INSTALLATION HIGHLIGHT | Underwater, on Fire
A dragon coils in the gallery. Breathed into life by a fog machine, its body is made of iron-rich Yixing clay, and its spine flickers with animations of mining and memes. Candice Lin’s “Soul of the World (Iron Ouroboros)” is a smoldering meditation on the cycles of consumption, sacrifice, willpower, and historical dynamics that shape our world.
Hanging above the dragon, indigo-dyed textiles—“Mater/Desire” and “Terror/Terroir”—explore humanity’s insatiable appetite for natural resources. Mater (Latin for mother, root of “matrix”) and désire (French for desire) face each other on one sheet, while terror and terroir (the environmental factors shaping wine grapes) mark the other. Dyed with historically prized indigo, the works reflect how the pursuit of materials—from minerals to fabrics—has driven history, often through greed, violence, and upheaval.
Throughout flanking exhibition spaces,
@shuyi_cao Shuyi Cao creates a fictional underwater temple with “Institute of the Sun #1 & #2.” Here, commissioned Tiffany stained glass works—inspired by solar furnaces and primitive algae—glow next to enigmatic purple clay sculptures (“Thalacora,” “Ammonora,” “Xurtha,” “Siphonura,” “Gorgospina,” “Land of Discontinuity”) featuring hybridized microorganisms, fossils, and mythological totems.
These works are just one layer of an immersive exhibition where all elements are connected and move beyond the traditional presentation pf individual objects to a holistic, contemporary narrative of myths, matter, and transformation.
“Underwater, on Fire” is curated by Luan Shixuan
@shixuan_luan and is on view until October 12, 2025.
#ucca #uccaclay #shuyicao #candicelin #yixing