10 documents

𝘈𝘭𝘭 𝘰𝘧 𝘢 𝘚𝘶𝘥𝘥𝘦𝘯, 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘜𝘴. A group show with @alberteagerskov , @erdal_bilici , @mabovaqua , @aia_sct , @valatfoltyn , @benjamin_savi , @henning_christiansen_archive , curated by Ginevra Ludovici (@ladymuckbet ). Opening on 𝗧𝗵𝘂𝗿𝘀𝗱𝗮𝘆 𝗠𝗮𝘆 𝟮𝟭𝘀𝘁, 𝟲–𝟵 𝗣𝗠 @10documents Via di San Calepodio 37, Roma _______________________ 𝘈𝘭𝘭 𝘰𝘧 𝘢 𝘚𝘶𝘥𝘥𝘦𝘯, 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘜𝘴 emerges from a constellation of encounters, friendships and shared trajectories developed over the years between Rome and Denmark. The project takes shape from a curatorial research period spent in Denmark, and continued through exchanges with Danish artists, or artists based in Denmark, met in both institutional and independent contexts: conversations, returns, unexpected proximities, bonds sedimented over time. With this group exhibition, 10 documents continues its public research program centered on affection as a relational force shaping bodies, communities, and critical thought. The title points to the sudden emergence of something that happens “between” people: a tension, a presence, a resonance that surfaces in the fragile space of encounter. From this perspective, the exhibition is a field traversed by different practices, capable of generating unexpected continuities between experiences and sensibilities. The works on view bring together artists of the same generation — Alberte Agerskov, Erdal Bilici, Mads Dallas Borre, Aia Sofia Coverley Turan, Vala T. Foltyn, Benjamin Savi — alongside materials from the Henning Christiansen Archive, a key figure of the Fluxus movement, opening the exhibition to different temporalities. They move across installation, sculpture, screen printing, sound, video, drawing, text and archival materials. 𝘈𝘭𝘭 𝘰𝘧 𝘢 𝘚𝘶𝘥𝘥𝘦𝘯, 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘜𝘴 thus tries to think of the exhibition as a temporary space of cohabitation, where artistic, affective and research-based relationships continue to transform one another. The graphic design of the poster features Opus 33 — Modeller nr. 15, “to jump” (1965) by Henning Christiansen. © Henning Christiansen Archive 2026.

SAVE THE DATE – 𝗔𝗽𝗿𝗶𝗹 𝟭𝟴𝘁𝗵, 𝟲:𝟯𝟬 𝗣𝗠 – book presentation: 𝘊𝘰𝘮𝘱𝘰𝘴𝘦 𝘖𝘶𝘳𝘴𝘦𝘭𝘷𝘦𝘴 / 𝘊𝘰𝘮𝘱𝘰𝘳𝘤𝘪 (@edizioni_ensemble ) by Allison Grimaldi Donahue. The publication is a collection of poems that brings together years of study and writing. As an anglophone poet often working with the Italian language, Grimaldi Donahue will reflect on how this book came into being, and on the tensions and possibilities of carrying poetry across languages and contexts. The presentation will take place in dialogue with Graziano Mazza, director of the “Fatto Umano” collection by Edizioni Ensemble dedicated to contemporary poetry, and the book’s translator. During the event there will be a performative reading of the texts in their original language and in their Italian translation. The event will be held in Italian and English. Illustration on p.2 by Beatrice Favaretto (@beatrice.f_ ) ______________ 𝗔𝗽𝗿𝗶𝗹 𝟭𝟴𝘁𝗵, 𝟲:𝟯𝟬 𝗣𝗠 𝗩𝗶𝗮 𝗱𝗶 𝗦𝗮𝗻 𝗖𝗮𝗹𝗲𝗽𝗼𝗱𝗶𝗼 𝟯𝟳 @allisonuccia @edizioni_ensemble @graziano.mazza @10documents _______________ “Hanno speculazioni indotte tutte quelle righe che non hanno maiuscole. Il sogno lucido di Allison Grimaldi Donahue entra nella vita quotidiana come insieme specifico di suoni, visioni e percezioni per guidarci verso un presente fatto di illusioni e sogni concretissimi” (Graziano Mazza)

Published for the exhibition of the same name by Anouk Chambaz at Recontemporary, in Turin (9 April – 3 May 2026), this volume is conceived as an autonomous space of extension and resonance, going beyond a traditional exhibition catalogue. The book brings together three texts commissioned for the occasion and presented in a bilingual Italian–English edition, written by Allison Grimaldi Donahue, Marta Federici, and Edoardo Lazzari. The contributions offer different yet complementary perspectives, expanding the possibilities of interpretation. A selection of images taken from the artist’s videos accompanies the texts, capturing fragments of time and movement. The publication was produced with the support of Rasoir Bouée, Lausanne, within the framework of the exhibition 𝘚𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴 𝘐 𝘨𝘦𝘵 𝘨𝘰𝘰𝘴𝘦𝘣𝘶𝘮𝘱𝘴, presented at Recontemporary and curated by Ghëddo. _________________ 𝗦𝗼𝗺𝗲𝘁𝗶𝗺𝗲𝘀 𝗜 𝗴𝗲𝘁 𝗴𝗼𝗼𝘀𝗲𝗯𝘂𝗺𝗽𝘀 𝟭𝟬𝗗-𝗘𝗗𝗜𝗧-𝟬𝟬𝟰 ISBN 979-12-985970-4-4 56 pages illustrated Italian, English Copies available on and at the exhibition venue in Turin on April 9th. @anouklaure @allisonuccia Marta Federici @obsoleedo @recontemporary @gheddo.project @rasoirbouee

SAVE THE DATE - 𝗔𝗽𝗿𝗶𝗹 𝟵𝘁𝗵 𝟭𝟴:𝟯𝟬 - book presentation: 𝘛𝘳𝘰𝘫𝘢𝘯 𝘏𝘰𝘳𝘴𝘦 𝘌𝘹𝘪𝘵 𝘚𝘵𝘳𝘢𝘵𝘦𝘨𝘪𝘦𝘴 - 𝘈 𝘊𝘰𝘮𝘱𝘦𝘯𝘥𝘪𝘶𝘮 𝘐𝘯𝘴𝘪𝘥𝘦 𝘵𝘩𝘦 𝘉𝘦𝘭𝘭𝘺 𝘰𝘧 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘈𝘳𝘵 𝘐𝘯𝘴𝘵𝘪𝘵𝘶𝘵𝘪𝘰𝘯𝘴 (@setmargins ) edited by Natalia Agati, Matteo Locci, Merve Yücel, Başak Tuna (-ATI). A tactical-relational manual for surviving within the apparatuses of cultural power. Through historical analysis, philosophical inquiry, and contemporary artistic case studies, this research presents models and effects where artists, curators, and cultural operators work from within the very structures they seek to subvert. The authors @nati.sse , @matteo_locci_ati , @mrv_ycl , @basak.tuna (@atisuffix ) will be in dialogue with: @todoporlapraxis @stalkerlab @cesarpietroiu @petertlang @chiccasch and other members of -ATI @panagiotissamsarelos @frastuccia Emanuele Caporella The discussion will be held in English (+ Spanish and Italian). Free entry; all ages. ****************** Thursday April 9th 18:30 - 20:30 @10documents Via di San Calepodio, 37 Roma

𝘪𝘧 𝘵𝘪𝘮𝘦 𝘪𝘴 𝘢𝘯 𝘰𝘯𝘴𝘭𝘢𝘶𝘨𝘩𝘵, 𝘭𝘰𝘷𝘦 𝘪𝘴 𝘢 𝘮𝘪𝘴𝘴𝘪𝘰𝘯 Anouk Chambaz, Agnese Fieno Spolverini, Dalija Kaukėnaitė, Andrea Lo Giudice, Caterina Morigi, Chiara Pagano The group exhibition “𝘪𝘧 𝘵𝘪𝘮𝘦 𝘪𝘴 𝘢𝘯 𝘰𝘯𝘴𝘭𝘢𝘶𝘨𝘩𝘵, 𝘭𝘰𝘷𝘦 𝘪𝘴 𝘢 𝘮𝘪𝘴𝘴𝘪𝘰𝘯”, curated by @ladymuckbet , unfolds within a temporal regime dominated by acceleration and the compression of experience, in which the continuity of bonds is constantly put to the test. If time acts as a force that presses and disintegrates, love—understood as a practice of relation and responsibility—emerges as an exercise in duration, a gesture capable of holding together what tends to fragment and of opening spaces of possibility. The title, drawn from a verse by Kae Tempest, activates a tension between an overwhelming force and a responsive act, between individual vulnerability and shared construction. Within this gap lies the invitation to continue weaving relations even as history accelerates, making care a concrete and situated form of collective resistance. The show brings together artistic practices that operate within a shared field while adopting different positions in relation to the central theme. The invited artists— @anouklaure , @agnesespolverini , @dalijj , @23a.ndy , @caterinamorigi and @chiarapag —belong to the same generation but work across diverse languages and media—from drawing to writing, from audio to performance and video, to sculpture and installation. Rather than constructing a unified narrative, the works present plural ways of being in relation, allowing a multiplicity of voices to emerge without resolving into synthesis. Special thanks to @iancura_ and @ayseidilidil . Ph. @jacopo__rinaldi

GIADA – Gruppo Itinerante di Auto-formazione Democratica e Autonoma è una piattaforma nomade di auto-formazione collettiva, senza gerarchie di sapere e senza docenti. Attraverso un sondaggio digitale scegliamo democraticamente il tema di lettura e ci incontriamo ogni volta in un luogo diverso che mette a disposizione i propri libri per approfondire l’argomento votato: non servono conoscenze pregresse dei temi che andremo a esplorare. Per la sua prima edizione GIADA sarà ospitato da 10 documents - via di San Calepodio 37, Roma, sabato 7 marzo alle ore 16.30. L’incontro avrà la durata di 3 ore. I 3 temi suggeriti da 10 documents affini alla loro ricerca sono: - affezione - auto-istituzione - poesia queer Vota nel sondaggio sul canale Telegram: Link nella bio! ✨ il logo di GIADA è di @fabiogiorgialberti ✨

SAVE THE DATE: Friday February 27th, 6–9 PM 𝘐𝘧 𝘵𝘪𝘮𝘦 𝘪𝘴 𝘢𝘯 𝘰𝘯𝘴𝘭𝘢𝘶𝘨𝘩𝘵, 𝘭𝘰𝘷𝘦 𝘪𝘴 𝘢 𝘮𝘪𝘴𝘴𝘪𝘰𝘯. A group show with @anouklaure , @agnesespolverini , @dalijj , @23a.ndy , @caterinamorigi , @chiarapag . curated by Ginevra Ludovici (@ladymuckbet ) — With a title drawn from a verse by Kae Tempest, the exhibition situates itself within a temporality marked by urgency, transformation, and historical pressure. If time presses forward and disintegrates, love—understood as a practice of relation and responsibility—emerges as a gesture capable of sustaining care, duration, and shared possibility. Rather than naming a theme, the title introduces a tension between what overwhelms and what persists, between individual vulnerability and collective construction. With this group exhibition, 10 documents continues its public research program centered on affection as a relational force shaping bodies, communities, and critical thought. The show brings together practices operating within this relational field, articulating different positions around its central question. The invited artists—Anouk Chambaz, Agnese Fieno Spolverini, Dalija Kaukėnaitė, Andrea Lo Giudice, Caterina Morigi, and Chiara Pagano—belong to the same generation while working across distinct languages and media, from drawing and writing to sound, performance, video, sculpture, and installation. Rather than forming a unified narrative, the works make visible diverse modes of relation, allowing a plurality of voices to emerge without synthesis. Within this horizon, affection does not coincide with harmony, but with the possibility of sustaining relation over time. If time is an onslaught, love is a mission thus names a present condition: continuing to build bonds as history accelerates, making care a minimal yet concrete form of shared resistance. On the occasion of the opening, the exhibition will be accompanied by “Is this vomit fruitful anyhow?”, a reading performance by @agnesespolverini .

yesterday’s workshop “mare aperto” by Alice Manzoni (@alimanzon ) was beautiful and heartfelt. Thanks to everyone who came over. We are grateful for the care, attention, and generosity each participant brought into this safer space. “mare aperto” was part of the first public research program organized by 10 documents, on the theme of affection. More to come. @alimanzon @10documents

SAVE THE DATE: mare aperto, Saturday February 14, 5-7 pm - a workshop with @alimanzon - A collective ritual of orientation with Alice Manzoni, for our first public research program on the topic of affection. “mare aperto” [open sea] is a map to overcome the concept of boundaries, to understand where we feel at home, where we are learning to navigate, and where we are not yet ready to go. Through words, signs, space, and collages, the workshop will explore three emotional territories together: the safe harbor, navigating by sight, and the open sea. An afternoon to reflect practically on new—or perhaps not—ways of being together. And you, how do you find your way on the open sea? - The workshop has limited capacity. 
The event will be held in Italian. To book your spot, link in bio. - Alice Manzoni (Rome, 1991) develops workshops and educational practices that combine critical thinking, attentive listening, and experiential dispositifs. Her work sits at the intersection of self-awareness practices and transfeminist perspectives, with a focus on relational and collective processes. She is a member of Collective Mood, a collective working in the field of electronic music and sound practices, and of Konnect, a Rome-based counter-clubbing and independent culture collective, where she contributes to the creation of spaces for gathering, care, and political and affective experimentation. ph. @elle.fe

On January 30, we closed I’m Half Sick of Shadows, the solo exhibition by @davidelamontagna . We were very happy to inaugurate the 10 documents space with this project, opening our first public research program around the theme of affection. In the exhibition, La Montagna explored intimacy as a fragile space where care, repetition, and emotional exposure coexist with tension and vulnerability. If you’d like to learn more about the exhibition, a conversation between Davide La Montagna and curator @flaviapresti_ has just been published on @nero_editions magazine. You can find the link in bio. Thank you to Flavia for the beautiful text, to Davide for this journey together, and to Nero — especially to @g.crispiani — for making this dialogue resonate beyond the exhibition space 🤍

The Valley Came To Me is a performance manuscript and poetic sequence by Mads Dallas Borre. Written over the course of a transformative summer, the book traces processes of shifts in desire, gender, and relation, through a broader metamorphic field where human and non-human presences coexist. 10D-EDIT-003 Copies available on our website. Free shipping to Italy and Denmark. __________________ Mads Dallas Borre is a visual artist and composer based in Aarhus (DK), working with poetry to explore the ties between language, material, and research as a subversive, polyphonic practice. @mabovaqua

sound and text and attention moving through our space, yesterday was special. Second iteration of our research on affection, with Mads Dallas Borre, in residence at the Danish Institute in Rome, presenting The Valley Came to Me - a collection of poems just published by 10 documents - interpreted live through an original soundscape. Then System Malfunction, a 1hr-long immersive listening session by Valerio Andreasi, featuring a curated selection of both musical and spoken materials. @mabovaqua @calembour_ @10documents