See you there! We look forward to sharing with you our latest works in these upcoming events.
🇲🇾 9 - 12/4/2026
同舟共濟 Art for the land
Fundraising Art Exhibition in support of Fund a Land
50% of the proceeds goes to Fund a Land
東藝館 Oriental Art and Cultural Center (OACA)
11.00 - 18.00
@fund.a.land.with.kongsi
🇨🇳 17 - 19/4/2026
「柔軟一日」soft soft day pop-up
廣州市越秀區中山路興昌街7號4樓 ｜ 上料 loading
10.00 - 18.00
@softsoftday
🇲🇴 30/4 - 3/5/2026
澳門塔石藝墟
Tap Seac Art Market
🇲🇾 16 - 17/5/2026
Twi_kle Makers Pop Up
Awe Gallery, Petaling Jaya, Malaysia
11.00 - 20.00
@awegallery
線上釉藥課程與諮詢
在忙碌的5月過後終於空出了時間
大家期待已久的線上釉藥課終於是準備好了。
這裡會提供基礎知識和一些實驗方法，
解決配釉上的問題與煩惱。
課程會根據同學的需求調整，
目前有兩個程度，初階和進階。
初階：
提供釉藥的基本知識,了解土與釉的關係，釉的熔點，釉的缺陷和處理，釉相分析和基本實驗方法。
進階：
提供幾種方法對現存的釉藥進行調整，解析有色釉藥的發色原理，分析各國的原料和轉換成本地材料方法。
課程適合
·想開辦工作室/自己配釉的創作者
·在配釉過程遇到瓶頸的創作者
·擁有燒製陶瓷的原料，設備與空間
歡迎私訊查詢再決定報名哪個課程～
Online glaze workshop and consultation
This glaze workshop and consultation sessions will provide you with the basic knowledge and experimental methods of glaze making tailored to your specific needs.
Basically, there are two levels for the workshop, beginner and intermediate. The contents of the workshops are briefly listed below.
Beginner workshop:
• Provide basic knowledge on glaze making
• Understand the relationship between clay and glazes
• Determine the melting point of glaze
• Understand glaze defects and its treatment
• Glaze phase analysis
• Experimental methods
Advanced:
• Methods to adjust readily available glazes to achieve desired results
• Analyse the mechanism of colouring agent in coloured glazes
• Analyse raw materials from different countries and calibrate accordingly
Suitable for
• Potters interested in making their own glazes
• Potters who encounter problems in their glazes
• Have access to materials, kiln and space to fire their own test tiles
Feel free to DM us for any discussion or enquiries.
This series of work is inspired by the Goryeon Celadon, which patterns are carved into the clay body, inlaid with white and black slip, and finally reduction fired.
We started adding the pattern of lily of the valley in the beginning, thinking that it looks charming and delicate. Later, when we found out its meaning, which is the return of happiness, the motif became even more meaningful to us.
In life, we always have to take the good with the bad, the smile with the sad. If life is a constant cycle between happiness and sorrow, we might
sometimes caught ourselves wondering, especially during difficult times, when happiness will return again. Lily of the valley feels like a quiet prayer for the return of happiness amidst adversity. It serves as a reminder that the challenging days are temporary and better days are coming.
As for the Koi fish, it is a motif with elegant curves and intricate patterns. It also represents perseverance, strength and prosperity. In Japanese, 'koi' is a homophone for 恋, another word that means 'affection' or 'love', so koi are also symbols of love and friendship in Japan. We hope that these motifs that we have chosen adds more meaning to the tableware that we create, gently reminding people of more goodness, hope and warmth in every day life.
"Even a happy life cannot be without a measure of darkness, and the word 'happy' would lose its meaning if it were not balanced by sadness."
— Carl G. Jung
See you at Twi_kle Makers Pop Up at @awegallery next weekend. Can’t wait to meet you all! See you!
16th, 17th May (Sat, Sun)
11.00 - 20.00
Awe Gallery, Petaling Jaya, Malaysia.
聞香杯收口的器型
總是讓人顧慮到
拿在手上時會感覺燙手
這次嘗試利用銀杏葉的形狀
在收口的背面上成為把手
看起來好像胖胖的杯子上
長出了小小的翅膀🪽
有點滑稽的樣子
We are always concerned about how the rim feels too hot when holding an aroma cup, which almost always has a closed rim. For this design, we use the motif of a ginkgo leaf, attached to the body of the aroma cup, to be used as a small handle. It looks like a pair of wings growing out of a bulbous shape cup. 🪽
