Exquisite Pressure x
@theatre_replacement
May 15-16
7:30pm
$17, no one turned away, link in bio
What Lab
Warm welcome to artists
@everythingiscollage +
@rafaelzzzzzzzen ! Sharing their new work
🖇️ Lonely Offices 🖇️
Lonely Offices is a sound theatre work by multimedia performers Rafael Zen + Khalil Alomar that discusses colonial-capitalistic-narcissistic techniques of submission (work culture, gender roles, linguistic barriers, borders, boredom, repetition) in a surreal universe where Severance meets John Cage, and Meredith Monk meets The Office. This exploration on noise art, live improvisation and experimental composition questions: how can we deny this compulsory culture of lonely offices?
🖇️ Rafael Zen is a Brazilian-Canadian sound performer and experimental composer creating on the stolen lands of the Musqueam, Squamish, and Tsleil-Waututh peoples.
They research cyborg performance, wearable technologies, speculative languages, queer identity, and noise/disruption in improvisational composition. Their work blends video, theatre, installation, noise collage and sound performance, engaging with queer cinema and decolonial storytelling. They hold an Master’s in Contemporary Art and currently research New Media + Sound Art at Emily Carr University.
Recent collaborations include works and awards with the Vancouver Biennale, BC Arts Council, Canada Council for the Arts, Vancouver Contemporary Art Gallery, Western Front Gallery, & Kokoro Dance Society.
🖇️ Khalil Alomar is a queer Lebanese-Canadian multidisciplinary artist pursuing a degree in New Media and Sound Art with a Minor in Art and Text.
He is interested in interventions against the autopilot of contemporary life, working in the fields of multimedia performance, intermedia installation, sound art and experimental composition.
His practice blends DIY analog electronics, digital tools and multimedia environments through the language of the glitch and the absurd, reclaiming one’s agency within digital and physical systems by investigating sonic and performative satires against compulsory labor, gender troubles, surveillance as confession, and other colonial-capitalistic schemes.