Studio Vierkant

Last year, Malaysian artist @cloakwork stopped by during his Europe tour. He teamed up with @georg_waibel and @philipp_daniel_walter_becker for a @cloakwork × @studiovierkant concept wall on Züricher Straße in Stuttgart-Hallschlag. “BUY THE TICKET, ENJOY THE RIDE” — the iconic quote from Fear and Loathing in Las Vegas stands for diving headfirst into a world of curiosity, risk and uncertainty. In many ways, graffiti is exactly about embracing that dynamic: discovery, adventure, danger and whatever consequences come with it. Once you’re in, there’s no turning back — so you might as well enjoy the wild ride. Big thanks to @montanacans for the support, @schreiber.danny for the fresh progress shots, and @cloakwork for squeezing us into your packed schedule and for the great time together

✨Behind the scenes✨ of our latest journey to Allgäu, where we’re transforming the walls of Füssen’s primary and middle schools with floor signage, shapes and colors. More updates to follow as the project unfolds! 🏔️🗻⛰️ Music by @kali.edward.d Design: @studiovierkant project management: @designklinik #workinprogress #füssen #allgäu

Studio Vierkant ist ein multidisziplinäres Designstudio und Künstlerkollektiv mit Sitz in Stuttgart, das an der Schnittstelle von Grafikdesign, Graffiti, Kunst und Fassadengestaltung arbeitet. Das Studio ist bekannt für seine konzeptuelle Herangehensweise an urbane Kunstprojekte, darunter großflächige Murals, Ausstellungen und Publikationen wie das jährlich erscheinende PFFF Journal sowie Filme wie „Metaverse“. Mit Projekten wie dem @pfffestival und der Ausstellung „Graffiti im Kessel“ trägt Studio Vierkant maßgeblich zur Sichtbarkeit und Diskussion urbaner Kunstformen im öffentlichen Raum bei. Wir freuen uns sehr auf die Arbeiten von Studio Vierkant: @studiovierkant !!!

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Das Fenster knistert im sitzen.
Im Restaurant von neben an 
werden Walnüsse in 4K zum Verkauf angeboten

At »Österreichischer Platz« in the center of Stuttgart, a former parking garage was transformed into a place for sport and exercise. The dark areas were to become colorful, inviting and friendly and encourage visitors to get moving. To achieve this, we used playful bold typography, which we placed in the space using anamorphosis so that it could be read without distortion from a defined point of view. Words such as »MOVE« or »REPEAT« are painted on the floor, walls and ceiling throughout the space. To top it of we enriched the composition with background elements and numerous patterns in a graffiti-style.

Wir freuen uns, das PFFF Journal 25 vorzustellen! Das Thema der diesjährigen Ausgabe lautet „Digital Technology“. Das Heft versammelt Texte, Interviews und künstlerische Positionen, die sich mit den Schnittstellen von analogem und digitalem Arbeiten in Urban Art und Graffiti beschäftigen. Andrea Ceresa beleuchtet die Evolution der Werkzeuge im Graffiti, Joachim Selzer (Chaos Computer Club) spricht über Hacking und KI, und Oliver Bartels untersucht die Auswirkungen von Internet und Social Media auf Graffiti. Eingerahmt werden die Beiträge von Arbeiten von Alsino Skowronnek, Gues & Risote, Katsu, Rage und Bond. Wie jedes Jahr enthält das Journal auch eine Dokumentation des PFFFestivals 2025 mit den teilnehmenden Künstler:innen Kartelovic, HNRX, Fred Battle, Jack Lack, IOTA und George Rose. Redaktion: Mathias Weinfurter @mathiasweinfurter Gestaltung: @studiovierkant Verlag: @studiovierkant_press Auflage: 500 Ex. – 192 Seiten Cover: @fred_battle_zoerism Illustrationen: @lauraklaschka Erhältlich unter studiovierkant-press.de für 20 € zzgl. Versand. — PFFF JOURNAL 25 – OUT NOW We’re excited to present PFFF Journal 25! This year’s theme: “Digital Technology.” The issue features essays, interviews, and artistic works exploring how analog and digital practices merge in Urban Art and Graffiti. Andrea Ceresa writes on the evolution of graffiti tools, Joachim Selzer (Chaos Computer Club) on hacking and AI, and Oliver Bartels on the influence of the internet and social media on graffiti. Artistic contributions by Alsino Skowronnek, Gues & Risote, Katsu, Rage and Bond. Plus: documentation of the PFFFestival 2025 featuring Kartelovic, HNRX, Fred Battle, Jack Lack, IOTA and George Rose. Editor: Mathias Weinfurter Design: @studiovierkant Publisher: @studiovierkant_press Edition: 500 copies – 192 pages Cover: @fred_battle_zoerism Illustrations: @lauraklaschka Available at studiovierkant-press.de for €20 + shipping. #pfffjournal #pfffestival #urbanart #graffiti #digitalart #stuttgart #artpublication #studiovierkant

We were asked by @deutschebahn to paint the ceiling of the station underpass in the spa town of Bad Oeynhausen. Thanks for the out-of-the-ordinary job. We had a lot of fun and a stiff neck🤠

Some color, forms and illustrations for the train station of Kornwestheim 💚💛❤️ Thanks to #stadtkornwestheim

At Studio Vierkant, several prints were created extremely spontaneously just in time for Christmas. Offset prints with special color on 350 g/m2 Peyer Peyvida Puro. Various motifs in A3 or A4 are now available in our online store. Link in Bio!

As part of the redesign of the ZOB / Europaplatz in Tübingen, an area of 7,000 square meters was uncovered in spring 2024. This area will initially be planned and then built on in the coming years. For the interim period, bhmplanungsgesellschaft, @umschichten and @stadttuebingen have developed a master plan for a versatile interim use that offers a wide range of possible uses for appropriation and participation. We added creative accents with various floor paintings, which are spread across the entire square. An asymmetrical crosswalk shows the quickest route to the Tübingen train station, while a basketball and badminton court with geometric patterns invites people to get active. Various colored dots and areas also mark places to linger and relax. The temporary plan includes a stage for concerts and events, several play and sports fields, seating and recreational areas, a climbing course, an outdoor gallery and the lookout created in 2021. In addition, two large planted incisions were integrated into the asphalted area by @heim.gmbh and a hop grove was installed to improve the quality of stay, especially in the summer months. This creative and functional approach to the interim use of Europaplatz creates space for activities and encounters and also increases the attractiveness and quality of life of the public space. Project concept: BHM Planungsgesellschaft, Umschichten and Stadtraumstrategien / Implementation and realization of the overall project: Umschichten, Phil Farmer, Atelier Blattmacher, Studio Vierkant / Trades involved: Heim Grünanlagenbau / Year: 2024

We painted the Lorenzstaffel with 89 different colors. The colorful motif fits into the child-friendly environment to the adjacent children’s playground. At the same time, it offers various interpretations in terms of content. One can see the painting as a kind of digital weather map, which thematizes the rising temperatures in particular and climate change in general. In this way, we would like to draw attention to the fact that the consequences of global warming are massive and diverse and endanger the coexistence and existence of future generations in a place where many children play every day.

For @trumpf.group , we painted two staircases and the walls in the interior of a co-working space. The lines symbolize the networking of the individual areas of the various fields of activity and the connections between the different people. Thank you for the nice indoor project and the smooth project coordination!