Aska @thetrueaska at Club Cassiopeia, Berlin @cassiopeia_berlin - 16.05.2026
Photos by @pamera_obscura
#aska #aufnahmewiedergabe #livemusicphotography #concertphotography #livemusic
UPDATED - Dresden venue has changed, and Leipzig now fully confirmed. Please feel free to dm with info requests for these two shows, as there are no presale tickets
Coming up on the 29th of march!
Charnel Ground returns to OCCII for an evening of noise, industrial and heavy electronics.
Tickets are now available through OCCII's website. Be sure to get yours in advance, this one isn't to be missed!
Line up:
Desolation Colony (United States):
Joshua Strachan (Azar Swan, Blacklist, etc) and Tom Moore (Throne Heap) present a ruthless exploration of the psychologies and technologies of modern necropolitics conducted with grinding analog electronics and abrasive collaged samples.
Aska (Iceland):
Aska has effectively united melancholic melodies with unsettling noise. A dense web of microsounds is the result, without disturbing the reduced overall effect of the music. Co-existential to the haunting atmosphere of analogue synths and vocals, the drum-machine enters the scene with skeletal rhythms. Aska treads a wide spectrum, combining wave, industrial and noise.
Sharps Formation (Australia):
Ghastly and swarming tapeloops engulfed in static walls of noise by Minimal Impact's head honcho.
Vincent Dallas (Belgium):
Spontaneous harsh noise pushed into the red using field recordings and junk metal, fueled by high ABV trappist Ales.
Svartvit (Netherlands):
Exploring the boundaries of sound since 2009. Svartvit sculpts corporeal sonic landscapes that pulsate with raw intensity. Through extensive manipulation acoustic sounds are held captive in the liminal space between their point of origin & grotesque indecipherable slabs of distortion.
Geseling (Netherlands):
Focused and densely textured harsh noise combining scrap metal, field recordings, feedback and electromagnetic interference.
Doors: 19:00
Damage: €10 presale / €12 door
#powerelectronics #noise #harshnoise #industrial #heavyelectronics
19:00 ~ MENU presents:
DESOLATION COLONY (US, Mannequin Records, [aufnahme + wiedergabe] is the doom electronics project from Joshua Strachan (Vaura, Azar Swan, Blacklist). Incorporating elements of industrial, noise, power electronics, and EBM, Strachan absorbs our daily disintegrations and refracts them through aggressive sounds and relentless energy. Raw, power electronic-inflected slice of textural industrial reflecting on the disappearance of humanity at its own hands trough technological warfare & genocide.
The mind behind ASKA (ISL) is Kristófer Páll. He considers himself primarily as poet, but the broadening of the meaning horizon of words through the power of music is equally important to him. He has outgrown Black Metal, and has found in electronic music the ideal platform on which to experiment with the spoken word. Thus this presentation of exclusively Islandic text is a highlight of Aska: Every single word falls as if bitterly broken out of a tortured soul at just the right place in the sound structure, and resonates the sadness that characterises Aska’s music. Aska has effectively united melancholic melodies with unsettling noise. A dense web of microsounds is the result, without disturbing the reduced overall effect of the music. Co-existential to the haunting atmosphere of analogue synths and vocals, the drum-machine enters the scene, and with skeletal rhythms challenges one to dance. Aska treads a wide spectrum. Influences of wave and industrial are condensed into perfect angst pop: Super dark, super sad, super beautiful!
MODE IN GLIANY (FR) is the project of Boris Völt, a composer and performer from Brittany. Co-founder of the cult label Brume Records in the late 90s, his work spans industrial electronics, acousmatic art and a fiercely live-oriented approach to sound.
His performances rely exclusively on analog and DIY gear, using live looping and sequencers to build tension in real time. Vocals are delivered in French, sometimes interwoven with Breton, over sharp synth riffs and sonic guitar textures. Visually, his shows are framed by black and white 3D graphics and lo-fi video collages made from found footage.
300 CZK @fairplay.ticketing
![19:00 ~ MENU presents:DESOLATION COLONY (US, Mannequin Records, [aufnahme + wiedergabe] is the doom electronics project from Joshua Strachan (Vaura, Azar Swan, Blacklist). Incorporating elements of industrial, noise, power electronics, and EBM, Strachan absorbs our daily disintegrations and refracts them through aggressive sounds and relentless energy. Raw, power electronic-inflected slice of textural industrial reflecting on the disappearance of humanity at its own hands trough technological warfare & genocide.The mind behind ASKA (ISL) is Kristófer Páll. He considers himself primarily as poet, but the broadening of the meaning horizon of words through the power of music is equally important to him. He has outgrown Black Metal, and has found in electronic music the ideal platform on which to experiment with the spoken word. Thus this presentation of exclusively Islandic text is a highlight of Aska: Every single word falls as if bitterly broken out of a tortured soul at just the right place in the sound structure, and resonates the sadness that characterises Aska’s music. Aska has effectively united melancholic melodies with unsettling noise. A dense web of microsounds is the result, without disturbing the reduced overall effect of the music. Co-existential to the haunting atmosphere of analogue synths and vocals, the drum-machine enters the scene, and with skeletal rhythms challenges one to dance. Aska treads a wide spectrum. Influences of wave and industrial are condensed into perfect angst pop: Super dark, super sad, super beautiful!MODE IN GLIANY (FR) is the project of Boris Völt, a composer and performer from Brittany. Co-founder of the cult label Brume Records in the late 90s, his work spans industrial electronics, acousmatic art and a fiercely live-oriented approach to sound.His performances rely exclusively on analog and DIY gear, using live looping and sequencers to build tension in real time. Vocals are delivered in French, sometimes interwoven with Breton, over sharp synth riffs and sonic guitar textures. Visually, his shows are framed by black and white 3D graphics and lo-fi video collages made from found footage.300 CZK @fairplay.ticketing](https://sp1.picnob.com/p/pt_6742124458266867224639_0_ef3e3dc0c748f3e4b7ae473fba0dae56.jpg?o=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&h=87492ef83d98e1d00448db077648c741)
