We drove three hours into the mountains, started working after nine at night, and had no idea if it would work with forty-five hours left.
Some context on the film âBetweenâ. It was made during the
@agbofilms âNo Sleep âTil Film Festâ 48-hour competition. We filmed it in the Pueblo Mountain Park in Beulah, Colorado, a place that has a lot of history for me personally.
For those unfamiliar, you get 48 hours. Thatâs it. When it comes to these types of projects, I like to take risks. Itâs a good, fertile ground for risk taking.
Taking the risk this time were my best friend,
@rangerpinemartin (
@middle_creek_publishing ), my wife,
@chrissysparksart ,
@mekamint , and myself.
The first risk we took was that we had to drive three hours to our filming location. We didnât arrive until after 9 pm, three hours after the 48 hour time constraint started. On the drive down, I was messaging Dave, and going back and forth on story and plot Ideas.
Without spoiling it, this film was inspired by a jewelry box left to us when our neighbors moved out. I had always thought it was interesting, so we brought it with us.
The second risk about doing these types of projects is that youâre given a prompt (not the AI kind, the old fashioned kind) and you donât know what it is until the beginning of the timeframe. This one, received at 6pm MT, during our drive, was to create a film about âperspective.â
The third kind of risk is you donât know what âassetsâ will actually be valuable to the prompt until you get it. These include equipment, crew, cast, location, props, the hidden talents of skills of your team. In this case, Chrissy and DD are skilled in sculpting polymer clay and in painting, so we brought those supplies with us.
The last risk and most important is when you know what you are going to do, is it going to work? For me, if there isnât an element of âoh shit, is this going to work?â then Iâm not living up to my own standard. Iâm not respecting the talent of the people who are here working on this, or the people who helped me earn the privilege of being here, now, making a film.
Continued in commentsâŚ.