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TODOR RABADZHIYSKI

@todorrab

VOL.4 Back of the kitchen at @durstbrittmayhew on view 02.05.2026-21.06.2026
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“Raw perspective “ at @plus359gallery On go in until 28.02.2025 Thursday /Friday /Saturday from 14:00-19:00 The sculptures, installations, and multimedia pieces in this exhibition explore the human condition as a continuous climb and fall, a struggle to reconcile fleeting beauty with existential absurdity. Raw Perspectives questions the essence of art in an age where the line between creation and consumption blurs. Is art a mirror, reflecting our fears and longings? Or is it an escape—a trifle cake to distract from the weight of existence? The artist’s works invite us to wrestle with these questions through materials that shine and rust, evoke trust and suspicion, and challenge us to see the poetry in their contradictions. Sound design: @northatticsounds Photos: @bojoleto
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1 year ago
Vol. 4: Back of the Kitchen “Lobster and Shrimp on My Plate, I Need My Pockets So Fat They Inflate” In this fourth chapter, @0.1134_robin and I transform the gallery into the back of a restaurant kitchen ,the place where the lobster loses its symbolic value and becomes labour, repetition, and product. The exhibition examines systems of consumption, migration, value, and transformation through sculpture, painting, porcelain, aluminium, marble, and found materials. The works reflect on how meaning changes through context and material, while drawing parallels between the structures of hospitality and the art world itself. Back of the kitchen where borders get crossed, Plates full of dreams but you pay with a cost, Accent still heavy, I carry my name, From somewhere behind me, still chasing the flame. Visa on thin ice, hours go late, Double shift pressure, I’m bending the weight, From dish pit to grill, now I’m calling the pace, Still smell like the struggle, can’t wash it away. Horeca nights, yeah the city don’t sleep, Tips in my pocket but the hunger runs deep, Manager shouting, “Table 4 wait,” I’m cooking up futures while cleaning my plate. Long roads behind me, still miles to go, From back of the kitchen to front of the show, Hands got the scars but they shaping the gold, Every late service turning pain into flow. The exhibition is now open and can be seen until 21.06.2026. at @durstbrittmayhew Video edit: @marrtintricks Cello: @iammagdalenapetrovich Additional sound design: @northatticsounds
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10 days ago
Join us on Saturday 2 May, 4-7 pm for the opening of “Lobster and shrimp on my plate, I need my pockets so fat they inflate”. • This longterm project started in 2021 and delves into the culture and changing economy associated with lobsters. In the fourth showcase of their ongoing project artists Robin Phoenix Whitehouse (UK) and Todor Rabadzhiyski (BG) continue to look at how the lobster has been reinvented through the ages. This time framed from the artists’ roles during spells of time working in restaurant kitchens. • Image 2: Still life with tinned lobster - diptych, 2024 oil on canvas 103 x 115 cm • @0.1134_robin @todorrab #lobster #durstbrittmayhew #gallery #thehague
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18 days ago
“Lobster and shrimp on my plate, I need pockets so fat they inflate” VOL.4 Back of the kitchen with @0.1134_robin on view from 02.05.2026-21.06.2026 at @durstbrittmayhew gallery
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24 days ago
Odyssea: Le sel de la terre 12.03-09.05-2026 a collaboration between Spiaggia Libera @spiaggialibera.gallery and PUNTA Gallery Curated by: Sacha Guedj Cohen @sachagdj , Camille Velluet @camillevelluet , Boyana Dzhikova @cherechair Todor Rabadzhiyski @todorrab Raw perspectives series, 2024 glazed ceramic Within the PUNTA Gallery, two directions surface. The first one concerns the individual’s innate connection to the organic world, a return to biomatter and a rethinking of human progress. This appears in the works of Todor Rabadzhiyski, in which the visual language of raw nature – mud, roots, and mold – undergoes metamorphoses. From abstract forms to human body parts and back, his works oscillate between order and chaos, gesturing towards life’s beginning and the inevitable return to the earth, the cycle starting again. Funded under the project National Recovery and Resilience Plan - NextGenerationEU, Component “Social Inclusion,” Investment 6: “Development of the Cultural and Creative Sectors.” 📸 @mihail_novakov
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29 days ago
By showcasing my work “It Was Meant to Be” at Lira space , a silkscreen print of a raver on linen, was originally created during my studies in The Hague, and now takes on new layers of meaning through the history of Rilski Len Bulgaria’s largest linen factory, founded in the 1940s and a symbol of collective labor and socialist ambition during the communist era. For this exhibition, I returned not only to the imagery but also to the material itself linen inherited from my grandfather. In this fabric, the traces of time, memory, and human effort are tangible, reminding us that even industrial monuments carry intimate histories. thank you to @ne.hristo hristo for the invitation and for the inspiring discourse around this project, and to Georgi Mihov, whose ingenious mind brought the century-old spinning wheel to life, letting it turn by itself The exhibition is on view until 11 November 2025 Gen.Gurko 45 Photos: @mihail_novakov
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6 months ago
„Echo of a Gesture“ 2025 recycled Aluminium On view now in @sofiacityartgallery part of the group exhibition @baza_award
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9 months ago
LEVIETAN A site-specific sculptural installation by Todor Rabadzhiyski @todorrab In Levietan, Todor Rabadzhiyski returns to the Aegean with a sculptural installation shaped by the island of Limnos and the layered histories it holds—both visible and submerged. The work is situated in direct response to a recent underwater discovery: a 2,500-year-old Greek trading vessel found off the island’s coast. This archaeological trace becomes a point of departure—not for reconstruction, but for rethinking the intersection of material, memory, and environment. Installed within a Natura 2000 protected area—a European ecological network designed to safeguard biodiversity—Levietan does not simply occupy a landscape, but actively engages with it. The surrounding terrain, marked by sea winds, salt air, and fragile ecosystems, informs the sculpture’s form and process. The work acknowledges its own precarity within this living context. It resists permanence. Read more at www.tocollectcontemporary.art Link in bio #sitespecificart #limnos ##limnoslandart #contemporary #contemporaryart #installation
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10 months ago
In June 2025, a new chapter of the Limnos Land Art project unfolds with the unveiling of Levietan, a sculptural installation by Todor Rabadzhiyski @todorrab . Set within the Natura 2000 protected zone in front of Keros Blue Hotel @kerosblue , this evolving site welcomes a work shaped by the raw forces of the island and the buried narratives beneath its soil. Continuing the mission of To Collect Contemporary Art, this annual initiative transforms the landscape into a living gallery, where each intervention speaks to place, ecology, and collective memory. The project is made possible with the generous support of Aya Estate Vineyards @ayaestatevineyards , our leading partner, whose commitment to culture and sustainable development helps shape this unique intersection of art, land, and community. Read more: link in bio or @ www.tocollectcontemporary.art Photography: Bozhana Dimitrova #limnos #limnoslandart #ContemporaryArt #sitespecificinstallation #sculpture
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10 months ago
@little_bird_place Opening 03.07.2025 Made in Leshten 🪵🫰🥲
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1 year ago
“From Stone to Dust, from Dust till Water”2022 -belgain stone,PLA, plexiglass,algy , glass,quartz Photo credit: @radvlad
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1 year ago
Just play me a nice CD 💿 2025😮‍💨 #nonpretentiousstudiopost
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1 year ago