Home talwstPosts

Talwst Santiago

@talwst

Followers
20.8k
Following
7,099
Account Insight
Score
37.49%
Index
Health Rate
%
Users Ratio
3:1
Weeks posts
We talked to the artist Curtis @talwst Santiago about the new facade installation of his work on active scaffolding in Manhattan In the artist’s words: A four-minute walk from you’re standing, my life changed. At the New York Studio School on West 8th Street, I walked into my first drawing class with Graham Nickson and never looked back. That room is why I moved to this city. This city is why I became who I am. Football is the world’s game — and the world is always playing for something. From playing as a kid in Alberta to watching my own child fall in love with the game in Europe, the ball keeps rolling. No sport crosses borders, languages, and politics more freely, or reveals them more honestly. Philip Guston understood that a shoe could carry everything. His boot paintings cracked open the idea that the most ordinary object — worn, scuffed, just sitting there — could hold humour, dread, tenderness, politics. All of it at once. I’ve never stopped thinking about that. I don’t live in New York anymore. But some part of me never left these streets. My deepest thanks to Facade Foundation for their commitment to bringing art out of the gallery and into the life of the city — boldly, generously, and at a scale that stops you in your tracks. —Curtis Talwst Santiago, April 2026 “No Player Shall Gain An Advantage” (2025) Located on the corner of East 9th street and University Place On view through July 2026, this exhibition is made possible with the support of the FIFA 26 NYNJ Host Committee @fwc26nynj in connection with the upcoming 2026 World Cup games, Andamio Scaffolding, @designbuildmade and @nyculture . And thank you to @valentinwedde on the photograph of Curtis’ original work!
197 7
3 days ago
Wishing you a heartfelt and loving Mother’s Day, dear Anna.
421 22
8 days ago
So honoured to have work in Pilot Light at @ppowgallery , curated by the brilliant @geraldlovell — alongside @breandy , @cvsreceipt , @devinnmorris , nickolapottinger, and @taytheism . This one feels special. The show is about endurance, faith, and making work that is life-sustaining — not for spectacle, but for keeps. That small flame that keeps burning no matter what’s happening outside. I felt that deeply. I couldn’t make the opening and I’m genuinely gutted about it — would have loved to be in the room with all these incredible artists to celebrate. But the work is there, and the conversation is alive. Big, big thank you to @edendeering at the gallery for everything you did to make this happen. It does not go unnoticed. 🙏🏾 Pilot Light runs through June 6 at P·P·O·W, 390 Broadway, New York. Slide 1 Between One Breath and the Next 2026 watercolour paint paper acrylic paint gold leaf paper satin ribbon gold pigment clay resin model putty and plastic in a vintage reclaimed jewelery box 7 x 7 x 7 cm Slide 2 Installation view Slide 3 What Gold Can Do 2026 watercolour paint paper acrylic paint, gold leaf, paper, satin ribbon, gold pigment, clay, resin, model putty, and plastic in a vintage reclaimed jewelery box 8.5 x 8.6 x 10 cm
183 6
10 days ago
Lisbon 2018 with my brother @toddmduym
253 9
12 days ago
From our region to the world 🌎🗽🎨 We’re proud to share that a new World Cup art installation is now up at East 9th Street and University Place, featuring NYC native Curtis @talwst Santiago. In collaboration with @facadefoundation . Open 24/7, go check it out!! #WeAreNYNJ #Somos26 #WeAre26
454 19
16 days ago
“A four-minute walk from where you’re standing, my life changed. At the New York Studio School on West 8th Street, I walked into my first drawing class with Graham Nickson and never looked back. That room is why I moved to this city. The city never left me—I carry it still.” Curtis @talwst Santiago’s work “No Player Shall Gain An Advantage” (2025), originally made in flashé, acrylic paint, aerosol, and charcoal, has been scaled to 30 x 24 feet and transposed to scaffold netting, installed on active scaffolding on a building just off the corner of E 9th street and University Place in Manhattan. On view through July 2026, our main supporter for the project is the FIFA 26 NYNJ Host Committee @fwc26nynj , timed to the lead-up to the 2026 FIFA World Cup, the project is part of the Committee’s ongoing efforts to engage the region and incoming visitors. Part of an ongoing body of work by Santiago in which soccer enters as a visual and conceptual framework, the title “No Player Shall Gain An Advantage” references FIFA’s Laws of the Game, specifically from Law 11, the offside rule, which penalizes a player if they “become actively involved in play.” The law is designed to prevent a player from “gaining an advantage by being in that position.” Across paintings, sculpture, and dioramas, the artist has been working to translate the movement and ritual of sport into a broader exploration, using soccer and its rules, as a way of thinking through legitimacy, positionality, and power. All inquiries regarding the original 20 × 23 1/2 inch painting may be directed to the NY-based gallery @uffnerliu . Come visit the site 24/7 in any weather (it hits differently at different times of the day)––post some photos and tag @facadefoundation , @talwst and @fwc26nynj to be reposted over the next few months! Big thank you to our partners Andamio Scaffolding, @designbuildmade and @nyculture 🫡 Facade Foundation works with artists, scaffold companies and building owners, to turn active construction sites into a citywide platform for ambitious contemporary art—making works accessible, impactful, and woven into the fabric of everyday life.
205 8
18 days ago
At the corner of East 9th Street and University Place, our townhouse renovation now extends to the street as a public art installation. In collaboration with @facadefoundation , @fwc26nynj , and Andamio Scaffolding, featuring work by @talwst We invite you to stop by and experience it in person! #made #fyp #wemadeit #design
92 5
20 days ago
New facade up! On view starting today: Curtis @talwst Santiago’s work is installed on active scaffolding downtown Manhattan at East 9th Street and University Place. Facade Foundation is proud to present the multidisciplinary artist’s painting “No Player Shall Gain An Advantage” (2025), scaled 30 x 24 feet and printed onto active scaffold netting. The title of this work comes directly from FIFA’s Laws of the Game, specifically from Law 11, the offside rule, which is designed to penalize a player if they “become actively involved in play.” The law is designed to prevent a player from “gaining an advantage by being in that position.” Across paintings, sculpture, and dioramas, the artist has been working with various materials to translate the movement and ritual of sport into a broader exploration, using soccer and its rules, as a way of thinking through legitimacy, positionality, and power. Santiago previously made artworks involving scaffolding, building out sheds in the gallery, making paintings with the standard green color, and showing drawings attached to scaffold netting in his solo exhibition “Can’t I Alter” at @drawingcenter in 2020. Come see us! Couple blocks from Washington Square Park❤️❤️ Curtis @talwst Santiago No Player Shall Gain An Advantage (2025) Corner of East 9th Street and University Place Manhattan 10003 On view through July 2026, this exhibition is made possible with the support of the FIFA 26 NYNJ Host Committee @fwc26nynj in connection with the upcoming 2026 World Cup games, Andamio Scaffolding, @designbuildmade and @nyculture 🫡🫂 As always very special shout out and thank you to every single person behind the scenes on these small but mighty teams coming together!
923 91
22 days ago
We are looking for an affordable room to rent in NY for a family member starting September 2026. He will join a 12-month research program on the effects of COVID on Alzheimer at Columbia. Any leads welcome!
76 0
1 month ago
@ppowgallery Opening Saturday, May 2, we are pleased to present “Pilot Light,” a group exhibition curated by @geraldlovell  at 390 Broadway, 2nd Floor. Featuring new and recent works by @breandy , @cvsreceipt , #GeraldLovell, @devinnmorris , nickolapottinger, @talwst , and @taytheism , the exhibition will span painting, sculpture, and multi-media installation. The resulting presentation is shaped, not by spectacle, but by endurance: the slow, persistent force of faith, practice, and resiliency. In an art world where diversity can become a passing trend and visibility is often confused with care, Pilot Light insists on another measure of value outside the demands of immediacy, legibility, and consumption. The exhibition will be on view May 2 – June 6.  📷: Praise Fuller, “the unearthliness and spectrality of blue,” 2026, cyanotype, acrylic, and sand on canvas, 48 x 36 ins.
183 11
1 month ago
Curtis Talwst Santiago (@talwst ) & Greg Fox (@gdfx ) | ‘The Hum, the Hand, the Image’ | 3–15 August 2026 | Fortress Hohensalzburg, Salzburg, Austria Led by Curtis Talwst Santiago with experimental musician Greg Fox 🎶 Painting doesn’t start on the canvas. It starts in your breath, your body, your presence. This course helps painters access a deeper, freer relationship to making one that’s responsive, intuitive, and alive. The goal isn’t perfection. It’s range. How paintings begin. How they shift. How they recover when they tighten. What you’ll do: → Start each morning with somatic warm-ups guided by Curtis & Greg Fox (soft drone, minimal rhythm, frequency-led sound) → Develop a shared collective tone—a frequency you return to as community → Paint with more presence, less autopilot, softer self-consciousness → Take breaks in Greg’s sound studio for listening and experimentation → Dance after lunch to wake the body back up → End each day with group critiques and peer feedback Bring work in progress or start fresh. Either way, you’ll leave with new paintings, expanded tools, and a practice rooted in breath, rhythm, sound, and trust. Let the unknown in! ⭐️ Scholarships deadline: 7 April 2026 Regular application deadline: 1 May 2026 For more info about the course, the application and scholarships click the link in bio → COURSES! • Credits Slide 1: Curtis Talwst Santiago, The Inner Architect/The field of Manifestation, oil paint, gouache, aerosol, paint pen on raw linen wire, 100 x 200, ст, 2025 Slide 2: Curtis Talwst Santiago, photo: Conrad Birch Slide 3: Greg Fox, photo courtesy of the artist • #Painting #SomaticArt #ExperimentalSound #ContemporaryPainting #summeracademyat
192 6
1 month ago
After the Ball Became the Moon 2026 acrylic paint, gouache, and aerosol paint 35 x 30 cm Art Basel Hong Kong | Booth 3C25. Photo credit @valentinwedde
274 16
1 month ago