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Tim Paris feat. Foremost Poets - That Boy Remixes
What does it mean to exist in sound?
âšIt does not begin with a beat, but with a choice. With the moment when someone decides not merely to inhabit the space, but to shape it â and in doing so, makes themselves visible.âš
Roman FlĂŒgel stands as a constant in the background. Not as an authority, but as a collective consciousness. Since the 1990s, he has moved through club music like a seeker, never content with the first answer. House, techno, experimentation - these are not genres, but states of being. His remix thinks, hesitates, opens, strikes like a surging acid wave, warping reality and demanding true presence.âš
New York taught him that club music is never neutral. It is body, friction, attitude. Abe Duqueâs remix carries a strangely enchanting relentlessness, a resistance to smoothness â as if the dancefloor were a place where freedom is not claimed, but fought for.âš
Red Axes do not enter this space; they conjure it. Their sound is raw, repetitive, circular, as if deliberately refusing linearity. House, dub, and acid elements become material for a movement that is more trance than structure. Their remix does not ask where it is going; it asks why one should ever stand still.
And then there is Tim Paris. Not at the center, but as a narrator. As someone who knows that the voice is an attitude. âThat Boyâ is not a pose, but a mirror â ironic, direct, vulnerable. Paris moves between new wave house and club, always aware that identity is never fixed, but formed in the moment.âš
This remix record is not a gathering of names. It is a situation, four perspectives on the same question:âšWhat does it mean to exist in sound?âš
Sound alone doesnât tell the full story, visual art, like music, is meant to be felt and interpreted. The cover of Tim Paris feat. Foremost Poets â That Boy, created by Konstantin FĂŒrchtegott KipfmĂŒller, uses subtractive painting to reveal hidden layers, transforming urban traces of time and decay into abstract narratives. It mirrors the musicâs layered depth, visually echoing presence and existence in the momgent.
What does it mean to exist in sound?
It does not begin with a beat, but with a choice. With the moment when someone decides not merely to inhabit the space, but to shape it â and in doing so, makes themselves visible.
New York taught him that club music is never neutral. It is body, friction, attitude. Abe Duqueâs remix carries a strangely enchanting relentlessness, a resistance to smoothness â as if the dancefloor were a place where freedom is not claimed, but fought for.
This remix record is not a gathering of names. It is a situation, four perspectives on the same question: What does it mean to exist in sound?
Yet sound alone does not tell the full story: like music, the visual is a space to be shaped, felt, and deciphered. The cover of Tim Paris feat. Foremost Poets â That Boy, created by Konstantin FĂŒrchtegott KipfmĂŒller, a visual artist at the Hochschule fĂŒr Gestaltung in Offenbach under Heiner Blum, embodies this principle. Working through subtractive painting â scraping away color layer by layer â he reveals hidden dimensions, textures, and depths beneath the monochrome surface. Drawing inspiration from the urban environment, KipfmĂŒller transforms traces of decay, weather, and time into abstract narratives that, like the music of Paris, FlĂŒgel, Abe Duque, and Red Axes, unfold meaning layer by layer. The result is no mere adornment, but a mirror of the sonic landscape: every line, every surface an echo of the question of what it means to exist â fully, in the moment, in sound.
Mastered by Lopazz
Distributed by @kompaktrecordstore
Artwork by @studiomizuiro
Painting by @k.fuerchtegott / Konstantin FĂŒrchtegott KipfmĂŒller
What does it mean to exist in sound?
It does not begin with a beat, but with a choice. With the moment when someone decides not merely to inhabit the space, but to shape it â and in doing so, makes themselves visible.
@redaxesofficial do not enter this space; they conjure it. Their sound is raw, repetitive, circular, as if deliberately refusing linearity. House, dub, and acid elements become material for a movement that is more trance than structure. Their remix does not ask where it is going; it asks why one should ever stand still.
Written & Produced by Tim Paris.
Published by Copyright Control.
Mastered by Lopazz.
Distributed by @kompaktrecordstore
Artwork by @studiomizuiro
Painting by @k.fuerchtegott
Also available on Bandcamp and all the other digital platforms.
Label: Live At Robert Johnson, 2026
Catalog No: Playrjc 134
Todâs unveils Italian Stories in Milan, featuring Global Brand Ambassador Xiao Zhan.
In the beautiful Villa Borsani, the story reveals a modern interpretation of Italian elegance and understated charm.
Music Title: Rain
Written by and produced by Tim Paris
Music Synched by Izrom
@xz_1991x
Todâs Creative Director: @mt_matteotamburini
Directed by: @hugocohen
Creative Direction: @ldf_studio
Stylist: @beatbolliger
#TodsFW25 #Tods @tods
