Due to the photographic nature of the exhibition, which would be unveiled during a Sunday afternoon public opening in June, we decided to uphold the mystery and create further expectation by using only a small selection of the full portraits and mainly showcasing the cutout silhouettes of these same throughout Bergamaschi’s visual identity.
Da un’idea di / An idea of:
Paola Foresti
Emiliano Rainoldi
Fotografie / Photographs:
Paul Maffi
Photographic Production:
Amanda Lokey
Progettazione Editoriale / Editorial Design:
Aldo Arillo
Progettazione di Allestimiento Mostra / Exhibition Design:
Katrin Arens
Tipografia / Typography:
Nodo Type Foundry
Ariel Di Lisio
Aldo Arillo
#tomoediciones
#fondazionealfaparf
#paulmaffi
#bergamaschi
#nodotypefoundry
BERGAMASCHI
Da un’idea di / An idea of:
Paola Foresti
Emiliano Rainoldi
Fotografie / Photographs:
Paul Maffi
Photographic Production:
Amanda Lokey
Progettazione Editoriale / Editorial Design:
Aldo Arillo
Progettazione di Allestimiento Mostra / Exhibition Design:
Katrin Arens
Tipografia / Typography:
Nodo Type Foundry
Ariel Di Lisio
Aldo Arillo
#tomoediciones
#fondazionealfaparf
#paulmaffi
#bergamaschi
#nodotypefoundry
Back in 2023, we found ourselves immensely grateful to have our craft venture into another continent entirely for the first time. NY-based and Bergamo-born photographer Paul Maffi hand-picked TOMO to create the visual identity of Fondazione Alfaparf’s first ever exhibition and publication: Bergamaschi.
Da un’idea di / An idea of:
Paola Foresti
Emiliano Rainoldi
Fotografie / Photographs:
Paul Maffi
Photographic Production:
Amanda Lokey
Progettazione Editoriale / Editorial Design:
Aldo Arillo
Progettazione di Allestimiento Mostra / Exhibition Design:
Katrin Arens
Tipografia / Typography:
Nodo Type Foundry
Ariel Di Lisio
Aldo Arillo
#tomoediciones
#fondazionealfaparf
#paulmaffi
#bergamaschi
PAUL’S CUT. Issue.1 COCO Vol.2
#tomoediciones
In questa azione perseguiamo un obiettivo: essere invisibili, essere riconosciuti dalle nostre manifestazioni, dal nostro mestiere.
