Excited to announce an upcoming publication about the Hungarian-Israeli modernist artist and designer Istvan Irsai, published in collaboration with the @israel_museum , design with Tali Liberman. Coming Soon!
מדור ׳לעצב כדי לספר׳ חדש - עם טלי ליברמן!
ליברמן, מעצבת ואמנית עצמאית הפועלת באמסטרדם ובתל אביב. בוגרת המחלקה לתקשורת חזותית, בצלאל ובעלת תואר שני באמנויות ממכון סנדברג, אמסטרדם. אמא לנטע, בן השנתיים וחצי.
העבודה שלה מתנהלת בין פרויקטים מוזמנים משדה האמנות והתרבות, ויוזמות אישיות שמבוססות מחקר. שני העולמות יוצרים דיאלוג מתמשך שמאתגר, מעשיר ומחדש את דרכי העבודה.
בשאלון של אביגיל ריינר היא מספרת על איך הגיעה לעיצוב ספרים, על הפרויקט שעוד לא הודפס, על השראות והוצאות ספרים בחו״ל, ועל ספרים חדשים בעיצובה שרואים אור ממש עכשיו בארץ.
טעימות מכל היופי הזה בקרולסה, והלינק בביו.
Excited to announce that ‘Private Papers’ a new artist book by Nurit Gur Lavy Karni, will launch at Offprint’s Paris Art Book Fair Nov 13-16. Pre-order your copy here!
‘Private Papers’ uses erasure and concealment to expose and reconsider a charged historical document - ten pages of her grandmother’s personal diary. Written between 1926 and 1935, after Sarah Kafri emigrated from Russia to Mandatory Palestine, the text exposes a seemingly unbridgeable gap between the image of the stoic pioneer woman, and the figure that emerges from these pages—one marked by sorrow, loneliness, and heartbreak.
Gur Lavy Karni scanned and printed the original pages, and gave them to her 97-year-old mother, to erase the words of pain she feared would be exposed to foreign eyes. These censored pages, alongside a family photograph, were then re-scanned, transferred to photographic etching plates, and printed.
The erasures and concealments expose the contrast between personal suffering and a national ethos that demanded lives of absolute conviction – sweeping ideals which are increasingly being called into question. In the artist’s own words, “Through a dialectic of revealing concealment and concealing revelation, I give voice to the hidden sorrow and answer my grandmother’s question: “Who will hear my voice?” I will—your granddaughter.”
Size: 26.7 x 21 cm., 128 Pages. Softcover with Silk Screen, Otabind. Paper:Imitlin Allpack Blu 210 gsm, Arena Natural Rough 90 gsm. English & Hebrew. ISBN 978-965-597-476-8, Printed and Bound at Die Keure,
Design by Tali Liberman.
Tonight at 21:00 and 22:00 during @jlmdesignweek
In the film, “Unrendered Road”, the physical and digital crudities of bordermaking jostle with personal epistemic and emotional conflict in the context of Israel/Palestine. The protagonist follows a road between two ancient cities — Jerusalem and Jericho, as a draftswoman draws a line: an act of making, division and guidance. Yet it is a physical road without a digital, navigable existence, to which Google “Can’t find a way there”. This is the starting point for an investigation into the relationship between the interface and the territory, and our role in navigating the two.
Screenplay: Maayan Ashkenazi, Tali Liberman
Director: Tali Liberman
Cinematography: @tomganor
Drone: Edden Ram
Editing: @sleepytal , Tali Liberman
Color Grading: @mateovega
Graphic Design: @sleepytal , Tali Liberman
Poster Design: @npellla
Music and Sound Design by @zgjimzgjimi
Sound Engineering: @room6audio
Voice Over: @asia.kislev Kislev, Maayan Ashkenazi
Additional Music: The Practice of Surrender
by Orphan Ann
När vi såg genom glas by Orphan Ann
Distribution: @lima_media_art
My film Unrendered Road will be screened during @jlmdesignweek on the 26.6 > 21:00 and 22:00, and on the 28.6 > 22:00
check the website for the full program https://jdw.co.il
The 2023 Jerusalem Design Week theme is lies and falsehoods and it sets out to examine and celebrate the designer’s role in these contexts through works that explore the importance of illusions by concealing, deceiving, and creating parallel realities, as well as through works that deal with disclosure and honesty by examining the possibility of truth and authenticity in the face of widespread lies and falsehoods.
Film Credits:
Script: Maayan Ashkenazi, Tali Liberman
Director of Photography: @Tomganor
Drone: Edden Ram
Editing: @sleepytal , Tali Liberman
Color Grading: @mateovega
Graphic Design: @sleepytal , Tali Liberman
Poster Design: @npellla
Music and Sound Design by @Zgjim
Sound Engineering: Room6audio
Voice Over: @asia.kislev
App Voice Over: Maayan Ashkenazi
Additional Music: The Practice of Surrender
by Orphan Ann
När vi såg genom glas by Orphan Ann
GD JDW by @anatgutberg@yoav_perry@amitay7@dan_ozeri
Excerpt from “Unrendered Road”. The film is on view Tuesday 28th and Wednesday 29th at @hansen_house , as part of @zezero.one International festival for Digital Arts.
This year’s edition, “Bina” (Hebrew: Intelligence), is a hybrid one, creating content for both the virtual and physical realms. The festival is taking place in various locations in Jerusalem with lectures, an exhibition, performances, a rave, and a digital platform hosting all the content digitally.
Check out the beautiful website by Amir Avraham and @vdbramberg
.il/#calendar
thrilled that Unrendered Road will take part in @icalondon Frames of Representations 21 film festival on Friday 3 December 2021, followed by a Q&A.
FRAMES of REPRESENTATION 2021 (FoR21) is filtered through the lens of (Re)Imagining – a thematic focus concerned with storytelling and filmmaking as intersections of fabulation, collaboration, and – to some extent – the manufacturing of images.
#FoR21
Last week I showed my graduation work, Unrendered Road, as part of the graduation show of the @sandbergdesigndepartment ,
I'm really thankful for all the people who took part in this project.
Today we encounter the world through the prism of digital apps owned by tech giants. Seemingly neutral, their smooth interfaces mask specific subjectivities of knowledge. They create new topographies of action, enabling or disabling terms by which we engage with the places around us. The video Unrendered Road traces the road between two ancient cities--Jerusalem and Jericho. A journey that Google Maps will not show you -- an unrendered road. By assembling conflicting perceptual readings, the reliance of existing knowledge systems are questioned, including regulations and legislations, on geo-political power structures and sedimented historical inequities. The resultant ‘editing’ of reality is made manifest through the interface by which we navigate a conflicted border zone.
Script and Translation Advisors Maayan Ashkenazi
Lana Murdochy, Heleen Mineur and Tina Bastajian
Director of Photography: Tom Gan-Or
Drone: Edden Ram
Editing: Tal G and Tali Liberman
Editorial Guidance and Support: Daniel van der Velden
Color Grading: Mateo Vega
Graphic Design: Tal G and Tali Liberman
Music and Sound Design by Zgjim Elshani
Sound Engineering: Room6audio
Voice Over: Asia Kislev
App Voice Over: Maayan Ashkenazi
Additional Music: The Practice of Surrender
by Orphan Ann
När vi såg genom glas by Orphan Ann
Special Thanks: Agata Jaworska / Amit Zac / Anja Groten / Ayal Zakin / Carmen Dusmet Carrasco / Charlotte Corstanje / Dikla Liberman / Elia Meron / Flavia Dzodan / Itay Bekin / Ivo van Stiphout and the Media lab / Michal Reicher / Mohammed Tatour / Nicolò Pellarin / Nirit Peled / Noa Liberman / Nurit Hadar / Shira Haran / Tali Flash / Tamar Grumet / Yaron Erez and the Sandberg Instituut Design Department
@tomganor@lanmurdo@heleenmineur@sleepytal@metahaven@npella@mateovega@zgjimzgjimi@asia.kislev
