nina vroemen

✨the sisters are thrilled to be on the cover of the latest issue of 𝙀𝙨𝙥𝙖𝙘𝙚 𝘼𝙧𝙩 𝘼𝙘𝙩𝙪𝙖𝙡, N. 142, 𝓟𝓻𝓸𝓹𝓱𝓮𝓬𝓲𝓮𝓼✨ Huge merci to Fanny Curtat for highlighting our work in her article “Divination and Contemporary Art : Thinking of the Future as Undecidable” & thank you @charliepoirierbouthillette for the amazing cover photo📸 #divination #scrying #cyanometer #artandecology #weather

My first venture into making ceramic fountains ⛲️ work in progress for my thesis show 𝕘𝕣𝕠𝕦𝕟𝕕 𝕚𝕤 𝕥𝕙𝕖 𝕓𝕠𝕥𝕥𝕠𝕞 𝕠𝕗 𝕒𝕟𝕪𝕥𝕙𝕚𝕟𝕘 Opening November 20th. Vernissage 5-9🥂 Concordia VA building VA102 @concordiamfa #ceramics #water #fountains #studioart

clip from surface depth💧 excited to be screening it @ecart.art.actuel as part of my solo exhibition: 𝚕𝚎 𝚜𝚘𝚕 𝚎𝚜𝚝 𝚕𝚎 𝚏𝚘𝚗𝚍 𝚍𝚎 𝚝𝚘𝚞𝚜 - 𝚐𝚛𝚘𝚞𝚗𝚍 𝚒𝚜 𝚝𝚑𝚎 𝚋𝚘𝚝𝚝𝚘𝚖 𝚘𝚏 𝚊𝚗𝚢𝚝𝚑𝚒𝚗𝚐 Vernissage: 29.01.25 Expo 29.01-23.03.25 huge HUGE thanks for the support from@artchmtl plein solo project🫶

𝖨𝖭-𝖲𝖠𝖫𝖳𝖤𝖣: 𝖱𝖾𝖻𝖾𝗅 𝗌𝖺𝗅𝗍 𝖼𝗋𝗒𝗌𝗍𝖺𝗅𝗌 𝖺𝗇𝖽 𝗍𝗁𝖾 𝗂𝗋𝗋𝖾𝗉𝗋𝗈𝖽𝗎𝖼𝗂𝖻𝗅𝖾 𝖾𝗊𝗎𝗂𝗅𝗂𝖻𝗋𝗂𝗎𝗆 𝗈𝖿 𝗌𝖺𝖼𝗋𝖾𝖽 𝗌𝖺𝗅𝗍 𝗅𝖺𝗄𝖾𝗌. I wrote a Feeled Lab post about the Art and Science Residency program I was a part of this March! Available here: https://thefeeledlab.ca/2026/05/14/in-salted/ “What is saltier: human blood or the Ocean?” Indeed, both blood and swell are comprised of the same kind of salt: sodium chloride. Salt lakes are often believed to be lifeless. The most famous salt lake is called the Dead Sea, in English, and in Arabic. However, salt lakes are very much host to life, and also seen as a key to understanding life’s past, present and possible futures. Salt is in our bodies. Some of the most important bodies of water. Salt seduces. It enhances flavour on human tastebuds. It fixes colors to textile fibres. It preserves food without electricity. It makes vegetables sweat—pulls brine. It drives mammals to travel lengthy distances to satisfy an essential Lick. Salt—with a particular interest in Salt Lakes—was our focus for our Science and Art residency at Woodhaven. Immense gratitude for this experience on the traditional, ancestral, and unceded territory of the syilx Okanagan people. The incredible depth and hope in the Syilx Water Declaration has been a formative guide throughout our visit. Special thank you so much for your knowledge and generosity, J.R. “Banjo” Linkevic, Carrie Terbasket @carriemelissa , Coralee Miller, Jade and all the staff at the Sncewips Heritage Museum. To the trust, care and support from Astrida Neimanis @astridaneimanis , Fran Brouse and Shauna Oddleifson from the Woodhaven Centre @feeledlab and all the kind people who visited us and welcomed us here. #artandscienceresidency

ᵗʰⁱⁿᵍˢ ᵃʳᵉⁿ’ᵗ ᵃˡʷᵃʸˢ ʷʰᵃᵗ ᵗʰᵉʸ ˢᵉᵉᵐ, 2023, stoneware ceramic part of ground is the bottom of anything installation, found glass orb, 7”x8”x5” To reimagine the myth of Narcissus with his eyes closed To turn over a rock and discover another world To listen to the siren call of the ocean in every seashell The glaze for the six ceramic sculptures was created based on the composition of seashells. This work explores themes of ecology, extraction, mythology and awe. This work is part of the @art_volt_ collection #ceramicarts #mythofnarcissus #divinationtools

𝔱𝔢𝔰𝔱𝔰 𝔞𝔫𝔡 𝔱𝔯𝔬𝔭𝔥𝔦𝔢𝔰 - 2024 𝐼𝓈 𝒶 𝓉𝑒𝓈𝓉 𝓈𝓉𝒾𝓁𝓁 𝒶 𝓉𝑒𝓈𝓉 𝒾𝒻 𝓉𝒽𝑒 𝑒𝒻𝒻𝑒𝒸𝓉𝓈 𝒶𝓇𝑒 𝒾𝓇𝓇𝑒𝓋𝑒𝓇𝓈𝒾𝒷𝓁𝑒? Group of five low-fired ceramic flasks designed to weep. Post-fired the crazed glaze is emphasized with ink locked into the hairline cracks and illuminated with metallic mends. Part of the @art_volt_ collection #ceramicarts #artandecology #artsandscience

the half-life of Uranium is 4.5 billion years and glass was once sand (clock), 8”’x16 kinetic sculpture, Uranium glass, Plexi, found aluminium, disco ball motor, 2021 Revisiting this work. new documentation. #nuclearcolonialism #deeptime #uraniumglass

“𝑹𝒂𝒕𝒉𝒆𝒓 𝒕𝒉𝒂𝒏 𝒂𝒑𝒑𝒆𝒂𝒓𝒊𝒏𝒈 𝒂𝒔 𝒂𝒏 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕 𝒄𝒐𝒏𝒄𝒆𝒑𝒕, 𝒂𝒏 𝒖𝒏𝒆𝒏𝒅𝒊𝒏𝒈 𝒍𝒊𝒏𝒆 𝒇𝒐𝒓𝒘𝒂𝒓𝒅 𝒐𝒓 𝒃𝒂𝒄𝒌𝒘𝒂𝒓𝒅, 𝒅𝒆𝒆𝒑 𝒕𝒊𝒎𝒆 𝒉𝒂𝒔 𝒂𝒏 𝒖𝒏𝒄𝒂𝒏𝒏𝒚 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒕𝒆𝒍𝒆𝒔𝒄𝒐𝒑𝒆 𝒊𝒏𝒕𝒐 𝒂𝒏𝒅 𝒐𝒖𝒕 𝒐𝒇 𝒆𝒗𝒆𝒓𝒚𝒅𝒂𝒚 𝒎𝒐𝒎𝒆𝒏𝒕𝒔” I’d like to share some exciting news along with these gorgeous photographs my talented partner JG @materialgroup.print captured of me in my studio: This February I was accepted into Concordia’s Humanities interdisciplinary PhD program (HUMA)! I am thrilled to continue deepening my ceramics research with my MFA advisor Linda Swanson @swansonstudii , and start a new chapter with the guidance of MJ Thompson @mjthompson9697 and Astrida Neimanis @astridaneimanis I feel immense gratitude for this opportunity ✨ More soon! *quote: S Skrimshire

Prolongée ! Il reste un peu plus d’une semaine pour voir (et écouter) l’exposition to spill / faire eau au @macbsp . 
Merci à toutes celles et ceux qui se sont déplacé·es, au musée pour l’accueil, et aux artistes qui ont donné vie à cette exposition. ~ ~ ~ Extended ! There’s just over a week left to see (and listen to) to spill / faire eau at @macbsp . 
Thank you to everyone who has made the trip, to the museum for hosting, and to the artists who brought this exhibition to life.

ᵗʰⁱⁿᵍˢ ᵃʳᵉⁿ’ᵗ ᵃˡʷᵃʸˢ ʷʰᵃᵗ ᵗʰᵉʸ ˢᵉᵉᵐ, 2023, part of ground is the bottom of anything installation, found glass orb, ceramic, 4” x 9” a ѕнєℓℓ σƒ σηєѕєℓƒ 🐚 #ceramicsculpture #divination #scrying #oceancreature #gargoyle

̠o̠̠s̠̠c̠̠i̠̠l̠̠l̠a̠̠t̠̠i̠̠n̠̠g̠ ̠p̠̠l̠a̠̠n̠̠e̠̠s̠ ̠o̠̠f̠ ̠e̠̠x̠̠p̠̠e̠̠r̠̠i̠̠e̠̠n̠̠c̠̠e̠ 1 of 2 mobile collage, 2025. wire, found images, cardboard, gel medium

Vues de l’exposition To Spill / Faire eau au @macbsp jusqu’au 19 avril. Avec @translucentgrapes , @kuhdelrosario et @naakitafk dans le cadre de la @biennaledequebec . Documentation par @emiledontigny . Merci à toustes qui ont rendu cette exposition possible ! 🌊🌊🌊 Exhibition views from To Spill / Faire eau at the @macbsp until April 19th. With @translucentgrapes , @kuhdelrosario and @naakitafk as part of the @biennaledequebec . Documentation by @emiledontigny Thank you to all who made this show possible!