Art Dealers Association of America (ADAA)

Today is our Chelsea Gallery Walk day 🤩 Join us from 5:00—8:00pm to explore dozens of exhibitions at 36 ADAA member galleries, all open late for one night only, and enjoy special events uniquely designed for the Gallery Walk. Some highlights from this evening: 📌 Nohra Haime Gallery (@nohrahaimegallery ), at 6:00 and 7:00pm, the gallery’s Director, Leslie Garrett, will lead guided walkthroughs of the exhibition “Ruby Rumié: How Are the Children?” 📌 Berry Campbell (@berrycampbell ), 5:00—8:00pm, refreshments will be served. 📌 RYAN LEE Gallery (@ryanleegallery ), 6:00—8:00pm, artist Tiffany Chung will be in attendance on the occasion of the opening of her exhibition, “traces.” 📲While visiting, enhance your Gallery Walk experience with ADAA’s free digital guide on Bloomberg Connects—no download necessary! 🖼️: 1. Louisa Chase, “Sunset Grip,” 1983. © The Louisa Chase Estate. Courtesy Berry Campbell. 2. Ruby Rumié, “Family” from “How are the Children” series. Courtesy Nohra Haime Gallery 3. Tiffany Chung. Courtesy the artist and RYAN LEE Gallery. Photo credit: Steve Weinik, 2023. @bloombergconnects #ADAAGalleries #ChelseaGalleries #ADAAChelseaGalleryWalk #ChelseaGalleryWalk #BloombergConnects

20 years in the making 🚧📸 “FACADES IV” at Yossi Milo presents Markus Brunetti’s “FACADES” series, coming after more than twenty years of joint work with his partner and collaborator, Betty Schöner. Brunetti’s new works further his mission to document Europe’s religious architecture, and “FACADES IV” emphasizes his visions of prominent churches, monasteries, and cathedrals in Italy, France and Spain. Together, Brunetti and Schöner travel Europe in a converted firetruck-turned-photo lab. The two live and work on the road, returning to their subjects over years to take thousands of photographs of each structure, going meter-by-meter. Brunetti then edits, layers, and arranges each shot into composite images that provide an otherwise impossible, perfected view of the building’s façade. The result exceeds the possibilities of any single photograph, even at the highest possible resolution, creating works that stand as monuments in and of themselves. The exhibition is also marked by the release of “FACADES I + II,” a limited-edition catalogue raisonné presenting Brunetti’s works to date. 🖼️: 1. Markus Brunetti, “Badia Fiesolana, Fiesole,” 2022-2025. 2. Markus Brunetti, “Roma, Basilica di San Pietro,” 2007-2026. 3. Markus Brunetti, “Santiago de Compostela, Catedral, 2009-2024. 4. Markus Brunetti, “Amalfi, Duomo di Sant’Andrea Apostolo,” 2010-2026. All images courtesy Yossi Milo. @yossimilo #YossiMilo #MarkusBrunetti #ADAAGalleries #ChelseaGalleries

Don’t forget to save the ADAA Chelsea Gallery Walk map and send it to your friends! 💌 Join us and 37 member galleries on Thursday, May 14, from 5:00—8:00pm for a special evening celebrating art in Chelsea. Free and open to all, the 8th iteration of our Gallery Walk aligns with May’s major art fairs across the city, inviting visitors into a dynamic slate of exhibitions and special events, unfolding as the international art world convenes and attention is at its height. Planning to join the walk? 🏆RSVP via the link in our bio for a chance to win a curated tote bag full of art books and exhibition catalogues. One lucky winner will be selected from the full list of RSVPs! Learn more about the special events on artdealers.org. @bloombergconnects #ADAAGalleries #ChelseaGalleries #ADAAChelseaGalleryWalk #ChelseaGalleryWalk #BloombergConnects

So much to see in New York City this week 👀👀 Don’t miss our member galleries and their presentations at: ✨ NADA New York ✨ The American Art Fair ✨ Future Fair ✨ Frieze New York ✨ Independent Art Fair ✨ TEFAF New York Be sure to also discover ADAA members and their impressive exhibitions around the city—browse our digital guide on Bloomberg Connects via the link in our bio to find what’s on view near you! 🖼️: ADAA Tribeca Gallery Walk 2025. @bloombergconnects #ADAAGalleries #NewYorkArtWeek #NewYorkGalleries #BloombergConnects

A pioneering figure in feminist art, Hannah Wilke explored issues of beauty, gender, and Western cultural conventions through a multidisciplinary practice that included photography, performance, video, sculpture, and drawing. Among the first artists to reclaim and challenge the traditional male gaze, Wilke transformed representations of the female body into acts of celebration and self-determination. Drawing was central to Wilke’s practice from its earliest stages. Beginning in the late 1950s and early 1960s, her works on paper explored the physical and conceptual ideas that would emerge in her sculpture and performance. Through undulating lines, exuberant shapes, and fluid compositions, her drawings move between figurative suggestion and abstracted landscape. “Hannah Wilke: Drawings and Performalist Self-Portraits” is on view at Marc Selwyn Fine Art until May 16! 🖼️: 1. Hannah Wilke, “Untitled” (detail), c. 1960s. 2. Hannah Wilke, “Untitled,” c. 1965. 3. Hannah Wilke, “Untitled,” c. 1965. 4. Hannah Wilke, “Untitled,” c. 1966. All images courtesy Marc Selwyn Fine Art. @marcselwynfineart #MarcSelwynFineArt #HannahWilke #ADAAGalleries #BeverlyHillsGalleries

Join us for an evening of art and community in Chelsea 🎨✨😍 On Thursday, May 14, from 5:00—8:00pm, 37 member galleries will stay open for a free, after-hours evening, inviting the public to explore dozens of exhibitions and enjoy special events. Some highlights of this year’s programming: 📌 Pace Gallery (@pacegallery ), 4:30—5:30pm, in celebration of the opening of “Paul Thek: Dream of Vanishing,” Andrew Durbin will moderate a conversation with curator Elisabeth Sussman and Alex Da Corte. Co-presented by Pace Live and The Watermill Center, the conversation will take place on the gallery’s 7th floor at 540 W 25th St. 📌 Gemini G.E.L. at Joni Moisant Weyl (@joniweyl ), 5:00—8:00pm, the gallery will host a reception featuring a live print demonstration. Guests can see Robert Rauschenberg’s 1960s solvent transfer process and late-printmaking methods, and Richard Serra’s oilstick editions, including hands-on examples of etched plates and textured prints. 📌 Susan Inglett Gallery (@susaninglettgallery ), 5:00—8:00pm, visitors are invited to contribute to a series of Sidewalk Mandalas using chalk on the sidewalk outside the gallery. The activation is presented in conjunction with the exhibition, “Martha Jackson Jarvis: Elsewhere.” Refreshments will be served. 📌 Galerie Lelong (@galerielelong ), 6:00—8:00pm, artist Lucia Laguna will be in attendance on the occasion of the opening of her exhibition. 🏆 RSVP via the link in our bio for a chance to win a curated tote bag full of art books and exhibition catalogues! Explore our map on our digital guide on Bloomberg Connects and learn more about the special events on artdealers.org 🖼️: 1. Richard Serra printmaking demonstration. Courtesy Gemini G.E.L. at Joni Moisant Weyl 2. Andrew Durbin, Elisabeth Sussman, Alex Da Corte. Courtesy Pace Gallery. 3. Martha Jackson Jarvis, Mandala Sky II , 2024. Copyright the artist. Courtesy Susan Inglett Gallery. 4. Lucia Laguna in her studio. Photo: Eduardo Ortega. Courtesy the artist and Fortes D'Aloia & Gabriel, São Paulo/Rio de Janeiro, and Galerie Lelong. @bloombergconnects #ADAAGalleries #ChelseaGalleries #ADAAChelseaGalleryWalk #ChelseaGalleryWalk #BloombergConnects

Don’t miss “In Pieces: Collages,” an exhibition featuring collage works by Romare Bearden, CatherineDrabkin, Gertrude Greene, Judith Flaxman, Robert Kushner, and Joseph Stella, among many others! On view through June 30, at Kraushaar Galleries. 🖼️: 1. Catherine Drabkin, “Arch Street Interior” (detail), 2024. 2. Romare Bearden, “Family (Mother and Child)” (detail), 1973. 3. Judith Flaxman, “Study II” (detail), 2009. 4. Robert Kushner, “ Red Anemone” (detail), 2014. All images courtesy Kraushaar Galleries. @kraushaar1885 #KraushaarGalleries #ADAAGalleries #UpperEastSideGalleries

“June’s paintings are not meant for short gazes. The content of her canvas is not lightly consumable. Her works unravel phantom memories if you choose to open yourself in front of them. These are works swollen with the artist’s bodily vulnerability, made accessing a deep somatic impulse: furious excavation at the surface, unrestrained circular gesture, and intentional points of meditative marking. The works are vehicles of essence, of core memory, displaying what the body has clutched and guarded as it is released through the hand.” —Barbara Calderón “June Canedo de Souza: All top teeth knocked out at once” is on view at Nicodim’s Los Angeles gallery through May 9. 🖼️: Installation views, “June Canedo de Souza: All top teeth knocked out at once,” 2026. Courtesy Nicodim. @nicodimgallery @junecanedodesouza #Nicodim #ADAAGalleries #LosAngelesGalleries

“The mountains, for me, carry a particular sense of that at-homeness. In thinking about the title, I kept returning to their physical reality—to the way they are formed, to their relation to gravity, to this movement of ascending and descending that defines them. They can appear inhospitable, almost as if we were not meant to be there, and yet they are deeply familiar. In a way, we are made to be in these parts of nature. There is something in their presence—both difficult and welcoming at once—that resonates with how I experience being in the world.” —Elizabeth Peyton “mountains in my heart (the death of Sarpedon),” on view at David Zwirner's 533 West 19th Street location in New York, brings together new and recent paintings and works on paper by American artist Elizabeth Peyton. The works on view depict individuals spanning across three millennia—including cultural and artistic figures from ancient Greek mythology to the present day. You can visit the exhibition though May 2. 🖼️: 1. Elizabeth Peyton, “the death of Sarpedon, ὁ θάνατος τοῦ Σαρπηδόνος (after Henri-Léopold Lévy, 1874),” 2026. 2. Elizabeth Peyton, “Klara, flowers, and tape,” 2026. 3. Elizabeth Peyton, “daystar (Atesh),” 2024. 4. Elizabeth Peyton, “Flowers (Simone, The Sea),” 2025. All images courtesy David Zwirner. @davidzwirner @meicost_ettal #DavidZwirner #ADAAGalleries #ChelseaGalleries

Our Spring Issue is here 💥💐 In this new edition of our Quarterly Newsletter, we’re excited to share: 🎧 A spotlight on our new Class of 2026, with reflections from our newest members on what it means to join the Association; 🎨 A Q&A with our latest ADAA Foundation Grant recipient, the Jule Collins Smith Museum of Fine Art at Auburn University (@thejulemuseum ), highlighting their exhibition “Sew Their Names: Quilting, Creativity, and Activism;” 🎂 A special milestone feature celebrating Lehmann Maupin (@lehmannmaupin ) and their 30th anniversary. Plus many more updates, stories, and highlights from across our community. Join our mailing list via the link in our bio to receive future issues straight to your inbox! 🖼️: Ileana García Magoda, In this magical land, 2026. Courtesy the artist and Anat Ebgi. Photo credit: New Document. @anatebgigallery @ileana_magoda #AnatEbgi #ADAAGalleries #QuarterlyNewsletter

🚨Final days: “Nyeema Morgan: take my wife…PLEASE!” at PATRON 🚨 Across a body of work including sculptures, drawings, and print media, Nyeema Morgan apprehends narrative structures as scaffolding for systems of power. With reflections and deflections, subtle set-ups, and alterations of the gallery space, Morgan’s works catalyze the inherent vulnerability and tension in our relationship with images, words, objects and architecture. The exhibition debuts the first significant presentation of studies for traps. Subtly calling attention to margins and neutral spaces, the artist destabilizes the expected function of the frame: paint chips, bird feathers, mirrors, and luminous spacers interrupt their expected neutrality, instead re-directing the viewer. The exhibition closes on Saturday, April 25; be sure to check it out! 🖼️: 1. Nyeema Morgan, “it’s nothing (studies for traps),” 2026. 2. Nyeema Morgan, “justified right, original white (studies for traps),” 2026. 3. Nyeema Morgan, “Untitled (studies for traps), no. 1, v. III,” 2026. 4. Nyeema Morgan, “Like It Is: Afrocentric Modernism (studies for traps),” 2026. 5. Nyeema Morgan, “mark (studies for traps),” 2026. 6. Nyeema Morgan, “Soft Power. Hard Margins. (1904),” 2022. All images courtesy PATRON. @patrongallery @nyeemamorgan #PATRON #ADAAGalleries #ChicagoGalleries

Tonight 📆📚 Join Goya Contemporary Gallery from 5:00—7:00pm for a special evening with artist Jo Smail, to celebrate the release of the exhibition catalogue published on the occasion of “Jo Smail: Thinking Like an Oyster.” The 74-page, fully illustrated publication features insightful contributions by Louis Fratino, Amy Raehse, and Kristen Hileman, offering deeper context into Smail’s practice and the works on view. The exhibition, “Jo Smail: Thinking Like an Oyster” has been extended through May 5; don’t miss it! 🖼️: 1. Jo Smail, “Reaching for More,” 2024. 2. Book cover, “Jo Smail: Thinking Like an Oyster.” All images courtesy Goya Contemporary Gallery. @goya_contemporary_gallery @johsmail #GoyaContemporary #ADAAGalleries #BaltimoreGalleries