The ⊹ ࣪ ˖ RE-ENCHANTING DATA MANIFESTOˎˊ˗ follows the intention of building a greater understanding and recognition of the exploitative spheres of care work in the digital realm and how to communally shape new webbings for its distribution. Based on Silvia Federici’s „Re-Enchanting the World: Feminism and the Politics of the Commons“ and Max Weber’s concept of the disenchantment of the world, it transfers their thoughts into cyberspace, reinforcing our resistance to nurturing algorithms in terms of the digital reproduction based on our data.
*₊˚NOW ONLINE @ re-enchantingdatamanifesto.ho 𓍼
Thank you for co-mentoring and code-supporting @solvem.probler <3
⊱ Caliban was online and I observed him ⊰ ist ein p̶s̶e̶u̶d̶o̶-̶f̶i̶k̶t̶i̶o̶n̶a̶l̶e̶r̶ autobiografischer Essay, welcher intime Gedanken, Rage und Recherchefragmente über (̶d̶i̶g̶i̶t̶a̶l̶e̶)̶ Care-/Reproduktionsarbeit und die zwanghafte Kontrolle des weiblichen Körpers, anhand von früheren und heutigen (̶d̶i̶g̶i̶t̶a̶l̶e̶n̶)̶ Instrumenten der Unterdrückung festhält. Everything happening in a complex inner monologue, while being stuck having dinner with the nuclear family, ˗ˏˋLOL´ˎ˗.
Der Text (de+eng) entstand im Rahmen des Textseminars zu Gegenwartsgefühlen, betreut von @_timholland DANKE!
There are some copies left, DM 2 order! ≈ 15€ (Shipping within 。° Germany °。° oder Abholung in Leipzig/Halle)
It only took me a decade of ₊ ⊹𝒫𝑒𝓇𝒻𝑜𝓇𝓂𝒾𝓃𝑔 𝒞𝓎𝒷𝑒𝓇 𝒯𝑒𝓃𝒹𝑒𝓇𝓃𝑒𝓈𝓈₊ ⊹ to realize this. An essay/book/thesis/reflection/manifesto/narrative about the commodification of our teen-angst melancholy, broken down into three acts—following the realization and consciousness of constant pressure of perception, and the importance of performing (our messiest) cyber tenderness in digital eternity ˚ ༘
To all the once Sad Girls/Influencers/and becoming Cyborgs, claiming back the web that they caught us in xx
Supervised by @christophknoth@konradrenner (@klassedigitalegrafik ) & @ute_kalender
Fonts in use: Arial in combination with JL Limpet Granite in Light by @jung_lee_type_foundry
(There are still some copies left, dm if interested! Web version coming soon-ish)
(rip party pink) ⋆✩ Riso-printed thoughts for march. ✩⋆ Printed @risoclub with FLUO PINK & FLAT GOLD on Coffee Cup paper as part of a collaborative calendar ೃ⁀➷
layout proposal for JENNY 13 @sprachkunst_wien@voidsushi + @simon_hundsbichler
we took inspiration from playing cards – using ring binding, every right page can be seen as a cover of this booklet, or the the top card of a deck
eXpEriMenTal OfFsEt printed cover variations for 𝒞𝒶𝓁𝒾𝒷𝒶𝓃 𝓌𝒶𝓈 𝒪𝓃𝓁𝒾𝓃𝑒 & 𝐼 𝑜𝒷𝓈𝑒𝓇𝓋𝑒𝒹 𝒽𝒾𝓂 ⁂ consisting of three layers carrying title, watermark and notes on ᴅᴇʟᴇᴜᴢᴇ' ᴘᴏꜱᴛꜱᴄʀɪᴘᴛ ᴏɴ ᴛʜᴇ ꜱᴏᴄɪᴇᴛɪᴇꜱ ᴏꜰ ᴄᴏɴᴛʀᴏʟ because •*•. wE dO LiVe In A SoCiEtY .•*•
🪲🔊 embrace all bugs, they're hungry as well 💚🥬
#tbt guide zine and website + development 4 our workshop #toolstoolstools together w/ @killalaila
toolstoolstools was a workshop about the usage and importance of open source tools, organized and held by laila paim and veronica obenauer @indiemags 2025 in hamburg. special thanks to @janareddemann , @solvem.probler & @davidliebermann 4 supporting and 2 malte, urs and henning for organizing!
thanks 2 anyone attending our workshop on the 6th of september at indiecon 25!
we had such a wholesome time! xx laila&very
fonts in use: openboek and fairEnough by @notyourtypefoundry
Captured the ʟᴏᴡᴛᴇᴄʜ ᴍᴀɴɪꜰᴇꜱᴛᴏ from 1999 in it's meaning, using Paged.js and Riso, LOL! 🪡 Coded, (ccs-)designed and printed during the 𝗪𝗘𝗕 𝗧𝗢 𝗥𝗜𝗦𝗢 (print) workshop held by @larshembacher@maxanlam@intermedialegestaltung 🖨️🦭
had the honor 2 write a love letter (with all these other extremely talented people) 2 a conventional unconventional item 4 @current.matter 's first issue of 𝓈𝑜𝓊𝓋𝑒𝓃𝒾𝓇𝓈 𝑜𝒻 𝓁𝑜𝓋𝑒 (disclaimer, i am not a graphic designer nor a researcher nor a web developer nor a writer bUt a tEnDeR cOnTenT CrEaToR oF mIsTaKeS)
