishes he could grow plants as tall as yours, nonna. See you on the other side, where we are both making cavatelli by hand together again. Sorry I couldn’t be there
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1 month ago
Where the Grass Grows Tall 🦋 Somewhere in the countryside, August 2024/June 2025
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1 month ago
A floral edit for spring
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1 month ago
Fil Rouge. Italy, July 2025 I might just start using Instagram as a digital scrapbook 📌
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1 month ago