It began at @opera_de_monte_carlo with « MEMENTO-MORI » ⏳
Developed alongside @sidilarbicherkaoui@woodkidmusic and many others, the scenography moved through memory, disappearance, ritual, and transformation.
A spatial language built between fragility and impact with monumental rotating structures suspended inside a choreography where bodies continuously dissolved into one another.
@timelessfestival.uradio brings together major international artists while turning Casablanca into a large-scale collective experience.
Beyond the lineup, what stays with me is the atmosphere 🎨
@kholstudio_ as a nocturnal procession through a historic landmark, presented by @bureau19 .
A monumental floral installation unfolds across the fortress entrance beside illuminated textile remnants inspired by tailoring and leather gestures, transforming ceremonial dressing rituals into a large-scale spatial experience 🪡
Casablanca starts to feel futuristic at night.
@bureaudixneuf turns the architecture into a shifting monochrome orchestrated by projections. The installations are all inspired by machinery, infrastructure, speed, ports and the electric intensity of the city.
A vision of Casablanca less nostalgic, more forward-facing a city projected onto itself 🦾
Directed by @virtualappeal
A bag drawn with the reflexes of architecture by @muscha.official
For Twin Center, the quintessential “BLOOM” is directly placed into the skyline of Casablanca through a large-scale installation to make the city itself part of the campaign.
The intervention makes fashion an urban presence, allowing the object to exist as a public sculpture, signage, and monumental scenography.
Seen from afar, the silhouettes are placed in a fine way to feel native to the towers, as if they had always belonged to the horizon of the city.
Austria hands its pavilion to @floholzinger and @labiennale feels wet, unstable, physical 🔔
“SEAWORLD VENICE” turns the pavilion into performance, flooded architecture, choreography, and survival system.
Bodies move through water.
Machines coexist with flesh.
The city itself starts feeling part of the stage @venice.art.biennale
What interests me here is how the pavilion voluntarily shifted from a traditional exhibition to behave as an environment.
