studio pangolin

this week in Istanbul showcasing publications at border_less ARTBOOK DAYS 📚 Established in 2019, border_less ARTBOOK DAYS is a dynamic platform dedicated to celebrating and advancing the fields of art publishing and art book-making. Organizing annually, the event brings together a curated selection of artists, galleries, initiatives, and institutions that work with texts and publish their work in innovative ways. This event not only provides a showcase for artist-led publications but also serves as a vibrant meeting ground for artists, art professionals, print houses, and the public alike. @border_lessartbookdays @anahusman @risoandfriends

📯🔊📯 𝐆𝐈𝐁𝐀𝐍𝐉𝐀 │ 𝐒𝐫𝐢𝐣𝐞𝐝𝐚 / 𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲 𝟐𝟎/𝟓 │ 𝐊𝐎𝐍𝐓𝐄𝐉𝐍𝐄𝐑 𝟐𝟏𝐇 𝐙𝐯𝐮𝐤𝐨𝐬𝐩𝐣𝐞𝐯𝐢: 𝐎𝐧𝐨 𝐩𝐥𝐚𝐜̌𝐞 𝐥𝐣𝐮𝐝𝐬𝐤𝐢𝐦 𝐬𝐮𝐳𝐚𝐦𝐚 / 𝐒𝐡𝐞 𝐂𝐫𝐢𝐞𝐬 𝐇𝐮𝐦𝐚𝐧 𝐓𝐞𝐚𝐫𝐬 audiovizualna izvedba / audiovisual performance Rad polazi od obilaska tzv. Mora plastike u Španjolskoj 2025. godine te zamišlja narativ u kojem halucinogeni toksini biljaka pomoćnica truju kolektivnu podsvijest konzumenata rajčica. Kroz terenske snimke, fabulacije, zvuk, govor i video pratimo niti koje povezuju polikromnu skulpturu 16. stoljeća, špageti vestern, berače voća i industrijsku poljoprivredu, sve kako bismo razmišljali o energiji, višku, potrošnji, svetom i užasu. Zvukospjevi su multimedijalni projekt filmašice i tekstopisateljice Nicole Hewitt, medijskog i zvučnog umjetnika Ivana Slipčevića te vizualne umjetnice Vide Guzmić. 📯🔊📯 The work begins with a visit to the so-called Sea of ​​Plastic in Spain in 2025 and imagines a narrative in which hallucinogenic toxins from companion plants poison the collective subconscious of tomato consumers. Through field recordings, fabulations, sound, speech and video, we follow the threads that connect 16th century polychrome sculpture, spaghetti westerns, fruit pickers and industrial agriculture in order to reflect on energy, surplus, consumption, the sacred and horror. Soundspiels is a mixed media project by filmmaker and writer Nicole Hewitt, media and sound artist Ivan Slipčević and visual artist Vida Guzmić. Ulaznice za 6. Gibanja 2026 u KONTEJNER-u dostupne su putem @entrio_hr (link je u opisu profila) / Tickets for the 6th Gibanja at KONTEJNER are available via Entrio (link in bio). @studio_pangolin @kontejner.org @daca_retardaca @tere___ @olgamlinn @ivi.s @jadrana_curkovic #kontejner_org #gibanja

_ s a v e t h e d a t e 13/6 four weeks from now at kvatrić market building with luana, mirna, tea, and ... m o r e info s o o n :*

Novi film Nicole Hewitt "Vremeplovke" imat će svoju svjetsku premijeru sutra na Međunarodnom festivalu eksperimentalnog filma u Istanbulu. May 16th 18:00 📍Salt Galata Auditorium, Istanbul New film by Nicole Hewitt, "She Who Passes Through Time" will have its world premiere tomorrow at the Istanbul International Experimental Film Festival. "She Who Passes Through Time" meanders and wanders through spaces, motions, characters, objects, voices and times drifting in and out of form. The film takes as its starting point the Strugatsky brothers’ novel Roadside Picnic on which Tarkovsky's Stalker is based, and loosely follows the shooting locations of Stalker. The film is organised around the minor character of Monkey - a hairy and mutated little girl, the beloved daughter of the Stalker, working through notions of haunting and the politics of the minor, gender-inflected subject — the one who is absent, the one who mutates, transmigrates. @studio_pangolin @slipqe @hi_im_billie @knezneza @hrvoslava @pre_pre_pre_sonja @kasast @analabud @hrvojeniksic

Nakon prikazivanja u Velikoj Britaniji na festivalu Dreamers of Dreams u Londonu prošlog tjedna, film “Vremeplovke” prikazuje se sutra pred gruzijskom publikom na sedmom izdanju Art Experimental Screenings Fresh Stream Film Festivalu u Tibilisiju. Vremeplovke luta kroz prostore, pokrete, likove, predmete, glasove i vremena uranjajući i izranjujući iz  forme. Početna inpsiracija je roman braće Strugatski Piknik pokraj ceste po kojem je Tarkovski snimao Stalkera i donekle prati lokacije sa snimanja Stalkera. Film je organiziran oko minornog lika Majmunčeta - dlakave i mutirane djevojčice, omiljene kčerke Stalkera i orijentira se na ideje sablasnog i politike minornog rodno određenog subjekta - one koja nedostaje, one koja mutira, transmigrira. @studio_pangolin @slipqe @hi_im_billie @knezneza @hrvoslava @pre_pre_pre_sonja @kasast @analabud @hrvojeniksic

A new film in Pangolin Production, "The Same Sweat is Still Flowing Through the Same Pores" by Neža Knez, is premiering at the 7th edition of the Istanbul International Experimental Film Festival as part of the official selection in the program The Matters of Memory. 📍 May 14 at 16:00 at Salt Galata Auditorium, Istanbul “The Same Sweat is Still Flowing Through the Same Pores” is based on long-term research of a specific site to which the author is connected through family history. The film reflects on subjectivities, the past, and the relationships that are formed on the land. Through continuous documentation and interventions in the landscape, film takes the form of a journey through time and an ongoing attempt to understand the space, its inhabitants, objects, and transformations. Rhythm and narrative are constructed through the interplay of different filming techniques and montage, the use of multiple cameras, and several voices in different registers. Director, Screenplay, Producer: Neža Knez DOP: Jason Mulhausen, additional picture: Sanja Bistričić, Ivan Slipčević, Neža Knez Editor: Neža Knez Sound Design: Ana Kovačić  Mastering: Tiho Vrbanec Design: Ana Labudović Production Company: Studio Pangolin @knezneza @studio_pangolin @slipqe @sanja_bistricicsrica @kaka480p @analabud @istanbulexperimental

Few photos from final sound mix of She Who Passes Through Time with Ivan Zelić in Studio Nazor 🎬

After an in-person screening at the 2026 Cadence Video Poetry Festival last week, I Would Rather Be A Stone (Radije bih bila kamen) is now screening online as part of the Cadence Video Poetry Virtual Festival, in the program - proof that we were here - until April 30th. link in bio @anahusman @bonobostudio_zagreb @cadence.video.poetry

Studio Pangolin will be at border_less ARTBOOK DAYS 2026 (15-17 May) ☄️ Studio Pangolin is a Zagreb-based feminist artist-run initiative producing experimental films, installations, workshops, and artist books, with a focus on hybrid formats that merge poetic and discursive practices. Rooted in a feminist understanding of art as inseparable from life, it supports collaborative processes and emphasizes minor, fragile, and often invisible forms of production. Closely involved in every stage of bookmaking—from research and material exploration to printing and binding—the collective develops small-scale, experimental publications in dialogue with artists and designers, while fostering a supportive and emancipatory platform for women artists. The selection of publications will include 📚 Workbook: Pustijerna (2024): A workbook-format publication exploring Dubrovnik through fragmented narratives and visual materials that destabilize dominant representations. Women Minor Speculations (2023): A speculative compilation by Nicole Hewitt tracing Neolithic figurines across regions, blending research, fiction, and travel. This Woman is called Jasna (2022): A multi-voiced narrative weaving personal and collective histories around women’s experiences during the Yugoslav wars. In Time (2013): A theoretical and artistic work engaging choreography, language, and political rhetoric. Additional publications and zines extend these explorations through themes of memory, space, landscape, and collective perception, often developed alongside exhibitions and long-term artistic research. #border_lessartbookdays #artbookdays2026 #borderless #saltgalata #artbook

Pridružite nam se 13.4.2026. u 19h na promociji i javnom čitanju prvog izdanja nove edicije Biblioteke 0 Općenito – „Manifest družbeničkih vrsta: Psi, ljudi i značajna drugost“ autorice Donne Haraway, u prijevodu Marine Schumann i feminističkoj redakturi Biljane Kašić. Urednički kolektiv u sastavu: Ana Hušman, Ivana Meštrov, Nikola Bojić, Marko Tadić (likovni dodaci), Ana Labudović / Riso i prijateljice (dizajn i tisak) pročitat će izdanje u cijelosti te predstaviti sveukupni izdavački projekt kolektiva Biblioteka 0 Općenito. Primjerci tiskanog izdanja eseja Donne Haraway moći će se uz donaciju preuzeti na promociji, koja će se uživo održati u KONTEJNER-u (Odranska 1/1, Zagreb), a čitanje će se prenositi i online putem poveznice koja će biti dostupna neposredno prije događaja. #biblioteka0opcenito @studio_pangolin @risoandfriends @anahusman @iv.mestre nikola bojić biljana kašić @markotadik2 @analabud 📸 @doris.fatur

🎬 Détours [ Obilaznice ] - CORTO THEMA de Vida Guzmić Documentaire | Croatie | 2024 | 23’ Detours assemble des images tournées au Liban entre 2019 et 2021. En déambulant entre les gratte-ciels et les immeubles éreintés, la caméra de Vida Guzmić capte, par fragments, les contrastes d’un pays et de ses habitants en proie à la crise et aux manifestations. Vida Guzmić est une artiste croate, née à Zagreb en 1986. Elle obtient un Master of Arts in New Media à l’Académie des Beaux-Arts de l’Université de Zagreb en 2012 et un diplôme d’études de genre au Centre for Women’s Studies de Zagreb en 2013. Ses œuvres ont été exposées au V2_, Lab for the Unstable Media de Rotterdam et au KulturKontakt de Vienne. En tant que membre du groupe Space is Tactics entre 2012 et 2018, elle organise des ateliers audio/vidéo pour les jeunes femmes par le biais du Studio Pangolin.  Detours, produit par ce même studio, est sélectionné au Slow Film Festival 2025 de Londres. 📍 Elysées Lincoln — 12 avril, 11h15 Découvrez le film dans le cadre du festival. #detours #cortothema #europeautourdeleurope #elyseeslincoln

〰️ detours was awarded best experimental short at the 10th FESCISA San Antonio Independent Film Festival in Ecuador, held from 19–22 March 2026 〰️ Filmed between 2019 and 2021, detours documents a moment in Lebanon’s turbulent history and immerses us in a state of continuous disorientation. Bearing witness to a collective encounter - a revolution led by youth and solidarity - the gaze drifts through an urban landscape, caught between the concrete experience and shifting memory.