SUPERSALADSTUFF

‘THE KC TRILOGY’ 3LP Special Edition Vinyl design for KC @kcthecompany - 160g Black Vinyl, 3LP - Trifold Jacket with 4 wings - 36p Booklet - w600×h900mm Poster 2026 *Project Managing: Javi Suh, Haneul Kim *Design: SUPERSALADSTUFF *Vinyl Manufacture: Champion Pressing @welcomerecords_seoul

A boy living in a village beneath a flight path watches planes pass overhead every day. Longing to fly, he imagines and dreams of the planes and his family as mythological figures from Greek mythology. Borrowing his mythological imagination, I sought to transpose the suppressed and marginalized Black community, the boy's fractured sense of family bonds, and the father's anguish from the ground (reality) to the sky (the ideal), placing them in a space of freedom. The title is hand-lettered in a drawn style, while the remaining text uses a typeface called ‘adelphe’ — the feminine form of the ancient Greek word ‘adelphos,’ meaning ‘brother.’ 항로 아래 마을에 사는 소년은 매일 상공을 지나는 비행기를 바라본다. 소년은 하늘을 날기를 갈망하며 비행기와 가족을 그리스 신화 속 신들 혹은 신화적인 존재로 그려내고 꿈꾼다. 그의 신화적 상상을 빌려 억압되어 밀려난 흑인 사회, 소년의 결핍된 가족 유대감, 아버지의 괴로움을 땅(현실)에서 하늘(이상)로 옮겨와 자유의 자리에 두고자 했다. 제목은 그리듯이 쓰고, 다른 글자는 고대 그리스어로 ‘형제’를 뜻하는 adelphos의 여성형 명사 ‘adelphe’라는 이름의 서체를 택했다. 映画の中で、飛行経路の下にある村に住む少年は、毎日頭上を通過する飛行機を見つめている。飛行機への憧れから、少年は飛行機や自分の家族をギリシャ神話に登場する神々や神話的存在として想像し、描き出す。こうした神話的な想像力になぞらえ、私は抑圧され周縁化された黒人社会や、断絶した家族のつながり、そして父と少年が抱える現実の苦しみを、空（自由の領域）へと移し替えようとした。タイトルは手書き風のレタリングとし、それ以外のテキストには、古代ギリシャ語で「兄弟」を意味する「アデルフォス」に由来する書体「アデルペ」を選んだ。 2026 Walter THOMPSON-HERNÁNDEZ - If I Go Will They Miss Me @mychivas w600×h900, offset print 100 Films 100 Posters @100films100posters JEONJU International Film Festival (JEONJU IFF) @jeonju_iff Exb at Subculture Center, JAKDANG, Jeonju, Korea

SUPERSALADSTUFF’s ‘Project Blue Book’ is available for viewing at the “Moving Library,” part of the Seoul Photo Festival “Come Back Home” held at the Seoul Museum of Photography. ➾ “Moving Library” is a project in which a wheeled shelf carrying 100 Asian photobooks moves through and settles in the exhibition galleries, lobby, and other spaces in the museum. Rather than staying fixed in one place, it is a mobile shelf that passes through the flow of the exhibition alongside its visitors. In conjunction with “Seoul Photo Festival – Come Back Home,” which opens today, we have brought together contemporary photobooks from five places across Asia. Through books selected by art book fair organizers and independent bookshop peers in each city, the project looks at how photography does not remain as a single image, but is arranged, sequenced, and carried across distances through the form of the book. During the festival, visitors may also receive, free of charge, one poster per person by photographer Okto Lee, created through a reinterpretation of the selected books. Take your time with the shelf, choose the book that stays with you the most, and keep it once more in photographic form. We hope this becomes a moment in which you are walking through the museum and, by chance, pause for a while in front of pages. ➾ “Moving Library” • Dates: April 9 – June 14, 2026 • Location: Seoul Museum of Photography (68, Madeul-ro 13-gil, Dobong-gu, Seoul) • Available across Floors 1–3 of the Photography Seoul Museum of Art / relocated periodically Open to all visitors without registration. @seoulmuseumofart • Photo fragments may run out early. ➾ Project Direction & Collaboration
• Korea: iro, Kim Gaeul (YOUR-MIND) @your_mind_com • Taiwan: Yichiu Chen, Lin Junye (pon ding) @pondingspace • Japan: Naoko Higashi (Tokyo Art Book Fair) @tokyoartbookfair • China: Qing Zhou (UNFOLD Shanghai Art Book Fair) @shanghaiartbookfair • Thailand: Bangkok Art Book Fair @bkkabf 
• Photography Seoul Museum of Art: Pak Sojin, Sung Seok
• Shelf design and production: Studio misiio @misiio.here • Photography: Okto Lee @okto_lee • Hands: Kim Bittna

CANDLES/pieces - photo poster & teaser 2019 250g/m² photo paper, 15x10in. Edition of 10 (each) Photo: Chung Haeri @super_salad

Commissioned illustration for ArtAsiaPacific Magazine, Issue No.114, July/August 2019 @artasiapacific ‘The Point - Blockchain: Tree of Potential’ 2019 w60xh90mm

SUPERSALADSTUF×Liars Collective We discussed the theme together, and Liars Collective screen-printed my design in green on sand-colored T-shirts.
The Korean text in the center is a Korean pangram like “The quick brown fox jumps over the lazy dog.”
*The label reads “Liars Call Active (a little lie),” which is a wordplay on “Liars Collective.” 2021 for @liars_collective Screen print on Sand Colour T-shirts

Observing the Yongsan Garrison through augmented reality games, various footage, and generated imagery, the film ‘Graeae: A Stationed Idea’ asks what is truly real. Within a fabricated reality superimposed upon the actual world, tranquility and unease accumulate in layers, leaving us with the constant sensation of inhabiting a somewhat disjointed world. 증강현실 게임, 다양한 푸티지, 만들어진 이미지로 ‘용산미군기지’를 바라보는 영화 ‹그라이아이: 주둔하는 신›은 무엇이 진짜인지 묻는다. 현실에 겹쳐진 가짜 현실 속에 평화로움과 불편한 것들이 켜켜이 쌓여 우리는 항상 무언가 어긋난 세계에 살고 있는 기분을 느낀다. 拡張現実ゲームや多様な映像、生成されたイメージを通して「龍山米軍基地」を見つめる映画『グライアイ：駐屯する神』は、何が本物なのかを問いかける。現実に重なった虚構の現実の中で、平和と不快感が層をなして積み重なり、私たちは常にどこかがずれている世界に生きているかのような感覚を覚える。 2020 Jeong Yeoreum - Graeae: A Stationed Idea w600×h900, offset print 100 Films 100 Posters @100films100posters JEONJU International Film Festival (JEONJU IFF) @jeonju_iff

Lee ji hye «CRUMBLE-MOUNTAIN» @keep_in_touch_seoul - Exhibition Poster - Wall Graphic (Exb. Identity) 2020 «CRUMBLE-MOUNTAIN» Feb 8th – 22th, 2020 Keep in Touch Seoul 13, Bukchon-ro 1-gil, Jongro(Jongno)-gu, Seoul, Korea Carefully staged and fabricated incidents often draw more attention than other types of events. In this solo exhibition, Lee Ji hye explores the significance of alternative narratives in the post-truth era. Artist: Lee ji hye @peong_e_yo Text: Song Haemin Design: SUPERSALADSTUFF

Amismyk EP ‘Dead Rockstar’ - teasing images - EP Artwork *Album Producer / Arist: Amismyk Co-Producer: YUNG RIZLA @yungrizlaryuho Swimming Sheep @swishe__ Composer: Sima Kim @catpsalm Featured Artist: Leni *Art / Design Design: SUPERSALADSTUFF 2019

Stationery Design for AXIS Creative Collective Platform - business card - file folder - envelope - name tag - poly mailer 2018

Cheon Miji 1st Album ‘Mother And Lover’ - Artist Logotype - Physical CD (Standard Jewel Case, w142×h125mm) - Artwork 2019 *Album Producer: Kim Sawol Co-Producer: Cheon Miji *Music Music/Words: Cheon Miji Arrangement: Cheon Miji / Kim Sawol Vocal/Guitar: Cheon Miji Sub Guitar: Kim Sawol Bass: Seo Hyun Drum: Kim Mui Record: Mushroom Recording Mixing: Cheon Hakju / Kim Sawol (Track 6) *Art / Design Photograph: Hwang Yezoi Styling: Kim Mumu Design: SUPERSALADSTUFF *Documentation Photograph: navyindigo

This poster was designed for and exhibited at ‘100 films 100 posters’ where assign 100 graphic designers to design a poster for a film out of 100. The film I was assigned to was an experimental film by Eduardo “Teddy” Williams. While the film recites sentences that start with ‘Parece (Seems like)’ from start to end, it shows images and movements that are not coherent with the sentences. This is a poem where almost everything is applicable and everyone can add on. Like writing a poem, I made a poster using a script font where you have to look close to read, and lines where it’s hard to guess what it’s projecting. The original title of the poem from the film is ‘No es (it isn’t)’. 에두아르도 윌리엄스 영화는 처음부터 끝까지 ‘Parece(Seems like)’로 시작하는 문장을 읊고 있지만, 그 문장과 다른 것을 보여준다. 이것은 거의 모든 것에 적용할 수 있으며 누구라도 행을 더할 수 있는 시이다. 영상에서 느껴지는 많은 것을 추측하는 시를 쓰듯, ‘-인 것 같은’ 선들, 자세히 보아야 읽히는 스크립트 서체를 사용했다. 영화 속 시의 원제는 ‘No es(It isn’t)’이다. エドゥアルド・ウィリアムズの映画は、最初から最後まで『Parece（Seems like）』で始まる文を朗読するが、その文とは異なるシーンを見せる。 これはほぼすべての詩に適用でき、誰でも行を追加できる詩である。 映像から感じ取れる多くのことを推測し、詩を書くように、何であるかすぐに気付かない線や、細部を見なければ読みにくいスクリプト文字体を用いてポスターを制作した。映画の中の詩の原題は『No es(It isn’t)』である。 2019 Eduardo “Teddy” Williams - Parsi w600×h900mm, offset print 100 Films 100 Posters @100films100posters JEONJU International Film Festival (JEONJU IFF) @jeonju_iff Exb at Palbok Art Factory, Jeonju, Korea