Stray Motion

Title Sequence for Mrs. Deshpande (@jiohotstar Series) Starring @madhuridixitnene , Mrs. Deshpande follows a convicted serial killer who assists the police in tracking down a copycat murderer who uses the same green rope as the murder weapon. This series was directed by @nageshkukunoor and produced by @applausesocial . For the title sequence, the idea was to place the viewer in the final moments of the victim. An endless length of green rope weaves through a void, slowly forming shapes that resemble hands, feet, and eventually a face. The rope finally reveals the face of the killer herself, Mrs. Deshpande, the last thing the victim sees before everything fades out. The entire sequence exists in an abstract limbo space, somewhere between life and death, giving the visuals a dreamlike, almost fever-dream quality. Creating the rope animation and sculptural forms required a mix of different CG techniques, along with careful simulation and compositing work. We also shot a live-action plate of the incredible Madhuri Dixit specifically for the title sequence, which was a rare and very exciting opportunity for us. Title Sequence Credits: Studio – @stray.motion Creative Director – @jishnuchatterjee CG Leads – @chandparaaa , @_karanworkjari CG Modeller – @amishjain225 Compositing & Edit – @baidyaism Post Producer – @shreedharbhende Storyboards – @_potarto_ #mrsdeshpande #titlesequence #motiondesign #straymotion

Making Of: ICC Men’s T20 World Cup 2026 Intro Here’s a peek into our process for designing the official opening sequence for the ICC Men’s T20 Cricket World Cup 2026. This year, the idea was to capture the fiery spirit of the cricketers and the burning passion that drives them to compete at the highest level of the game. We used the element of fire as the core visual motif, aligning it with the official branding colours of the season to create a look that feels intense, energetic and true to the tournament. The sequence was built using a mix of CG animation, digital compositing and motion graphics to harmonise the brand assets with the fire elements. We created custom CG shots of the ball, bat and trophy inside the stadium to give the intro a cinematic scale and sense of spectacle. A lot of time also went into shaping the edit with the music, making sure every cut, hit and transition carried the dynamism and momentum that a World Cup opener demands. Always an honour collaborating with the @icc and @jiostar , and being part of a project that celebrates cricket at the biggest stage. 🏏🔥 Credits-�Studio: @stray.motion �Director: @jishnuchatterjee �Producer: @tarungupta_27 �Editor: @roshanwajela �Compositor: @baidyaism �CG Generalist: @fl3vi �AI Artist: @aalsiyoulater �Music & SFX: @graysparkaudio BTS Edit: @flattech26 #T20WorldCup #Cricket #TitleSequence #motionprocess #straymotion

Clips: ICC Men’s T20 Cricket World Cup 2026 Intro Swipe to see clips from the global opener ➡️ We got the opportunity to create the opening sequence for the ICC Men’s T20 Cricket World Cup 2026. This year, the idea was to capture the fiery spirit of the cricketers and the burning passion that drives them to compete at the highest level of the game. The tournament brings together the best players in the world in one of the most intense and prestigious stages in cricket. To reflect this energy, we used the element of fire throughout the sequence, aligning it with the official branding colours of the season to create a visual language that feels both powerful and cohesive with the tournament packaging. Here are some of our favourite moments from the intro we created. It’s always a privilege collaborating with the ICC and JioStar, and contributing once again to a global celebration of cricket. 🏏🔥 Credits – Studio: @stray.motion Director: @jishnuchatterjee Producer: @tarungupta_27 Editor: @roshanwajela Compositor: @baidyaism CG Generalist: @fl3vi AI Artist: @aalsiyoulater Music & SFX: @graysparkaudio #ICC #T20WorldCup #Cricket #SportsAnimation #TitleSequence straymotion

Title Design for Saali Mohabbat (@zee5 Film) Starring @radhikaofficial as Smita and directed by @tiscaofficial , the film follows a woman who narrates the story of her own becoming, as she quietly learns to bend truth to her will. We wanted the title to feel elegant at first glance, without immediately revealing the darker, twisted nature of the story. Set in a classical typeface with a central illustrated motif, the letters slowly bleed and smudge, hinting at the quiet unravelling to come. The painterly flora subtly reflects the darkness taking root within Smita, merging her passion for botany with the evolution of her character. Title Design Credits: Studio - @stray.motion Creative Director - @jishnuchatterjee Graphic Designer - @akilanky Motion Designer - @jishnuchatterjee CG Generalist - @fl3vi #SaaliMohabbat #SaaliMohabbatOnZEE5 @stage5production #titledesign #graphicdesign #motiondesign

VFX Breakdown for Nirvana by Boat ft. @ranveersingh   Here’s a quick look at how I created the VFX for this set of three ad films for @boat.nirvana , made with @catnipculture and @talentedagency . All three films were shot entirely against blue screen, which meant every world you see was built from scratch in post. The process involved designing distinct environments, layering CGI elements with 2D motion graphics, and then carefully integrating the live-action footage so the actor felt naturally embedded within these spaces. A big part of the challenge was balancing realism with stylisation. Each environment had its own visual logic, and a lot of time went into compositing, lighting integration, and visual treatment to ensure the compositions felt intentional and compelling. The project moved fast, but that pace made it even more exciting to solve. Huge thanks to the dream team that made it such a joy to work on. Special shoutout to @agastya_bhatia and @shreyantito for holding post together, and to @reemsen for being an absolute pleasure to collaborate with. Director - @reemsen Director Of Photography - @harshviro Post Producer: @shreyantito Post supervisor: @agastya_bhatia Offline Editor: @mehran.mxf Grading Artist: @aviavinashshukla Original Track: Hai Rama Original Composition: @arrahman Remix: @achintstagram Music Supervisor: Night Song Records Sound design: Jeremy Fonseca VFX & Motion Graphics: @jishnuchatterjee / @stray.motion Roto: Arun (Picture Post) #ranveersingh #vfxbreakdown #motionprocess #vfx #boat #commercial #motiongraphics #motiondesign #straymotion

VFX for Nirvana by Boat ft. @ranveersingh  [3/3] Film 3 of 3: Battery Life 
I had the chance to work on a really fun set of ad films for @boat.nirvana , created by @catnipculture & @talentedagency . This film depicts the long-lasting battery life of the TWS earbuds that allows days to turn into nights but the music never stops.

The entire film was shot against a blue screen, so it was a big challenge to make every single environment in post, and blend everything together with some stylised compositing. I used CGI elements and a lot of 2D assets to make this come to life. It was also really fun to take design elements from @rushilbhatnagar , my partner in crime from my college days, and develop them further for the final outcome! It was a really fast paced and fun project, and I absolutely loved the people I worked with, and I think that befriending them was my true gain out of this project! The best post producers @agastya_bhatia , @shreyantito , and the coolest director @reemsen ! Director - @reemsen Director Of Photography - @harshviro Post Producer: @shreyantito Post supervisor: @agastya_bhatia Offline Editor: @mehran.mxf Grading Artist: @aviavinashshukla Original Track: Hai Rama Original Composition: @arrahman Remix: @achintstagram Music Supervisor: Night Song Records Sound design: Jeremy Fonseca Design: @rushilbhatnagar VFX & Motion Graphics: @jishnuchatterjee / @stray.motion Roto: Arun (Picture Post) #ranveersingh #vfx #boat #commercial #motiongraphics #motiondesign #straymotion

VFX for Nirvana by Boat ft. @ranveersingh  [2/3] Film 2 of 3: Signature Sound 
I got the chance to work on a really fun set of ad films for @boat.nirvana , created by @catnipculture and @talentedagency . This film visualises the product’s explosive, yet detailed signature sound profile.

The entire spot was shot on blue screen, so every environment had to be built in post. It was a big challenge but also a blast to solve using a mix of CGI elements, 2D assets and stylised compositing to bring the world together. I got to work with some design elements created by @royalbengal and develop them further to make this world. This project moved quickly, but the vibe of the team made it super fun. Huge thanks to dream producers @agastya_bhatia and @shreyantito , and the resident dreamer @reemsen for being the coolest director to collaborate with! Director - @reemsen Director Of Photography - @harshviro Post Producer: @shreyantito Post supervisor: @agastya_bhatia Offline Editor: @mehran.mxf Grading Artist: @aviavinashshukla Original Track: Hai Rama Original Composition: @arrahman Remix: @achintstagram Music Supervisor: Night Song Records Sound design: Jeremy Fonseca VFX & Motion Graphics: @jishnuchatterjee / @stray.motion Additional Design: @royalbengal Roto: Arun (Picture Post) #ranveersingh #vfx #boat #commercial #motiongraphics #motiondesign #straymotion

VFX for Nirvana by Boat ft. @ranveersingh  [1/3] Film 1 of 3: Active Noise Cancellation 
I got the chance to work on a really fun set of ad films for @boat.nirvana , created by @catnipculture and @talentedagency . This film visualises the product’s active noise cancellation by turning a chaotic intersection into the silent void of deep space.

The entire spot was shot on blue screen, so every environment had to be built in post. It was a big challenge but also a blast to solve using a mix of CGI elements, 2D assets and stylised compositing to bring the world together. This project moved quickly, but the vibe of the team made it super fun. Huge thanks to dream producers @agastya_bhatia and @shreyantito , and the resident dreamer @reemsen for being the coolest director to collaborate with! Director - @reemsen Director Of Photography - @harshviro Post Producer: @shreyantito Post supervisor: @agastya_bhatia Offline Editor: @mehran.mxf Grading Artist: @aviavinashshukla Original Track: Hai Rama Original Composition: @arrahman Remix: @achintstagram Music Supervisor: Night Song Records Sound design: Jeremy Fonseca VFX & Motion Graphics: @jishnuchatterjee / @stray.motion Roto: Arun (Picture Post) #ranveersingh #vfx #boat #commercial #motiongraphics #motiondesign #straymotion

Tile Sequence Breakdown: Maharani Season 4 (@sonylivindia )
 Here’s a look at how we created the title sequence for Maharani Season 4 👑 The concept was to frame Rani Bharti’s rise as a clear David vs Goliath moment. Using the metaphor of chess, she becomes a lone Queen advancing toward a towering King and his army, set against a stylised miniature version of Delhi that represents the seat of political power. The entire sequence was built in CG from scratch. Every structure, landscape and prop was designed to feel like a hand-crafted miniature, complete with scaled textures, precise surface detailing and controlled imperfections that give the world its tactile charm. We pushed the lighting heavily, using sharp contrasts and pockets of shadow to evoke the cloak-and-dagger nature of politics and to heighten the sense of tension within the environment. We also sculpted detailed CG likenesses of eight key characters from the series, including @iamhumaq , @vipin.sta and others, to ground the metaphor in the personalities driving the story. Huge thanks to @dkh09 for bringing us on board for this massive series by @kangratalkies , and to @nirdeshak for trusting our team throughout the process. Couldn’t have asked for a better collaboration! Title Sequence Credits:
Studio – @stray.motion 
Creative Director – @jishnuchatterjee 
Producer – @tarungupta_27 
CG Lead – @_karanworkjari 
Lead 3D Modeller – @amishjain225 
Additional 3D Assets – @montrec_inc 
Compositing & Edit – @baidyaism 
Storyboards – @_deedhiti_ #MaharaniSeason4 #SonyLiv #TitleDesign #MainTitle #TitleSequence #motionprocess #bts #breakdown #straymotion

Stills from the Maharani Season 4 Title Sequence [2/2]

Swipe to see some stills of our work ➡️
 For the title sequence, we framed the protagonist’s rise as a David vs Goliath moment. Using the metaphor of chess, she appears as a lone Queen advancing toward a towering King backed by an entire army. This symbolic showdown unfolds across a miniaturised Delhi, built from the architectural landmarks that represent the country’s political seat of power. We crafted this world entirely in CG, designing custom models, landscapes and textures to capture the scale of the system she is up against and the resolve it takes to stand alone within it.
 None of this would be possible without @dkh09  ma’am bringing us on board to work on this massive series made by @kangratalkies ! Grateful to the director of this season, @nirdeshak , for trusting our team to pull this off. Title Sequence Credits:
Studio – @stray.motion 
Creative Director – @jishnuchatterjee 
Producer – @tarungupta_27 
CG Lead – @_karanworkjari 
Lead 3D Modeller – @amishjain225 
Additional 3D Assets – @montrec_inc 
Compositing & Edit – @baidyaism 
Storyboards – @_potarto_ @sonylivindia #MaharaniSeason4 #SonyLiv #TitleDesign #MainTitle #TitleSequence #straymotion

Stills from the Maharani Season 4 Title Sequence [1/2]

Swipe to see some stills of our work ➡️
 For the title sequence, we framed the protagonist’s rise as a David vs Goliath moment. Using the metaphor of chess, she appears as a lone Queen advancing toward a towering King backed by an entire army. This symbolic showdown unfolds across a miniaturised Delhi, built from the architectural landmarks that represent the country’s political seat of power. We crafted this world entirely in CG, designing custom models, landscapes and textures to capture the scale of the system she is up against and the resolve it takes to stand alone within it.
 None of this would be possible without @dkh09  ma’am bringing us on board to work on this massive series made by @kangratalkies ! Grateful to the director of this season, @nirdeshak , for trusting our team to pull this off. Title Sequence Credits:
Studio – @stray.motion 
Creative Director – @jishnuchatterjee 
Producer – @tarungupta_27 
CG Lead – @_karanworkjari 
Lead 3D Modeller – @amishjain225 
Additional 3D Assets – @montrec_inc 
Compositing & Edit – @baidyaism 
Storyboards – @_potarto_ @sonylivindia #MaharaniSeason4 #SonyLiv #TitleDesign #MainTitle #TitleSequence #straymotion

Title Sequence for Maharani Season 4 (@sonylivindia Series)
 The series follows Rani Bharti, played by @iamhumaq , a former homemaker who rises to become the Chief Minister of Bihar. In Season 4, she begins her second term and grows into a national contender, she clashes with a Prime Minister struggling to keep his coalition together, setting up a high-stakes battle for power.
 For the title sequence, we framed Rani’s rise as a David vs Goliath moment. Using the metaphor of chess, she appears as a lone Queen advancing toward a towering King backed by an entire army. This symbolic showdown unfolds across a miniaturised Delhi, built from the architectural landmarks that represent the country’s political seat of power. We crafted this world entirely in CG, designing custom models, landscapes and textures to capture the scale of the system she is up against and the resolve it takes to stand alone within it.
 None of this would be possible without @dkh09 ma’am bringing us on board to work on this massive series made by @kangratalkies ! Grateful to the director of this season, @nirdeshak , for trusting our team to pull this off. Title Sequence Credits:
Studio – @stray.motion 
Creative Director – @jishnuchatterjee 
Producer – @tarungupta_27 
CG Lead – @_karanworkjari 
Lead 3D Modeller – @amishjain225 
Additional 3D Assets – @montrec_inc 
Compositing & Edit – @baidyaism 
Storyboards – @_deedhiti_ #MaharaniSeason4 #SonyLiv #TitleDesign #MainTitle #TitleSequence #straymotion