Triple Rainbow (Redacted), 2024
Graphite on rag paper, black tinted glass
18” H x 12” W
Shown as a diptych of two mis/aligned arcs of interference.
On view at MORA Art Museum through June 1
Christopher Squier: Rainbow (Redacted)
#artist #contemporaryart #drawing #minimalism #quantumphysics #rhythm #harmonics #noise #interferencepatterns #christophersquier
Triple Rainbow (Redacted), 2024-2025
Graphite on rag paper, black tinted glass
18” H x 12” W
On view at MORA Art Museum through June 1
Christopher Squier: Rainbow (Redacted)
#artist #contemporaryart #drawing #minimalism #quantumphysics #interferencepatterns #christophersquier
Excited to be exhibiting three drawings at Amos Eno Gallery’s project space next month with the local members exhibition “In Translation” !!
In Translation
Amos Eno Gallery Project Space
191 Henry St, NYC
On view: April 30 to June 7, 2026
Reception: Friday, May 1, from 6 to 8 p.m.
In Translation brings together five artists whose works examine how inherited systems — linguistic, biological, algorithmic, political, and ritual — shape identity and belonging. Across drawing, painting, sculpture, and collage, the exhibition asks how forms are received and remade: to be patterned by forces larger than the self, and to respond by constructing new visual languages.
Curated by gallery director Ellen Sturm Niz, the exhibition traces a shared tension between origin and invention — between what is given and what is built in response. Each artist engages a distinct system of transformation, from cultural displacement and personal syntax to painterly fracture, algorithmic logic, and political interference. Translation emerges here not as loss, but as a generative act — a process of absorbing disturbance and reconstituting it as meaning.
At a moment when identity is increasingly mediated by technology, migration, and political division, the question of how meaning is constructed — and who constructs it — feels newly urgent. In Translation responds by foregrounding artists who do not simply receive these systems, but actively reshape them.
OPEN CALL
Juried by Christopher Squier
Word Pictures and Poem Objects is an online exhibition hosted by Amos Eno Gallery on Artsy.net. This exhibition invites artists and writers to present works that engage with the poetic and the plastic, inhabiting the interdisciplinary space between writing, speech, mark making, and epistolary abstraction.
The open call departs from the Surrealist practice of the poème-objet, the dream-based assemblages constructed from scraps of text and found objects by André Breton between 1924 and the 1940s. Poem objects were later picked up by modernist poets and artists of the neo-concrete movement including Ferreira Gullar, Lygia Pape, and Hélio Oiticica who brought poetry into contact with materiality and relational aesthetics.
How might these modernist poetics might be reimagined today? — to plunge into the space of a poem, uncover beauty in the ligatures, serifs, and graphic strokes of typographic design, find revelation in mundane constructions of paper and ink, or encode mysteries within the compositional space of a drawing, a sculpture, or an artist book.
Apply:
/amosenogallery/word-pictures-and-poem-objects
Images: Guillaume Apollinaire, Eugen Gomringer, André Breton, On Kawara, Ferreira Gullar, Hélio Oiticica, stanley brouwn, Hanne Darboven, Raven Chacon, and Lygia Pape
@amosenogallery
Looking back at this series of graphite drawings under black glass at the MORA Art Museum from my show Rainbow (Redacted)
Obscura, 2020-2021
Graphite on paper under black glass
17.75” H x 13” W
Crystalline Lens at SOIL is wrapping up this Saturday. Don’t miss the final week. Pictured: My drawings with weavings by @meaganleggin and @a11yce
#soilart #contemporaryart #drawing #textile #weaving
Risograph printed artist books from the exhibition “Crystalline Lens” are available from @soilart now!
Stop by the gallery to pick up a copy or DM me to order one directly ($25 + $5 shipping within the US).
The booklet includes a conversation with the artist (moi, @meaganleggin , and @a11yce ), glimpses of the work and various residency trips to Norway, an exhibition statement, bios, and a concrete poem I composed at KH Messen Artist Residency @khmessen titled “A Lighthouse Is a Letter.”
Printed in riso by @paperpresspunch
On view at SOIL Artist Run Gallery through February 28
@soilart
/
Originally produced in residence at @khmessen
#CrystallineLens #contemporaryart #digitaltextileart
A colored pencil drawing based on the ripple tank experiment as seen in midcentury physics textbooks - currently on view at @soilart . The patterns in this drawing also reference the play of light reflecting off one of Olafur Eliasson’s luminous installations I visited several years back
Disturbances no. 20 (Scattered Light), 2024
Colored pencil on Bristol vellum
11 x 17 inches
