Last year, I had the pleasure of participating as an animator for the CASETiFY (@casetify ) x Takashi Murakami (@takashipom ) collab campaign video!
Itβs been quite a while since the project finished, but because it was such a heavy workload, it took me some time to organize. In particular, rendering the scattering flowers using Particular took much longer than I anticipated π
btw this is to those who have been missing my personal work:
Iβm currently working on a fairly large-scale personal project. I donβt have a specific release date yet, but Iβm doing my best to make sure I can share it with you all someday soon. Thank you for your support always!
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director: @janleeinfo
assistant director: @kangeunbii_
producer: jungik jang
dop: @jebne
gaffer: @hi_hman
edit: @y0uthfilm
2d motion: @zzoon.motion
colorist: @capra.official.colour
sound: @secondemand
#motiongraphics #2d
I animated two shots for Xiaoyuzhouβs 2025 opening video with @flatwhitemotion !
(Kinda late post, so small breakdowns are here too π )
It was super fun, and Iβm really happy I got to be part of this β¨ I hope you check out the full version on
@flatwhitemotion π
2026 T1 CAPSULE promo for @t1.valorant
Director / 2D Motion Graphics / Compositing
It was an incredibly honorable and genuinely enjoyable project. By combining 2D and 3D graphics, we were able to achieve some truly remarkable results, and taking on the role of overall director while experimenting with an entirely new approach made this project especially challenging and rewarding.
Thanks to @ooonukim for those crazy 3D animations π€
Credit
Director / 2D Motion Graphics / Compositing
Jaejun Bang @zzoon.motion
3D Animation
Onew Kim @ooonukim
#motiondesign #2d #3d #animation #valorant
my 2025 REEL is here!
2025 was a year of significant change and growth for me.
I was grateful for a number of unexpected opportunities that allowed me to collaborate with new people and explore a broader range of creative approaches.
Alongside motion graphics, I worked on projects in other fields, gaining valuable insights into different industries and workflows. While this temporarily shifted my focus away from pure motion graphics, it ultimately strengthened my perspective and approach as a designer.
Despite these changes, my commitment to motion graphics has remained constant. I continued to develop my skills and refine my practice with the goal of long-term growth as a motion graphics designer.
In the coming year, I plan to return to motion graphics more actively and present work that reflects a clear evolution from my previous output. This next phase will move beyond a single visual style and focus on exploring a wider range of aestheticsβparticularly styles I have long wanted to pursue.
I would like to sincerely thank everyone who supported me throughout 2025. I look forward to continuing this journey and building something sustainable and meaningful in the years ahead.
See you in 2026!
#2d #motiongraphics #motiondesign #showreel
Some style & character animation exploration I did last year
Taking it out again after a long time, and honestly, it doesnβt look bad π
#2d #motiongraphics #motiondesign #aftereffects #graphicdesign #animation #2danimation
motion graphics for @t1lol - μ€κ΅μμ‘΄κΈ° μΈνΈλ‘ λͺ¨μ κ·Έλν½
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made motion graphics for T1 LoL - Worlds Survival Intro motion graphics. Every moment of making this was an absolute blast.
Thereβs a breakdown included as well, so feel free to check it out!
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Credit
Direction / Design
Soojin Suh @koz.suh
Animation
Jaejun Bang @zzoon.motion
Breakdown music
Flint - Glitch Flop
βοΈβοΈβοΈβοΈβοΈβοΈ
#motiongraphics #2d #aftereffects #animation #2danimation #character #design #characterdesign #t1 #lolworlds #threepeat