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@vc.zhdk

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Lehni Permutations is a collaborative project between Ben Ganz, Lehni, and the Bachelor Program in Visual Communication at the Zurich University of the Arts (ZHdK). Taking Andreas Christen’s 1964 Aluminum Shelf as its starting point, students did not to produce new objects, but were asked rethink the system itself. Working in groups with identical modular components, students reassembled them into distinct spatial configurations. Standard Lehni elements were transformed into provisional and speculative architectures, including seating, playgrounds, stages, and spaces for rest. The workshop focused on how a fixed system could generate different forms of use. Each group developed a specific, usable environment while maintaining the structural logic of the original elements. The resulting project will be presented in New York as part of the Frame in Frame exhibition during NYCxDESIGN—where the pedagogical experiment is translated into exhibition form — and featured in an accompanying editorial for PIN–UP Magazine later this year. Project Initiation Jonas Voegeli @infinityvoegeli (Program Lead), Bachelor Visual Communication, Zurich University of the Arts (ZHdK) Concept and Pedagogical Framework by Ben Ganz @officebenganz Collaboration Partner Lehni @lehni_furniture Research Associate and Lecturer Lea Michel @lea.n.michel Photography Module and Photographic Direction Matthias Bünzli @matthias_buenzli (Lecturer Photography) Students Joelina Ackermann Tim Birrer Lamar Bradbury Andri Cavegn Noah Can Ela Çelik Michel Domeisen Tea Eberle Nico Frei Louis Frey Emil Horrolt Ebba Jakobsson Elaine Kleene Hannah Klarer Colin Kühnis Benjamin Martin Shanah Pulgar Noe Rogger Clara van Handel Alice Wéry
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8 days ago
Symbol design representing zurichs Kreis Zwei, based on photographic field research. Printed on silky fabric. developed during the 2nd semester signs and symbols module @vc.zhdk mentored by Isabel Seiffert @isabel___seiffert and Christoph Miler @offshore________ 🩵🦢 ©2024 #graphicdesign #visualcommunication #visualbleed #digitalarchive
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19 days ago
Our 1st-year Bachelor’s Major in Visual Communication students headed to the Zentrum Paul Klee @zentrumpaulklee to present their posters, which reinterpreted Kurt Schwitters’ iconic poem ‘An Anna Blume’, for the exhibition ‘Schwitters. Grenzgänger der Avantgarde’. There was lunch, snacks, and a proper vernissage apéro to celebrate. 🥂 An Anna Blume. Cooperation with Zentrum Paul Klee. 2026. Contributions by: Léna Aebi @lena_aebi Fynn Berger @ferberger_ Eloïse Fournier @rollercoasters_design Ames Gerould @ames_gerould Julia Holenweg @juliamaliiii Chika Lutz @charoquinn Belinda Mensah Fabio Merino @fab.ioo Lena Petrovic Caroline Vrablik @cr.cr.vrblk Sarah Ruckstuhl @ruckstuhlsarah Vivienne Siegenthaler Anastasiia Tokareva @tasya.tokareva Laurin Winter @laurin.winter Supervised by Jonas Voegeli @infinityvoegeli , Katharina Shafiei-Nasab @k.shafiei.nasab and Nicola Canziani @nicola.canziani Posters printed by @uldry_ch in Bern 🎥 @eloises_lens #VisualCommunication #GraphicDesign #KurtSchwitters #ZentrumPaulKlee #PosterDesign Vernissage StudentWork BachelorDesign Typography
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24 days ago
For each exhibition, we collaborate with a different designer and the posters are always added to our renowned poster collection.🎨 This time, for the exhibition Pling! Design hören we partnered in-house with @vc.zhdk . In total, 7 teams submitted several ideas. Today, we’re excited to share all 8 concepts that made it to the shortlist 🏆 Three of these teams were selected to further develop their designs—and one was ultimately chosen. Which one do you think made the final cut? 👀 Stay tuned to find out next week. (1) Gruppe Niclas, Tim, Clara – Pling!__1 (Soundmaschine) (2) Gruppe Emil, Tea, Lamar, Michel – Chaos (3) Gruppe Tim, Hannah, Nico – CD (4) Gruppe ETLMTHN – Gruppenohr (5) Gruppe Tim, Hannah, Nico – barbarcode (6) Gruppe Niclas, Tim, Clara – Pikto2 (7) Gruppe Joelina, Shanah – 3 (8) Gruppe Emil, Tea, Lamar, Michel – Logo Thank you to @d_mirab and @rebeccamorgantipfaffhauser for your excellent support throughout the project!
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25 days ago
Niagara. Project by Stanislas Favre @stanislas.favre A contemporary reinterpretation of the typeface Niagara, originally designed in 1972 by Dominique Blondeau #DominiqueBlondeau and discovered in the archives of the Museum für Gestaltung Zürich @museumgestaltung The project began with the digitisation of the existing character set – limited to uppercase, numerals, and basic punctuation – and expands it into a variable, animatable type system. Based on a geometric sans-serif structure with a skeletal base and perspective-derived cuts, the work explores how historical type design can be extended through current digital tools. Ongoing development aims toward publication on the Museum’s efont.ch platform, positioning the typeface between archival research and contemporary application. Module Type Design Advanced 2025. Supervised by David Keshavjee @maximage_societe_suisse Marietta Eugster @mariettaeugster Giliane Cachin @gilianecachin Sylvan Lanz @sylvanlanz and Samira Schneuwly @samiraschneuwly #typedesign #variablefont #archive #museumfürgestaltung #graphicdesign #vczhdk #visualcommunication #zhdk
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25 days ago
Congratulations to the six alumni/assistants who were selected as Finalists for this year‘s Swiss Design Awards @swissdesignawards @martinabrassel @data_orbit @naylabaumgartner @fabiomenet @louisvaucher @michelegger @outline____online @samiraschneuwly
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1 month ago
Kuppeln. Project by Viviane Bettschart @vivianedominique Lisa Steiger #lisasteiger Niclas Funk @curdin28 and Marc Iselin @mark.izelin An editorial project examining domes as architectural, political, and symbolic structures. Based on the Nice Try! podcast episode on «Germania», the unrealised Nazi vision of a monumental domed capital, the publication expands the topic to a comparative study of domes worldwide. The book is structured in four chapters, each with a distinct reading direction, requiring rotation to reflect the spatial logic of a dome – without beginning or end. Text blocks act as structural pillars, while images radiate from the centre and scale according to their position, creating a system that mirrors architectural hierarchy. The project explores the relationship between form, power, and perception through a spatially driven editorial design. Module Editorial Advanced 2024. Supervised by Lea Michel @lea.n.michel and Isabel Seiffert @isabel___seiffert #editorialdesign #architecture #domes #publicationdesign #graphicdesign #vczhdk #visualcommunication #zhdk
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1 month ago
WIM. Project by Alicia Godel @aliciamariagodel WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1 Module Type Design Basics. 2024. Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly #typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk
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1 month ago
FUBU x Luis Adrian Borchardt 26.03.2026 18:00 Raum 5K10 ZHdK Toni Areal Design by @timon.wal @timflorinbirrer
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1 month ago
FUBU x Luis Adrian Borchardt 26.03.2026 18:00 Raum 5K10 ZHdK Toni Areal Design by @timon.wal @timflorinbirrer
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1 month ago
An Anna Blume. Cooperation with Zentrum Paul Klee. 2026. Based on Kurt Schwitters’ iconic poem «An Anna Blume», thirteen of our students designed posters reinterpreting Schwitter’s experimental approach to language and typography through contemporary design practices. The posters are presented as part of the exhibition «Schwitters. Grenzgänger der Avantgarde» at the Zentrum Paul Klee @zentrumpaulklee , connecting historical avant-garde strategies with current graphic design. The exhibition opens this Thursday, 19.03.26, at 18:00. An Anna Blume. Cooperation with Zentrum Paul Klee. 2026. Contributions by: Léna Aebi @lena_aebi Fynn Berger @ferberger_ Eloïse Fournier @rollercoasters_design Ames Gerould @ames_gerould Julia Holenweg @juliamaliiii Chika Lutz @charoquinn Belinda Mensah Fabio Merino @fab.ioo Lena Petrovic Caroline Vrablik @cr.cr.vrblk Sarah Ruckstuhl @ruckstuhlsarah Vivienne Siegenthaler Anastasiia Tokareva @tasya.tokareva Laurin Winter @laurin.winter Supervised by Jonas Voegeli @infinityvoegeli , Katharina Shafiei-Nasab @k.shafiei.nasab and Nicola Canziani @nicola.canziani Posters printed by @uldry_ch in Bern #typography #poster #kurtschwitters #zentrumpaulklee #graphicdesign #vczhdk #visualcommunication #zhdk #posterdesign #zentrumpaulklee #uldryprint
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1 month ago
Roam. Project by Alison Léger @alisonleger_ A photographic travel guide exploring notable spots within Zurich’s industrial district. The project uses AI-generated imagery to portray the area in an idealised, artistic manner, focusing on stylistic coherence to create a unified visual journey. Structured in three parts, the guide opens with an image gallery that sets the atmospheric tone, followed by detailed location insights visualised through point-based layouts referencing maps, and concludes with thematic reflections on the district’s architecture, innovation, and creative culture. Designed with shifting layouts, adapted text flow, and a perforated cover, Roam invites readers to wander, discover, and re-see the industrial district. The publication is packaged in a transparent sleeve with a neck strap for on-the-go exploration. Modules Photography & Editorial Design 2025. Supervised by Hans-Ruedi Rohrer @hansruedirohrer Lea Michel @lea.n.michel and Matthias Bünzli @matthias_buenzli #editorialdesign #photography #urbanexploration #graphicdesign #vczhdk #visualcommunication #zhdk
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2 months ago