Viner - 161914
coming out Nov, 12th
This piece is built on tension between collapse and structure. Polyrhythmic bass music that moves like breath: uneven, heavy, fragile, alive.
You get 4 DJ tools with the preorder on BC: the stems from which this track was born. Open fragments for those who want to cut, resample, or play with them in their own sets. The act of an artistic exchange.
cover @khankuchum
mastering @fruitbass
vocal @suspiria1999 & I
photo @djhotwife
TONITE 22H KC GRAD
(1200rsd)
SUTRA x FIELDS FESTIVAL present
VINER
@vinerrrrr 's music is deeply rooted in old-school electronic sound with its distorted bass and granular synths that sit against thought-provoking soundscapes of weaving instrumental motives and deconstructed polyrhythmic percussion of Central Asia mixed with deep vocals, giving another take on breakcore and footwork.
Constantly re-defining things like freedom and identity, Viner Khaiitov digs his inspiration in musical heritage and the colonial history of Asian Russian peoples, Central Asia, and the Caucasus. He has taken a mathematical and technical approach to creating his sound: a romantic hybrid of Central Asian samplodelica and 808s mixed with idm and gabber-darkside sounds. Viner's music is a rapid switch between fast and slow, good and evil, saturation and emptiness; an aggressive exorcism of the inner dictator who stops his march to exhale in a deep trance pit.
Friday night at Fields in KC Grad belongs to SUTRA — one of Belgrade’s boldest promo crews. Their territory is non-obvious club music: from raggaton to singeli, from ghetto-tech to juke.
In recent years, SUTRA have been consistently spotlighting artists from the Global South and emerging scenes — and this showcase is no exception.
Leading the lineup is The Yalla Soundsystem — a pan-Arab trio known for their wild, interactive performances. Made up of Bader Shashit, Acid Ponch and 5Amaseen — alongside their cloud-based ghost producer Cheb GPT — they turn every set into controlled chaos. With 4 CDJs, a drum pad and a sampler — and by actively pulling the crowd into the process — they completely dissolve the boundary between stage and dancefloor.
Also joining: Palestinian DJ and filmmaker habkara, Barcelona-based Viner — curator of the Patar label exploring scenes from the Caucasus and Central Asia — and Belgrade’s Fibra Vrgov, who runs pop and rap through the meat grinder of deconstructed electronics.
SUTRA Night is part of the Weekend Pass. Individual tickets for the night program at KC Grad will also be available at the door.
Fields 2026
April 16-18
🎫 in bio
Liberté? Libertad? Freedom? Freiheit? Ազատություն? Свобода? Azatlıq?
Viner – 161914
My new work — polyrhythmic bass music built on tension between collapse and structure.
The release includes four DJ tools — stems from the original session, open for cutting, resampling, or re-contextualising in live sets.
Available on Bandcamp as name your price — conceived as an act of artistic exchange rather than a sale.
cover @khankuchum
mastering @fruitbass
vocal @suspiria1999 & I
photo @paolaidrontinoart
Distorted bass bubbling up from the deep down. This Friday, @vinerrrrr 's Live debut in Barcelona. Tighten up, the pressure’s rising🩸🩸🩸
📅 September 19, 23:00 - 3:30
📍 9D9, Sancho de Ávila, 78, Barcelona
🎟️ €8 on Resident Advisor/ €10 at the door
#bassmusic #barcelonanightlife #undergroundart
Here goes our punk-existentialist rant on the disillusionment of modern structures. Nothing’s safe — as @clppng ’s been saying for years. No healing journeys, no salvation. Just transgression and collective anti-logic. Sit with it. Or don’t.
Also, our website’s live. Link in bio.
Text @whyyouwhy
Design @khankuchum
Music Remix by @shohin_qurbon for @vinerrrrr ‘s Qurgōn
Podcast 043 — @vinerrrrr Marseille🇫🇷
We’re wrapping up the weekend with a new episode of the Plovistan Podcast Series on our SoundCloud, featuring our friend Viner.
You might remember him from his sets at the early parties in 2022 and the Get Busy x Plovistan showcase at Nukus-89 in the winter of 2023🤯❤️🔥
Viner’s music is deeply rooted in old-school electronic sound with its distorted bass and granular synths that sit against thought-provoking soundscapes of weaving instrumental motives and deconstructed polyrhythmic percussion of Central Asia mixed with deep vocals, giving another take on footwork.
Support and donate by link in bio👇🏼
soundcloud.com/plovistan
Who am I — and who gets to care? A me-parts collage: fractured, assembled, questioned. Do you define me, or do I?
Straightforward and assertive, the soffit seeks to unify what splinters. Bishkek @sizzma_ ’s lens traces the winding, cinematic path to the ultimate freedom: not giving a fuck.
Paired with Almaty-based Şürälë’s epic remix of Viner’s Qurgōn, this piece stares back — no permission asked.
created & curated by
@vaninalena & @kulaginkb
director @sizzma_
dop @im_aizhanat
music @vinerrrrr & @suraleisme
text @whyyouwhy
mixing & mastering @fruitbass
starring @thetabigat
line producer @ayday.kundoy
color correction @vorobiov_colorist
@vinerrrrr Qurgōn LP is officially out in full on all streaming platforms as of 00:00 today.
A vicious circle of compliance, who breaks you? The one who dares to look outside.
Director Uuljan Zainidinova speaks: “I once saw a photo of girls braiding each other’s hair and imagined a story where one girl breaks that loop, looks at the viewer, and silently says, I know you see me. In that moment, the cycle is broken. For me, it’s about doing something new — not good or bad — just free. A quiet awareness of choice.”
So, listen, enjoy, and look outside.
created & curated by
@vaninalena & @kulaginkb
director @shiptotheeternalspace
dop @im_aizhanat
music @vinerrrrr
text @whyyouwhy
mixing & mastering @fruitbass
starring @its.moonday@zuura_iminova@miraimaksat@thetabigat
line producer @its.moonday
color correction @vorobiov_colorist
#PatarLab #Qurgon #SlowCinema #PostSovietYouth #DecolonizeArt #UnlearningEmpire #Womenrights
