I’m being soooo lucky to be surrounded by the most loving and supportive friends in the world when I’m entering my 30s 🥹 They prepared balloons, my favourite cheesecake and ice cream, Chiikawa, and their time and heart — all by surprises 😭
Last time when I had a big birthday celebration was 20 years ago, held by my family. Then a lot has been going on. My family got changed. My world grew bigger. And now I’m away from home most of the time, but not being alone with these friends as my new family. I guess I’d only realise how important and precious these moments are some time later, just as I’d only realise the meanings of 30s some years later too. And among the process, thanks for sharing your time with me 🤍 #士巴拿行動
Now showing:
Square Street Gallery is pleased to present my gaze is as clear as your breath, a solo exhibition by Melody Qingmei Li, curated by Tong Hu. Through repeated sessions of observation and meditation, Qingmei distills her methodology of drawing skin into works within the exhibition.
Qingmei’s methodology of drawing skin begins with a simple act of gazing at a patch of skin. Through sustained observation, the familiar is transformed. Patterns, textures, and imperfections emerge, dissolving preconceived notions tied to race, gender, health, or class. Over time, these fragments of skin grow and connect, extending outward to embrace other beings, objects, and the larger organic and inorganic world. The boundary of skin begins to dissolve through the gaze.
𝚖𝚢 𝚐𝚊𝚣𝚎 𝚒𝚜 𝚊𝚜 𝚌𝚕𝚎𝚊𝚛 𝚊𝚜 𝚢𝚘𝚞𝚛 𝚋𝚛𝚎𝚊𝚝𝚑
Melody Qingmei Li
Curated by Tong Hu
Exhibition: 12 Sep - 11 Oct
@melodyqingmei@tonghuuu
Installation views by @liao_jiaming_
The project is supported by HKADC. The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.
Some (reflected) sneak peeks and (partial) behind the scenes for @melodyqingmei ‘s solo exhibition opening soon at @squarestreetgallery . More to unveil on Thursday 11 September! 🪞👀🌬️
🎐🤲
Melody Qingmei Li
my gaze is as clear as your breath
📅 Opening at 6-8 pm, Thursday 11 September
@squarestreetgallery
#hongkongartgallery #behindthescenes
𝐎𝐏𝐄𝐍𝐈𝐍𝐆 𝐒𝐀𝐕𝐄 𝐓𝐇𝐄 𝐃𝐀𝐓𝐄: 𝐓𝐡𝐮 𝟏𝟏 𝐒𝐞𝐩𝐭𝐞𝐦𝐛𝐞𝐫 𝟔 - 𝟖 𝐩𝐦
Please join us for the opening of Melody Qingmei Li’s solo exhibition ‘my gaze is as clear as your breath’ at Square Street Gallery, curated by Tong Hu. The exhibition presents a series of new works Melody created this year, in a wide range of media, based on her repeated practices of ‘drawing skin’, a meditative methodology she developed in the past five years.
At its core, my gaze is as clear as your breath invites viewers to reflect on the boundaries of the self and our connection to the world. Qingmei’s methodology of drawing skin begins with a simple act of gazing at a patch of skin. Through sustained observation, the familiar is transformed. Patterns, textures, and imperfections emerge, dissolving preconceived notions tied to race, gender, health, or class. The boundary of skin begins to dissolve through the gaze.
𝚖𝚢 𝚐𝚊𝚣𝚎 𝚒𝚜 𝚊𝚜 𝚌𝚕𝚎𝚊𝚛 𝚊𝚜 𝚢𝚘𝚞𝚛 𝚋𝚛𝚎𝚊𝚝𝚑
Melody Qingmei Li
Curated by Tong Hu
Opening: 11 Sep 6 - 8 pm
Exhibition: 12 Sep - 11 Oct
@melodyqingmei@tonghuuu
The project is supported by HKADC. The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.
Yes I’m raising two teenager siblings in Hong Kong with immersive art education, one radical anarchist feminist (recently into no wave rock) 📖🎸 and one happy innocent fool (will be crushed by girls and boys) ⚽️🕹️
Prompt created by @zxlizard
(I prefer cats)
I first saw this painting nine years ago, as the cover of a catalogue among the “latest release” in my university’s library. I had no idea who Luc Tuymans was, but I was so shocked the moment I saw it — by the restraint and quietness, with the undercurrents of something strong and powerful. I turned the pages, trying to figure out those unsaid and complicated contexts hidden under the overexposure effect. They are so light yet so heavy.
In the end I just stood there for a long time finishing the whole book, and started to search more about this artist online. I’ve been so enchanted by his paintings since then, and it partially led me to the way of starting my career at the gallery that represents him. (“If he works with them, it should be a good gallery?”) I was still glad I got to participate in his exhibition in Hong Kong, even though it’s a small gallery show during covid. He couldn’t come visit, so I secretly took screen captures when we were on the call, as a fan girl.
As I grew up and learnt more about the “art world”, I now know it’s always a process of disenchantment. I admit it’s getting harder now for me to fell in love with any artwork (or anyone) easily. But that struck stays with me. It sounds silly so I seldom mention that to people. But I really treasure the moment, and I still believe he’s one of the greatest painters of our time.
It’s great to finally see this work in person. And I hope I’m not diverting too far from where I started.