Tørreloft

Moa Alskog Luna, en död kanin - until 24 May Portal, insect net, pigment, ribbon & balloon weight, 5x4m, 2026 Helios, helium balloon, glue & acrylic paint, 71x74cm, 2026 Photos @mallegilbert @agaaaaaaaaateliers

Opening next week! Friday 24 April, kl. 16–20 Moa Alskog Luna, en död kanin @moalskog @agaaaaaaaaateliers 🙏 @statensvaerksteder #rådetforvisuelkunst #grossererlffoghtsfond

Non-sense foregrounds the unmeasurable. We recognize it, but can’t count on it. It functions as an event addressing corporeality and contingency. It’s sound before it learned to behave. Text (excerpt) @ppaleari For Want Of - - Images from a performance by @0h_jon @jimhobbsart @steffen_levring @stine_deja @elisa_bergmannn @_sarahmcnulty_ @patrickadam_jones @ludovica_carbotta 🙏 Fake Foundation, University of Greenwich & Südtiroler Landesregierung, Abteilung Deutsche Kultur Photos @briankurefoto @agaaaaaaaaateliers

For Want Of - - last week Lukas Danys S.E.U. 1–6, paper, print, plastic boxes, glue, 53 × 90 × 57 & 2×: 71 × 90 × 57 mm @pocket_tricks @agaaaaaaaaateliers Photos @briankurefoto

For Want Of Elisa Bergmann Edge of whatever/something, oil and pigment on canvas, 107 x 158cm Jim Hobbs Polytechneiou (Unstable Grids), hand pressed porcelain, 20 x 20cm each @elisa_bergmannn @jimhobbsart Photos @briankurefoto

For Want Of - - Stine Deja, Full Circle @stine_deja Patrick Adam Jones, It is always the same and it is always different @patrickadam_jones @jimhobbsart 🙏🙏 Photos @briankurefoto

For Want Of - until 18 March The Waterer Watered, Ludovica Carbotta It is always the same and it is always different, Patrick Adam Jones @ludovica_carbotta @patrickadam_jones Photos @briankurefoto

Thanks to all who braved the ❄️ and made it out to a the opening of For Want Of last Friday H/V screening & concert @jimhobbsart @steffen_levring @0h_jon @stine_deja @_sarahmcnulty_ @elisa_bergmannn @ludovica_carbotta @pocket_tricks @ppaleari @patrickadam_jones Huge thanks also to Fake Foundation, University of Greenwich & Südtiroler Landesregierung, Abteilung Deutsche Kultur for making it possible

Opening Friday 20 February, 18-20.30 Screening 20:00 For Want Of brings together artists who explore the problematic and poetic use of systems and measurement. Whereas measurement often focuses on quantitative results, the artists instead choose a metaphysical approach to exploit the corporeal use of measuring apparatus as a vehicle for critique. Here, alternative tools are used to point out the futility, absurdity and impossibility of truly knowing the world around us; investigating rather through human relationships to the measurement of time, perspective, location and memory. The exhibition is the fifth iteration of an international project conceived by Jim Hobbs and Patrick Adam Jones in London 2022. Here the selected artists’ work unfolds forms and applications of measurement by investigating relationships between individuals and built environments, both concrete and fictive, and how we measure or understand spaces that are in constant flux or renegotiation. Some suggest registrations of a place, space or situation, that is perhaps fleeting and dissolving through recollection, whereas others will open up concepts and perceptions that cannot be measured formally. There are envisioned futures and various realities, as well as the ideas in response to technological shifts, and storing unknowable quantities, digitally or physically. Elisa Bergmann Ludovica Carbotta Lukas Danys Stine Deja Jim Hobbs Patrick Adam Jones Sarah McNulty Sounds by Ojon & Steffen Levring Text by Paola Paleari @stine_deja @pocket_tricks @ludovica_carbotta @elisa_bergmannn @jimhobbsart @0h_jon @steffen_levring @_sarahmcnulty_ @ppaleari Many thanks to #fakefoundation & #autonomeprovinzbozen

Kirstine Aarkrog Do Not Leave Me Steel sheet, 160 · 50 · 1 cm @briankurefoto

Kirstine Aarkrog Two glass boxes are stacked, a large box on top of a small box. The difference between the two boxes is that the small one is just strong enough to withstand the weight of the large one without breaking. Glass, sandstone, 152 · 128 · 77 cm. Photos @briankurefoto

Kirstine Aarkrog The shape consists of used shooting plates that the police use when they train to shoot. The plates lie behind the human silhouettes that the police are shooting at. The police, who have the state monopoly on violence, are the only ones allowed to shoot at drawn silhouettes of a person, and in the extreme, at another person. The plates are assembled into a six-sided cube. Polystyrene, 140 · 60 · 58 cm. @agaaaaaaaaateliers Photos @briankurefoto