“Being faithful to the diversity of the artists involved; avoiding tropes; challenging stereotypes … celebrating the enormous vitality and creativity of artists from working-class backgrounds”.
In our latest episode of our Curating Class podcast series, Exhibitions Curator at The Stanley & Audrey Burton Gallery Dr Laura Claveria tells us about the process of curating our current exhibition [uz], [uz], [uz]: Artists from Working-Class Backgrounds.
Dr Simon Marginson discusses how he researched the University of Leeds’ Art Collection in preparation for the exhibition, and the methodology he developed for what’s thought to be the first full class audit attempted by a gallery or collection.
Tune in wherever you get your podcasts via Gloves Off at the link in bio.
Co-produced by University of Leeds Cultural Collections & Galleries and
@workingclassbritish .
📷 Mary Lord, Sunset (detail), 1964, oil on board. *Orphan work.
📷 Harry Thubron, Composition (detail), c.1970, mixed media. ©Estate of the Artist.
📷 Terry Frost, Mars Red, Yellow and Brown (detail), 1957, oil on canvas. © Courtesy of the Estate of Terry Frost.
📷 Joseph Pighills, Still Life (detail), undated, gouache on paper. ©Estate of the Artist.
📷 Wendy Abbott, In Heavy Air (detail), 1968, oil on canvas. *Orphan work.
📷 Arthur Kitching, Wrestlers II (detail), c.1966, oil on board. ©Estate of the Artist.
All works from Cultural Collections & Galleries, University of Leeds Libraries, Art Collection.
*No rightholder(s) have been identified or, if one or more of them have been identified, none has been located despite a diligent search for the rightholders having been carried out. If you have information about the identity or the location of the rightholder(s), please contact us.
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