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SOLDâ
Maria Liebana, "Untitled, Pink"â
2020â
plastic cabochons, molding paste, glitter, acrylic paint, and pencil on canvasâ
4x4 inâ
($200)
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About the artist:â
Maria Liebana's work is fueled by obsession with celebrity, pop motifs, media in all formats, aesthetics, and excessive consumption, as well as the seductive promises that these symbols offer. Liebana confronts wealth inequality, racial and gender stereotyping, and her own disillusionment with the American dream as a first-generation Latinx artist. As part of her practice, she collects high- and low-end art materials and reassembles them with organic, abstract forms and feminine signifiers - reclaiming these once familiar material goods to form objects with new value and meaning. And through a process of attraction and repulsion, Liebana satisfies her personal consumerist desires, achieving a sense of empowerment, and shaping her identity in a hyperconnected and materialist society. Maria is based in Queens, NY.
ARCHIVEDâ
Amelia Briggs, "New Layers"â
2020â
panel, hand-tufted rug, faux fur, fiberâ
12x18x2 inâ
$400
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About the artist:â
Amelia Briggs constructs colorful surfaces and bloated forms that reference the visuals of youth. Comprised of panel, faux fur, found fabric, latex, and hand-made rugs each piece takes on a creature-like presence that recalls the hypothetical version of a forgotten childhood object. Rich textures and puffy shapes speak to tensions that exist around a shared search for identity and expression rooted in adolescence. While each generation shares many of the same visuals from adolescence, what unique understanding do individuals bring to that history and nostalgia? Rather than spell out a specific narrative, Briggs re-imagines a shared language -- hopefully offering a springboard of recognition and possibility. Amelia is based in Nashville, TN.â
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ARCHIVEDâ
Elise Thompson, "Through"â
2019â
acrylic, watercolor, and glitter on paperâ
5x7 inâ
$250â
â
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About the artist:â
Elise Thompson's works on paper and dura-lar oscillate between even restraint and cartoonish extroversion. Through semi-symmetrical gestures of concealing and revealing, competing tendencies to hesitate or indulge reflect our desire to remain private or explicitly share. References to doorways, windows, entrances, and exits hint at places to explore or be barred from physically or psychologically. Often Elise cannot undo many moves made on transparent substrates or even fragile paper; they can only be covered with more material or laid bare again by cutting away. Clear or muted communication and the history of past moves are explored through process and play. Abstraction through varying levels of transparent layers allows for a poetic investigation of disclosure, vulnerability, and the familiar. The resulting images are often quirky and eerie. Elise is based in Brooklyn, NY.
ARCHIVEDâ
Elise Thompson, "Under II"â
2020â
acrylic and glass beads on paperâ
5x7 inâ
$250â
â
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About the artist:â
Elise Thompson's works on paper and dura-lar oscillate between even restraint and cartoonish extroversion. Through semi-symmetrical gestures of concealing and revealing, competing tendencies to hesitate or indulge reflect our desire to remain private or explicitly share. References to doorways, windows, entrances, and exits hint at places to explore or be barred from physically or psychologically. Often Elise cannot undo many moves made on transparent substrates or even fragile paper; they can only be covered with more material or laid bare again by cutting away. Clear or muted communication and the history of past moves are explored through process and play. Abstraction through varying levels of transparent layers allows for a poetic investigation of disclosure, vulnerability, and the familiar. The resulting images are often quirky and eerie. Elise is based in Brooklyn, NY.â
ARCHIVEDâ
Maria Liebana, "Maria de Exceso"â
2020â
epoxy clay, molding paste, foam core, imitation gold leaf, plastic cabochons, and glitterâ
14.5x7.2x1 in.â
$350â
â
â
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About the artist:â
Maria Liebana's work is fueled by obsession with celebrity, pop motifs, media in all formats, aesthetics, and excessive consumption, as well as the seductive promises that these symbols offer. Liebana confronts wealth inequality, racial and gender stereotyping, and her own disillusionment with the American dream as a first-generation Latinx artist. As part of her practice, she collects high- and low-end art materials and reassembles them with organic, abstract forms and feminine signifiers - reclaiming these once familiar material goods to form objects with new value and meaning. And through a process of attraction and repulsion, Liebana satisfies her personal consumerist desires, achieving a sense of empowerment, and shaping her identity in a hyperconnected and materialist society. Maria is based in Queens, NY.
ARCHIVEDâ
Amelia Briggs, "Dark Basement"â
2020â
panel, hand-tufted rug, faux fur, fiberâ
20x15 in
$400
â
â
â
About the artist:â
Amelia Briggs constructs colorful surfaces and bloated forms that reference the visuals of youth. Comprised of panel, faux fur, found fabric, latex, and hand-made rugs each piece takes on a creature-like presence that recalls the hypothetical version of a forgotten childhood object. Rich textures and puffy shapes speak to tensions that exist around a shared search for identity and expression rooted in adolescence. While each generation shares many of the same visuals from adolescence, what unique understanding do individuals bring to that history and nostalgia? Rather than spell out a specific narrative, Briggs re-imagines a shared language -- hopefully offering a springboard of recognition and possibility. Amelia is based in Nashville, TN.
ARCHIVEDâ
Maria Liebana, "La DonĚa Pepona"â
2020â
mixed media on imitation gold leaf (acrylic paint, ink, molding paste, and glitter) on wood panelâ
12x12x2 inâ
$350â
â
â
â
About the artist:â
Maria Liebana's work is fueled by obsession with celebrity, pop motifs, media in all formats, aesthetics, and excessive consumption, as well as the seductive promises that these symbols offer. Liebana confronts wealth inequality, racial and gender stereotyping, and her own disillusionment with the American dream as a first-generation Latinx artist. As part of her practice, she collects high- and low-end art materials and reassembles them with organic, abstract forms and feminine signifiers - reclaiming these once familiar material goods to form objects with new value and meaning. And through a process of attraction and repulsion, Liebana satisfies her personal consumerist desires, achieving a sense of empowerment, and shaping her identity in a hyperconnected and materialist society. Maria is based in Queens, NY.
ARCHIVEDâ
Amelia Briggs, "Club Table"â
2020â
panel, hand-tufted rug, faux fur, fiberâ
14x17x3 in.â
$400
â
â
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About the artist:â
Amelia Briggs constructs colorful surfaces and bloated forms that reference the visuals of youth. Comprised of panel, faux fur, found fabric, latex, and hand-made rugs each piece takes on a creature-like presence that recalls the hypothetical version of a forgotten childhood object. Rich textures and puffy shapes speak to tensions that exist around a shared search for identity and expression rooted in adolescence. While each generation shares many of the same visuals from adolescence, what unique understanding do individuals bring to that history and nostalgia? Rather than spell out a specific narrative, Briggs re-imagines a shared language -- hopefully offering a springboard of recognition and possibility. Amelia is based in Nashville, TN.
ARCHIVEDâ
Elise Thompson, "Floating Close"â
2020â
acrylic and glass beads on dura-larâ
14 x 17 inâ
$475
â
â
â
About the artist:â
Elise Thompson's works on paper and dura-lar oscillate between even restraint and cartoonish extroversion. Through semi-symmetrical gestures of concealing and revealing, competing tendencies to hesitate or indulge reflect our desire to remain private or explicitly share. References to doorways, windows, entrances, and exits hint at places to explore or be barred from physically or psychologically. Often Elise cannot undo many moves made on transparent substrates or even fragile paper; they can only be covered with more material or laid bare again by cutting away. Clear or muted communication and the history of past moves are explored through process and play. Abstraction through varying levels of transparent layers allows for a poetic investigation of disclosure, vulnerability, and the familiar. The resulting images are often quirky and eerie. Elise is based in Brooklyn, NY.