톰 홀랜드, 도미니언 (2019)
연휴기간, 육아와 평행하는 독서지만 완독!
사람들과 함께 다시 한 번 읽어 보고 싶은 책이다.
아우구스티누스에서 폴 매카트니까지, 서양의 역사와 윤리, 사랑과 죄책감, 인간에 대한 연민이 어디에서 비롯되었는지를 따라가는 책.
“사랑하라. 그리고 네 뜻대로 행하라.” (아우구스티누스)
“당신이 옳다고 믿는 것, 그 원인은 어디에 있을까. 어린 시절부터 옳다고 주입된 것을 맹목적으로 받아들인 뒤, 그에 대해 깊이 생각해 보지 않은 데 있다.” (니체)
“All you need is love.” (존 레넌&폴 매카트니)
우리가 당연하다고 믿는 세계를 다시 이야기해보고 싶어지는 책.
# 1-10. Relational Field: The Cultural Landscape of New Taipei in the 1990s @ntcart.museum
# 11-20. Taipei Biennial: Whispers on the Horizon @tfam_museum
Just like @sooyoungleam said, it really was magical to finally meet in Amsterdam after a year of talking online. And as @crlszpd mentioned, the synergy throughout the whole process was amazing. Let’s meet again in Seoul soon!
Morning with Mirelva Berghout and afternoon with Rita Ouedraogo: I am glad that we’re connected through our initial institutional collaboration ( @mmcakorea x @stedelijkmuseum ) and I learnt a lot! 🤎
At the Stedelijk Museum, photographs by the Dutch ‘Hidden Camera’ group stand as powerful witnesses to life under the Nazi regime—presented in context alongside the museum’s broader collection. @mirelva
Buro Stedelijk—a long-standing alternative space—has spent the past three years inside the Stedelijk Museum, testing ways to decolonize from within. With 260+ collaborators and bold partnerships, even nightclubs, it continues to push for accessibility, visibility, and the courage to stay vulnerable. @ritaouedraogo@burostedelijk
@rijksmuseum
Thanks to the Stedelijk Museum, we had the chance to meet Saskia Scheltjens, Head of Research Services at the Rijksmuseum.
From digital collections to AI governance, her insights were a masterclass in what responsible museum futures look like:
“A museum connects people with art and history. Research Services connects people, art, and history through data.”
With 7.15 million archival items already digitized and over half a million out of their collection shared as CC0, the Rijksmuseum has long led open-access culture. But as big tech increasingly exploits public datasets, tensions around data sovereignty and ethical AI are rising.
Saskia now leads Fantastic Futures, shaping long-term digital policy and responsible AI use, with AI4LAM set to convene at the British Library (2025), Washington (2026), and the Rijksmuseum (2027).
@de_appel
We were grateful that Eszter Szakacs guided us to “CaccHho Cucchha”: Mercedes Azpilicueta remakes de Appel’s once-synagogue-once-mosque space into a commons of invention and gentle disobedience. Sounding costumes, grand tapestries, and room for collective pause.
@framerframed
Big thanks to Josien Pieterse and Evie Evans at Framer Framed! After the 2023 Gwangju Biennale Pavilion, Korea is clearly on their speed dial. I could sense how our journal’s approach—viewing AI through historical trajectories—resonated with their perspective.
Düsseldorf photos… with Karen and her colleagues at K20 and K21! Thank you for being so kind to us. ❤️
K20’s recently revamped collection highlights expanded non-Western voices—including Park Seo-Bo and Lygia Pape—opening a fresh lens on art history.
K21 now features major works by Cao Fei, Isa Genzken, Hito Steyerl, Isaac Julien and more, with a growing roster of Asian artists. Also for the first time, the entire museum is dedicated to the special exhibition Grund und Boden (How Can We Live Together?), addressing post-pandemic futures, AI, crypto, and the politics of global capitalism with artists such as Joseph Beuys, AA Bronson, CATPC, Simon Denny, and Shimabuku.
From state-supported heritage to shared curatorial visions with @mmcakorea , @kunstsammlungnrw continues to chart new cultural ground—and looks toward future collaboration across borders.
