@dohafilm
Thank you. Thank you. Thank you. Doha was special.
Lucky to have met so many incredible people. But
sadly, I didnāt take any photos⦠so Iām left with flight and HOTEL room photographs.
Also - loved meeting @misanharriman and @andymsee - their work ā Shoot the Peopleā was a great watch. + Thanks for your time & words of encouragement about my project. Meant a lot.
Ending on a high note: I found the coolest McDonaldās spot (see last picture).
Already missing it all. Until next time š¶š¦
Images from 2023 to 2025. Some are older shots I finally got around to editing, others are reworks of past photographs. I often return to my old images - thereās always something new to fix.
A special post for a group of lovely people. People of Villa San Silvestro. Especially Mario.
Last September, I had the privilege of meeting and working with Mario, made possible through the support of his son, @enrico_palombs
We spent a beautiful few days together - filming for my short film.
After 4ā5 days of shooting, our schedule clashed. The crew had to return home for other commitments, and I had to travel to Perugia to film another scene before heading back to London. We still had a few scenes left to film with Mario, so we agreed that the team and I would return in November to complete them.
But just a few weeks later, in mid-October, we received the heartbreaking news that Mario had passed away.
Now, nine months on, with the green light from Enrico - I want to share some of the photos and videos. I look back on them from a place of privilege/gratitude. Walking with him, talking, eating, simply being.
And the cool neighbours. I canāt forget them.
One neighbour - had her house burning down and offered us to come inside for coffee. Another neighbour, look alike of Willem Dafoe (coolest guy alive). So many great characters in one place.
I can go on and on.
Great memories. Hope to visit and see everyone at Villa San Silvestro again in the near future.
Three years ago, I began working on a personal story titled: The Birds Have Also Gone. It wasnāt about Palestine ā it was about a bird. But like many film projects, it was difficult to make.
8 months ago, in light of the ongoing Israeli occupation of Palestine, I returned to the scriptās original concept and reshaped it to reflect todayās reality. The title remains the same.
Maybe it was always meant ā however sad ā to transition from its original idea to become a voice for Palestine.
Iām proud to stand up against injustice with this project, and Iām happy to go on this journey with @mu.taymour@chaosfilms2022@filmlabpalestine@cinephiliaproductions
Thank you for your selection.
My latest short-film project.
āTraditions Have Also Goneā. A follow-up on āGoneā. This was the most challenging and rewarding filming experience. Here are a few behind the scenes. From pre-production, costume design/set design, music, practice choreography sessions and lastly the actual events. Event*
We have so many people to thank.
1. Fabiola, Sandro & their daughter Chiara. Food and company. Felt like my family.
2. Franco, Silvia & Chiara @chiaradiegoli thank them for their support.
3. Anne āthe Americanā Robichaud - BEST local guide / person
4. Francesco - photographer (Sopra)
5. Sicilian Chiesa - Photographer
6. Nikolaus š¬š· - First Assistant
7. Team Milano - cinematographers
8. @giacomopaparelli from Umbria Webcam - head of festival Live broadcasting in Umbria
9. Team InVideo - Festival Camera team
10. Maurizio - Ticket office
11. Maurizio - host
12 @bear_ippo - translator/crossbow shooter/friend
All of the actors, performers, dancers, coordinators, stunt teams ā¦.
Mayor of Assisi, Stefania Proietti @stefania_proietti_assisi@calendimaggiodiassisi@magnificapartedesotto@nobilissimapartedesopra
So many more names to include but my memory is exhausted. Apologies
@gemma_mancinelli@zezegule@jacobs.films
An endless list of people. See you again, very soon!
āWhen, All We Were is Goneā. A recent project - which I finished directing.
July 2023.
Turkish Breakfast. 39 degrees. 8 am. City Gaziantep, province NurdaÄı. 5 months ago the population was 40,000. Seated in the living room, I asked questions about the first night/weeks of the earthquake.
Into the deep stillness. The Earth climbed vertically upwards, stooping horizontally at the speed of a roaring sea air. Rocked and swayed, gravity responded with a downward crash. The population halved to 20,000. Escaped our roofs in pyjamas, sheltered underneath the shelling winter snow. Endless phones calls. Mixed with positive news and sadly - death. All age groups, surround a burning car tire, which left their lungs gasping for air. No electricity or food supplies. Buckets planted on the ground - filled by the rain. Eventually, weeks later, aid arrived.
More stories were shared. At this moment, the living room where we were seated - aggressively slide back and forth. I understood the fear. I strained my lower back, thatās how quickly I accelerated off the couch.
This project has been incredibly challenging. I want to thank everyone in Izmir, Pazarcik, Kahramanmaras, Gaziantep and Hatay. I have dozens of people to thank in Turkey. Thank you all. Including @zezegule and @ates.mmet . Lastly, my team in London - Thank you.
Self-portrait. May 2023.
A continuation of my collection of self-portraits. From seasides, Barking construction site (afro?), greatfield and a dried-up road -leading to a mountain top in Izmir.
May 2023.
60x80.
Post-earthquake reflection/expression. A red canvas covered by bandaids. A band-aid represents conflicted pain, but also the process of healing. Yet, in this case - the bandaid may never complete its purpose.
May, 2023.
āOcean of sunflower seedsā
A retrospect on my background. Also popular amongst many other countries. This piece of āartā or āglued sunflower seedsā is from a memory. Friends and families gathered by the sea in Izmir, Turkey. 2019. Eating salty sunflower seeds by the salty sea. Non-stop. Sounds kinda rubbish but it was cool when creating it.