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王愛眉
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- ▋《模糊的風景 Blurring the Scenery: A Gesture of Resistance 》 ▋展期|2026.03.07(六)- 2026.05.23(六) - |模糊是充滿危機與詩意的世界——王愛眉 出生於比利時布魯塞爾的台裔視覺藝術家王愛眉,其創作長期植根於繪畫,並常以「碎片」作為出發點,從分離與重組的痕跡之中探索影像與其體現之間的關係。多年來,她在身體與景觀之間反覆轉換,使影像逐漸成為一種感知與記憶交織的場域。 本次展覽中,王愛眉帶來新系列《離體/原位》(In Vitro / In Situ)中的兩件作品〈清晰的後半部〉與〈路邊景箱〉,回應襲園美術館的空間條件。作品運用美術館的玻璃磚牆與清水混凝土等建築元素,重新思考風景如何在觀看中被建構,以及「清晰」與「透明」之間的關係。 畫面中的圖像來自藝術家蒐集 Google 與 Instagram 上與美術館相關的影像,並透過人工智慧重新生成視角。網格既呼應繪畫傳統中測繪風景的技術,也對應數位影像的像素結構。透過這樣的轉化,風景不再只是空間的再現,而更像是記憶沉澱後留下的痕跡,使「模糊」成為連結感知、時間與場域經驗的一種觀看方式。 - 📍看展預約:https://reurl.cc/46DyDv - |展期:2026/03/07(六)– 2026/05/23(六) |地點:襲園美術館(桃園市中壢區青埔九街57號) |藝術家:王愛眉 - Aymei Wang、李秉璈 - Li Bing-Ao、李盈蓁 - LI Yin-Chen、陳寬睿 - CHEN Kuang Jui、彭韋 - PENG Wei、劉文豪 - LIU Wen Hao |策展人:林郁晉 - Lin_Yu_Chin |視覺設計:繆承翰 - Miao Cheng Han |展覽協力:謝婷卉 - Hsieh Ting Hui |影像統籌:葛映辰 - Ke Ying Chen |主辦單位:襲園美術館 |協辦單位:僕人建築空間整合 襲園生活 _ #模糊的風景 #BlurringTheScenery #襲園美術館 #當代藝術 #王愛眉
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12 days ago
Aymei Wang Մատեան In Exhale 17.02.2026 / 18:30 18-21.02 / 16:00-20:00 Expanding on her themes of “the land as one’s skin” and “body as border,” Aymei Wang explores the entanglement of books, skin, and records. Before the advent of paper, ancient manuscripts relied on animal skin, vellum, as their material substrate. The connection between manuscripts and skin can also be traced through the etymology of the Latin word liber, meaning book. Liber later gave way to a plurality of resonances, connecting not only books to skin (as seen in the peeling nature of leper), but also to the idea of freedom (liberty). Originally designating the inner bark of a tree used for writing, liber also meant “freed,” as the bark is cut from the trunk. In this sense, the meaning of “freedom” is inextricable from that of “severance.” In Armenian history, this difficult duality has been lived for centuries. During the Genocide, alongside its people, countless Armenian books were destroyed. Historically, Armenian Manuscripts (Մատեան, Matean) are intimately tied to the chronicles of exile. They were saved by women, refugees, and priests who carried them while fleeing. Stories of loss and survival, they carry the heart of Armenian culture; they are records of a people who live on, in spite of all. Yet, since the Genocide, another form of record has emerged: the archives of deportation, displacement, and forced migration. With no country to return to, the archives at consulates and border controls reveal a hollowed portrait: a repository of absence, documenting the displaced and the departed. The second half of the title, tle, “In Exhale”, serves as a phonetic mirror to the locution “In Exile.” If exile is the shadow of the title, to exhale is a form of release; it is the moment one begins to catch their breath and let go of tension, pain. The artworks, created using beeswax, exhale a scent into the room. They share the perfume of prayers and the scent of a homeland. Beyond loss, fragrance acts as an invisible presence, a continuity that exists beyond borders. @39th.day
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3 months ago
「ATM6 - Research Jam」 Religion in East Asia: Material Practices of Resurgence and Transformation Date | 2025.10.30 (THU) Time | 10:30-12:00 Panel Presentation + Q&A | 13:30-15:00 Handmade Workshop : Making Dried Flower Garland | 15:15-16:45 Folding Lotus Flowers : A Joss Paper Workshop Venue | Arches 1 HOME Manchester, 2 Tony Wilson Place Manchester M15 4FN United Kingdom Speakers | Jack Bartley @tome_myscoobies Shuwen Wang 王書雯 @shuwen1024 Aymei Wang 王愛眉 “Research Jam” is a prelude to the sixth Asian Triennal Manchester “Transvaluation”. Under the supervision of Dr. Anna Bergqvist and initiated by Professor Lin Hongjohn, Research Jam will present a series of events organized by PhD students from Manchester Metropolitan University, the University of Applied Arts Vienna, the University of Oxford, and Taipei National University of the Arts. On October 30th, Jack, Shuwen, and I will host a day of discussions and workshops at Arches 1 in HOME Manchester. Jack and Shuwen are PhD students in the Doctoral College, Faculty of Arts and Humanities at Manchester Metropolitan University: Jack will present his research on the rapid modernization of Korean Musok shamanism, Shuwen will discuss her thesis on Giuseppe Castiglione, and I will explore the practice of burning “ghost money” through the lens of iconoclasm. If you’re in Manchester, it would be lovely to see you! *** For more information about this event : /e/religion-in-east-asia-material-practices-of-resurgence-and-transformation-tickets-1780886010999?aff=odcleoeventsincollection&keep_tld=1 For more events in the Research Jam : /research-jam/ /cc/asia-triennial-manchester-2025-research-jam-4141813
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6 months ago
「ATM6 - Research Jam」 Religion in East Asia: Material Practices of Resurgence and Transformation Date | 2025.10.30 (THU) Time | 10:30-12:00 Panel Presentation + Q&A | 13:30-15:00 Handmade Workshop : Making Dried Flower Garland | 15:15-16:45 Folding Lotus Flowers : A Joss Paper Workshop Venue | Arches 1 HOME Manchester, 2 Tony Wilson Place Manchester M15 4FN United Kingdom Speakers | Jack Bartley @tome_myscoobies Shuwen Wang 王書雯 @shuwen1024 Aymei Wang 王愛眉 “Research Jam” is a prelude to the sixth Asian Triennal Manchester “Transvaluation”. Under the supervision of Dr. Anna Bergqvist and initiated by Professor Lin Hongjohn, Research Jam will present a series of events organized by PhD students from Manchester Metropolitan University, the University of Applied Arts Vienna, the University of Oxford, and Taipei National University of the Arts. On October 30th, Jack, Shuwen, and I will host a day of discussions and workshops at Arches 1 in HOME Manchester. Jack and Shuwen are PhD students in the Doctoral College, Faculty of Arts and Humanities at Manchester Metropolitan University: Jack will present his research on the rapid modernization of Korean Musok shamanism, Shuwen will discuss her thesis on Giuseppe Castiglione, and I will explore the practice of burning “ghost money” through the lens of iconoclasm. If you’re in Manchester, it would be lovely to see you! *** For more information about this event : /e/religion-in-east-asia-material-practices-of-resurgence-and-transformation-tickets-1780886010999?aff=odcleoeventsincollection&keep_tld=1 For more events in the Research Jam : /research-jam/ /cc/asia-triennial-manchester-2025-research-jam-4141813
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6 months ago
「ATM6」 Research Jam: Flux on the Road Date | 2025.10.27 (MON) - 2025.10.31 (FRI) Venue | Arches 1 HOME Manchester, 2 Tony Wilson Place Manchester M15 4FN United Kingdom Research Jam Curatorial Convenor: Dr Anna Bergqvist With the participation of : Jack Bartley (MMU) @tome_myscoobies Tyuki Imamura (Oxford) @tykmmr Edwin Hsiang-Yu Cheng (TNUA) @e337778888 Alana Lake (MMU) @alanalake.studio Angie Chia-Lin Lee (TNUA) @obenlinla Nicola Lewis-Dixon (MMU) @nicola_lewis_dixon Marie Reichel (Die Angewandte Vienna) @mar.ierei.chel Aymei Wang (TNUA) @39th.day Shuwen Wang (MMU) @shuwen1024 Bing-Chi Wu (MMU) Conny Zenk (Die Angewandte Vienna) @connyzenk “Research Jam” is a prelude to the sixth Asian Triennal Manchester “Transvaluation”. Under the supervision of Dr. Anna Bergqvist and initiated by Professor Lin Hongjohn, Research Jam will present a series of events organized by PhD students from Manchester Metropolitan University, the University of Applied Arts Vienna, the University of Oxford, and Taipei National University of the Arts. The Research Jam was created in an effort to democratize research and promote cross-disciplinary dialogue. If you happen to be in town, we’d be delighted to have you join us for a couple of hours, a day or two, or for our entire week of Jamming! *** For more information about the Research Jam : /research-jam/ /cc/asia-triennial-manchester-2025-research-jam-4141813
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6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
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6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
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6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
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6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
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6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
5 0
6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
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6 months ago
「間隙 — 距離的凝視」 Interstice — The Gaze of Distance 展覽日期 | 2025.06.28(六) — 2025.07.20(日) 展覽座談 | 2025.07.12 (六) 15 :30 與談人 吳介祥教授 (國立彰化師範大學美術系) 開放時間 | 週四至週日 11:00~18:00 展覽地點 | 耳畫廊 @ergallery2023 114台北市內湖路三段281號 聯合展覽 | 李采恩@enn_portfolio , 曾奕潔@pipi.holdon , 王愛眉@39th.day 主視覺設計 | 李采恩@enn_portfolio 展覽攝影 | dULUb Studio @dulub_studio 燈光設計 | 張弼凱 @bi_kai_jhang ,林郁晉 @azzzfighting *** 三位藝術家共同回應這些往往不可見的間隙空間,將其呈現為一個賦予與殫竭的場域,探索這些縫隙如何塑造可見、可感而可被異化的事物。李采恩的創作媒材以水墨為主,也涉略攝影、版畫、動畫等藝術創作。靈感主要來自於住家週遭的風景,或許說不上荒蕪,卻嘗試渲染出疏離的氛圍,彷彿隔著河岸望著,並因河水湍急而不敢挨近所產生的距離。王愛眉是比利時籍台裔視覺藝術家,現居台北。她的創作根植於繪畫, 陶瓷和裝置,常以碎片為起點,探索影像與其體現之間過程與關係。曾奕潔關注在繪畫中隱藏於視線邊緣、無法明顯界定的痕跡,並試圖以此回應環境中被忽略的感知與記憶。透過水彩的筆觸、邊界與顏色等繪畫性呈現模糊的形體、留白與遮蔽,塑造既靠近又抽離的觀看經驗。
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6 months ago