julia

Some lineups dug out the TTW archives circa 2022-24 *aka not current* From nights well spent at @thegladcafe , @theoldhairdressers , @stereo_glasgow and @theflyingduckglasgow Posters courtesy of @lizzieurquhart (1), @mushetofernandez (3) and @andrewjbeltran (2, 4) ❤️

Testing the Water returns to its club-leaning side on June 20th at our favourite local basement @vespersclub with an all star squad: The Wizard of Wigan @tomboogizm 🐁 💖 London's favourite Swede @_aircode_ (live) 🇸🇪 Ormside's soundest barman @d4k5hhh 🫂 and of course our own girlboss @magnotdjmag 👑 Few early bird remaining on RA for just a tenner. 🪱

Very excited to present four artists working in the darkest corners of experimental electronic music, on May 21st, at Cu Dalston. @cu_dalston Zancudo Berraco is the explosive experimental techno alias of Portuguese multi-instrumentalist Henrique Apolinário. A dedicated sonic explorer, he crafts loud, full-spectrum, and fast-paced live sets designed for pure dance-floor catharsis. @zancudo_berraco aircode is a Swedish producer based in London whose music is typified by dubwise dynamics, sonic capaciousness, and permutable elements of percussion, voice and piano. They have performed across Europe, and put out records on the labels TT (formerly Tobago Tracks), Takuroko, Alien Jams, Gin&Platonic and NHS along with a number of self-released Bandcamp drops. @_aircode_ ex.sses (she/they) is an experimental producer and DJ. ex.sses fuses heavy bass, broken drums and textural sounds, from her resident shows on Balamii and Netil to her guest mixes for NTS, Kiosk Radio she has built a bass led palette of sounds, unconfined by genre. ex.sses’ ties to experimental sound and club culture have since manifested in releases on TT, BAIT, Traverse, glint, Earful of Wax, Cherche Encore and Hard Return and has premiered on DJ Mag, Mixmag and Bad Tips. These releases have gained attention over the years, resulting in dark, club focused DJ sets across the UK and Europe. Her live electronic performances expand on ex.sses’ exploration of noise, textural sounds, poetry and the gendered body. @ex.sses King Monolith blends noise, dub and reckless sampling to form a chaotic style of dance music; constantly on the edge of collapse into full blown noise. @a_village_idiot Poster by Matej Siska @user_siska ⚡Ticket link in bio ⚡

April playlist update of Apple Turnover featuring (amongst others): Linapary Any Mello Rose Million yujin Ydegirl Aircode Beatrice M 20 tracks, link in our linktree and in stories

@benvince91 celebrating the launch of his new album, Street Droid, at @vespersclub earlier tonight. Ben is such an original artist, I strongly recommend seeing him. He plays sax and guitar live and loops and layers to produce such amazing sounds, it’s a treat! @_aircode_ and @xtereaa opening. I know the pictures are terrible lol but I don’t want to miss out on documenting such a brilliant show! Congrats, Ben! #londonmusic #londonmusicscene #londonmusicians

STREET DRUID ALBUM LAUNCH FULL LINEUP! BEN VINCE - LIVE (AD 93) XTEREA - LIVE (5 GATE TEMPLE) AIRCODE - LIVE (ALIEN JAMS) COBY SEY - DJ SET RHIZOCORP - DJ SET THIS SATURDAY FEB 21ST 7PM AT VESPERS, PECKHAM TICKETS ON RA

»Save Point« – A mix by @_aircode_ for Dead Mall Research (DMR012) Out now on SoundCloud

STREET DRUID ALBUM LAUNCH LINEUP! BEN VINCE (AD93) - LIVE @benvince91 XTEREA (5 GATE TEMPLE) - LIVE @xtereaa AIRCODE (ALIEN JAMS) - LIVE @_aircode_ FEB 21st 7PM VESPERS, PECKHAM TICKETS ON RA Artwork @byzantiaharlow Design @visio____

SINK LONDON: @brother_may {live} @_suutoo_ {live} @_aircode_ {dj} @greystreakk {live} @roscoe_fox {dj} 16/04/26 Avalon Cafe 7-11

@_AIRCODE_ WILL BE PLAYING LIVE THIS THURSDAY, STEPPING IN TO REPLACE GHOSTLORE OF BRITAIN TICKET LINK IN BIO _____________________________________ Aircode is a Swedish producer based in London whose music is typified by dubwise dynamics, sonic capaciousness, and permutable elements of percussion, voice and piano. They have performed across Europe, and put out records on the labels TT (formerly Tobago Tracks), Takuroko, Alien Jams, Gin&Platonic and NHS along with a number of self-released drops.

Pleasure & honour to perform guest mix duties for @_aircode_ on @noodsradio , a selection of tracks between screamo and ambient with some strange things in between, featuring two unreleased original soundtrack pieces from upcoming films of mine - Gossamer by @rolotomassiband and a demo of Circle’s End by @bianca_scout and myself. Link in bio and full tracklist on page 2, my selections starts halfway, featuring tracks from @circle.takes.the.square @angelicprocess @nuvolascura_ @olthcreativesolutions @lifeemocore

This past month I’ve been balancing a few shows and work, while also being gifted some incredible new releases to sink into. Most notably, Carrier’s Rhythm Immortal. The track featuring Voice Actor was an immediate highlight and helped set the tone for the show’s structure and atmosphere. I guess you could say the music that’s inspiring me right now is a bit hazier fogged up experimental club. I read something about Carrier’s new project that stuck with me: this idea of what’s removed from sound — how often, in production, we strip away the high and low frequencies in search of clarity or perceived value. For how minimal the album feels, it’s also quite massive. That approach really resonates with me; even in my own tracks, I tend to limit myself to 8–10 layers, focusing more on what’s left between the sounds. From there, I wanted to slowly blur the edges between warmth and rhythm. The Aphex Twin cut, Jynweythek, always feels like a moment suspended in air — mechanical but deeply emotional. It bridges naturally into J. Albert and OKO DJ, who both bring a tactile, human quality to digital sound. Two artists that I’m really enjoying at the moment. I love how their tracks feel like they’re stretching between memory and motion. After Labyrinth, the mix dissolves into a fogged-out club atmosphere — humid, metallic, and submerged — where wet industrial rhythms pulse through condensation, and my track Noema folds seamlessly into that texture, a continuation of synthetic rain meeting percussive decay. I’m really enjoying this vision, we are 11 shows into the year and my sound feels very much there. Next month planning on putting together my favorite releases from albums this year.