🐑🧀Design for a book about CHEESE by Jiří Giorgio Jelínek 🌜 founder of The Italians..🌛 a family of delis, wine bars and bakeries across Prague, London and Rome 🧚♀️🫕 Conceived as a response to ultra-processed cheese culture and the disappearance of traditional cheesemaking across Italy. 🍼🧌 Giorgio wrote the book and shot over 500 photographs across Italy 🐏 arriving to us with one brief: 🐄🤠 “Do whatever you want ‼️ just don’t make it look like a cheese book.” 🌞🪤 Launched at the Estorick Collection alongside the opening of an 8-year-aged wheel of Storico Ribelle 🧀 Big shout to Niamh for all the care and attention designing this slab 🧝♀️
🥎 Merch for @asymmetryartorg 🧁🛰️ alongside a few views of their beautiful, peaceful space⛱️⏰ a custom tote bag in two colourways, featuring inner lining ⛲️🏀 phone pocket, colour stitching and a woven logo tag 💎nodding to the index-tab concept. 💊 Comes with a screen-printed notepad and a bookmark. 🧼🎀
🔔Website design as part of our rebrand for @asymmetryartorg 🪭💌 Built as an interconnected system with a flexible structure that continuously repurposes content all driven by a solid 📦📬 flexible backend magically engineered by @felixsteindl and @niamh.thompson 🪩📯 video of @marcus.kerr casually scrolling the site has not been shot in Venice but on the River Lea in East London 🧸🖼️ Just to keep the scroll scrolling we wanted to take a moment to celebrate the 125 page guideline beautifully written and edited by @niamh.thompson and @martacaccia 🛁🔮
🍓🫧 Rebrand for Asymmetry, an independent arts foundation supporting curators and researchers with Chinese and Sinophone backgrounds. 🔮🔭 Conceptually drawing from academic tools and research practices: dictionary structures, highlighters, index tabs, filofax and marginalia, the identity foregrounds methods of reading, annotating and understanding. 🗝️🗞️
Slide description below for more knowledge:
1. Custom extendable, extractable, exchangeable sign
2. Ringbinder poster board with 8 rings
3. Picture of an event
4. Library catalogue magnets
5. The library door
6. The library
7. Arrow on a wall aka wayfinding
8. Large Asymmetry statement on a large statement board
9. A-board with a long arrow
🎋🪐 Big thank you to the @asymmetryartorg team for the trust and collaboration. ✴️🦔 Bergini project team: Francesco, Kristian, Marta, Niamh, Felix 🔕
🌚 Catalogue for the Alessandro Mendini 🌝 show at the Estorick Collection 🍕 with big, accessible page numbers 🛩️ plus a bunch of notes and scribbles from his archive, 🫧 all tied together 🩰 by a cute pink, 🛼 a cool turquoise and a 🌶️ hot metallic bronze. 🍬 (Typeface: Affix by @allcapstype ) 🫐 @estorickcollection
📐Big, accessible numbers 🎨 and a set of dangerously sharp panels 🗡️ for the Alessandro Mendini show at the Estorick Collection 🧩 bringing together around 50 works, from furniture and drawings to paintings, 🧰🌀 rugs and design objects, celebrating his playful and poetic approach to design.🛋️On until 10 May. 🍄
✂️ Mini catalogue 🌹 for Olga de Amaral × Lisson Gallery × Art Basel Qatar 🫕 (booth no. M315) 🎸 featuring 6 artworks ☎️ 2,357 words 📕 a Takeo Tant Select TS–1 cover 🦞 two gatefold surprises and unexpected parchment-paper endings 🧶 all held together by one piece of thread doing the structural heavy lifting 🥊
🌵🐢Visual identity and tone of voice for Meadow 🐛🍀 @workfrommeadow a new co-working concept from @masonfifth 🌳🦜 that feels part living room, part workplace, part nature walk 🍋🟩🔫 We leaned into the calm but playful and slightly absurd energy of the name🥬🐸 using humour, nostalgia and a gently cheeky tone to sidestep the usual co-working space tropes.🪲🐍 Through the use of vintage nature imagery 🌿🍏 wildflower colours, and type inspired by park signage and holiday postcards 🦖🌴 we situated Meadow as a working vacation destination;🐊⛳️ a workplace you want to spend time in 🪀🦚⌨️🐒Thanks to @harold__bennett for supporting the team on this one! 🔠 Cornbread by @maxitype_com Focal by @commercialtype
🖨️📖 lil riso publication for our friends @londonbookarts 🧝♀️ ‘Themerson & Themerson: Gaberbocchus Press 1948–1979’ Exhibition. Featuring folds 🗺️, a bunch of dragons 🐉 and an essay by Harriet Neville. 📰✨ The exhibition celebrates Gaberbocchus Press, an avant-garde 🤪 publishing house 🛖 founded and run collaboratively by Franciszka and Stefan Themerson in London between 1948–79.🦶🔏 Together they published and illustrated ✍️ more than sixty titles ✍️✍️✍️ over thirty-one years, 🐝🌝 introducing seminal experimental European writers to a British audience. 🌍🔮 The free show closes this Saturday! 🆓🔚🔜⏰🦺#lilrisothing
🌀Exhibition campaign 👀for🖍️ Creations of Care ❤️🩹 at @kunsthall_stavanger , the first solo 🎟️ exhibition of British 🍳🧑🏾🎨artist Nnena Kalu (who’s shortlisted 🩳 for this year’s Turner Prize🏆) outside the UK. 🔛On until 🧴August 3rd!🔚 📸 by @saeterjoergensen
🕵️♂️ An artist book we designed for 👨🎨Alex Donnelly has been awarded among the 💄Most Beautiful Norwegian Books 2025🇳🇴 The book, produced in just 23 copies, collects two connected bodies 👯♂️ of cryptographic 🔐 poetry by the artist as part of his PhD thesis 👨🎓 at the Royal College of Art @royalcollegeofart . Alex was blinded by an explosion as a 🪖soldier in the Iraq war. His poetry therefore has undertones of the post-traumatic, and takes inspiration from themes such as 🚜 machine language🗣️, cryptography, surveillance📹, and the banality of war. As a legally blind person, the artist is not capable of creating visual artworks; instead he writes instructions👨💻 for how his works should be realised in various mediums, including print🖨️. The works therefore have several 🖲️dimensions; the execution is seen as an artwork, the code in itself is poetry, and the texts resulting from the decryption process is also a piece of poetry 🤯.
The hardback🧱📖 book with 🥁drum-leaf🍁 binding is beautifully🌸 bound by @simongoode@londonbookarts 💋, with paper from @gfsmithpapers and ✨immaculate riso printing✨ by @pagemasters.co . Set in 🏛️ROM from @abcdinamo 🔤 The work is not available😢 for sale, but a copy is available for viewing at LCBA👀 Thanks so much to the ÅVB jury👮♂️!
📸 by KUNSTDOK / Istvan Virag (except the stack)📸
@grafill_@grafill_grafisk_design@aretsvakresteboker
🫦A logo facelift 💉for @mayorgallery 🎩 in London, who wanted to touch up 💅their appearance on the occasion 🍾of moving to their new location on 🪦Bury Street. The 🖼️ gallery has gone through many logo iterations since opening in 1925 👴🏻, slab-serifs 🧱 being a returning ⏪feature which lately had devolved into typing ⌨️out the name in the default, free version of Clarendon😑. We simply 🆙dated it to the beautiful ✨Clarendon Graphic✨ by @optimofoundry 🇨🇭and fixed the 🗜️spacing and alignment 👷♂️, leaving 3️⃣ logo versions for practicality💼. If it’s worked for 💯 years, why change it? 🤳Photos by @saeterjoergensen 😘
