Theodor Nymark

Hilma Af Klint, Pierre Huyghe, Laura Lamiel, Trisha Donnelly, Diego Macron, Sara Tamiz, Jai Chuhan, Jean Dubuffet, Catharine MacTavish.

Untitled 1-5 (after Maeterlinck) 2024 Inkjet print on Hahnemühle in clip frame and vinyl on wall. @foraarsudstillingen.dk @kunsthalcharlottenborg Photo: @jennysundby

Untitled (Nivagaard), 2025 Inkjet on Hahnemühle paper in aluminium frame with custom passe-partout and hygrometer. @foraarsudstillingen.dk @kunsthalcharlottenborg

Belated, but happy to share that I was selected in the @ducatoprize catalog 2025 for the section of contemporary art among many other great artists

Ambient, 2026 Mirror vinyl floor, MDF structure, humidifier with cypress essential oil, shipping box for lampshades with integrated light fixture and lampshade. Dachshund (Kids Shelf), 2025 Mirror foil on laser-cut MDF 
“Of the vivid natural environment, today only a distant, fleeting memory remains — a melancholic semblance glimpsed within symbolic frames, like paintings or phone screens, or in physical ones, strolling through the domesticated nature of elegant city gardens, private or aristocratic.”1 Excerpt from Matteo Giovanelli’s text for the exhibition. Diversione takes its point of departure in a residency at the Danish Institute in Rome. Emerging from research into landscape painting, urban theory and the historical layering of cultivated space, the exhibition considers diversion as detour and displacement, between image and site, memory and intervention. The exhibition is accompanied by texts by Nikolaj Schultz, Assistant Professor of Social Theory and Ecological Thought at Aarhus School of Architecture, and writer and curator Matteo Giovanelli. The exhibition is supported by Arts Council Norway at Pachinko @pachinkooslo 
until April 4, 2026 Photos by: Istvan Virag / Kunstdok @istvan_virag

Huitfeldts gate, Oslo, 2026 iPhone photography, inkjet print on Hahnemühle paper, chrome-plated custom frame with artist-defined passepartout proportions 
“Of the vivid natural environment, today only a distant, fleeting memory remains — a melancholic semblance glimpsed within symbolic frames, like paintings or phone screens, or in physical ones, strolling through the domesticated nature of elegant city gardens, private or aristocratic.”1 Excerpt from Matteo Giovanelli’s text for the exhibition. Diversione takes its point of departure in a residency at the Danish Institute in Rome. Emerging from research into landscape painting, urban theory and the historical layering of cultivated space, the exhibition considers diversion as detour and displacement, between image and site, memory and intervention. The exhibition is accompanied by texts by Nikolaj Schultz @nikolaj.schultz , Assistant Professor of Social Theory and Ecological Thought at Aarhus School of Architecture, and writer and curator Matteo Giovanelli @matteo_giovanelli The exhibition is supported by Arts Council Norway at Pachinko, Oslo
until April 4, 2026 Photos by: Istvan Virag / Kunstdok

Fontana Oscura, Villa Borghese, 2025 Reflective powder intervention; iPhone photography, inkjet print on Hahnemühle paper, chrome-plated custom frame with artist-defined passepartout proportions Alexander Pushkin Monument, Villa Borghese, 2025 Reflective powder intervention; iPhone photography, inkjet print on Hahnemühle paper, chrome-plated custom frame with artist-defined passepartout proportions Roman Arch of Septimius Sever, Villa Borghese, 2025 Reflective powder intervention; iPhone photography, inkjet print on Hahnemühle paper, chrome-plated custom frame with artist-defined passepartout proportions

“Of the vivid natural environment, today only a distant, fleeting memory remains — a melancholic semblance glimpsed within symbolic frames, like paintings or phone screens, or in physical ones, strolling through the domesticated nature of elegant city gardens, private or aristocratic.”1 Excerpt from Matteo Giovanelli’s text for the exhibition. Diversione takes its point of departure in a residency at the Danish Institute in Rome. Emerging from research into landscape painting, urban theory and the historical layering of cultivated space, the exhibition considers diversion as detour and displacement, between image and site, memory and intervention. The exhibition is accompanied by texts by Nikolaj Schultz, Assistant Professor of Social Theory and Ecological Thought at Aarhus School of Architecture, and writer and curator Matteo Giovanelli. The exhibition is supported by Arts Council Norway at Pachinko, Oslo
until April 4, 2026 Photos by: Istvan Virag / Kunstdok

Diversione Theodor Nymark 6 March–4 April 2026 Open Thursday-Saturday 13-15 through 4 April. The exhibition is accompanied by texts by Nikolaj Schultz, Assistant Professor of Social Theory and Ecological Thought at Aarhus School of Architecture, and writer Matteo Giovanelli. Photo credit: @istvan_virag / Kunstdok Supported by Arts Council Norway @kulturradet @t____n97 @matteo_giovanelli @nikolaj.schultz

My show Diversione @pachinkooslo is up until the 4th of April. Go see if in Oslo

Happy to share the brilliant text Another Human Relfection by @nikolaj.schultz for my recent show at @pachinkooslo The show is open until 4th of April, go see it if in Olso