Itâs always the same.
If you want to release your tracks on vinyl, youâre forced to stick to certain track lengths. Most of the time, that means cutting things down. Usually to around 7:30 max if you want two tracks on one side.
And especially with tracks that came out of live jams, that can hurt.
Cutting a nine-minute jam down to seven often takes away exactly that jam character â the part where the magic lives.
But thatâs just part of releasing on vinyl. Most of the time, thereâs no way around it.
Anyways, weâve been busy bees - the next record is already on its way. Yeah!
GaligrĂźs, Basti & Davy
welcomes Leipzigâs @stbr____ (half of @submod__ ) and @davy______cc (co-founder and curator of @cremeclub_ ) to the label for an EP of minimal/tech house â˘
⢠available at all good record stores ⢠digitally at bandcamp â˘
⢠written and produced by stbr & Davy â˘
⢠mastered by @nikseven â˘
⢠artwork/design by @cheslo.illustration â˘
⢠distributed by @inchbyinchdistribution â˘
Artist:Â @stbr____ x @davy______cc
Title:Â RM12039
Track Title:Â Hello [at]
Label:Â @r.a.n.d.muzik_recordings
Cat #:Â RM12039
Release date:Â 23.01.2026
Format: vinyl, digital
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Leipzigâs stbr (half of Submod) and Davy (co-founder and curator of Crème Club) team up for EP of minimal/tech house on R.A.N.D. Muzik Recordings.
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 #RM12039 #stbr #Davy #RANDMUZIKRECORDINGS
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progressivehouse progressivehousemusic housemusic experimental instavinyl music musica electromusic housemusiclover producerlife recordcollection soundart  synthesizer electronicmusic vinyladdict vinylcollection vinylcollectionpost vinylcollector vinylcommunity vinyljunkie vinyloftheday vinylrecords
Die erste Platte, die ich in Leipzig gekauft habe, war die RM12001. Das war kurz bevor ich hierhergezogen bin, Ende 2018 also â die B2 von Credit 00 holt mich nach wie vor extrem ab.
Umso krasser ist es fßr mich jetzt, knapp sieben Jahre später, genau auf diesem Label meine erste Platte zu verÜffentlichen. Full Circle!
Das Release ist zusammen mit meinem guten Freund und Studiokompanen @stbr___ im letzten Jahr entstanden. Sie markiert fĂźr uns den Start einer Zusammenarbeit im Studio, wie ich sie bislang noch nicht erlebt habe. Wir fĂźhren spannende Konversationen â aber nicht mehr mit WĂśrtern, sondern mit Sounds. Ausgeglichen, sodass stundenlange Jams am Ende jeder Session in einen Track gegossen werden kĂśnnen. Jede Session macht extrem SpaĂ und wir arbeiten ständig an neuen Tracks.
Danke Reece, dass du es mĂśglich machst, diesen Vibe zu teilen und spielbar in die Clubs zu bringen! <3
Unser Release, die RM12039, wird nun diesen Freitag das erste Mal auf den Tellern liegen â das wird mit bestem Wissen und Gewissen gefeiert! Wir werden zudem ein paar Platten zum Verkauf mitbringen:))
Freitag, 23.01.2026
22:00 â 10:00
@Kurve /Rampe
Wer die Location nicht kennt, schreibt mir eine DM.
Ich freue mich unnormalst auf die Session â das wird big!
xx,
Davy
đ¸ by chef @s.presso__
This Friday (January 23, 2026), Iâll be playing my first live set at Kurve Leipzig.
David and I are hosting a release party together with Creme Club and R.A.N.D. at Ostend Leipzig, celebrating our upcoming release.
Playing a full hour of my own tracks will be a special experience for me - Something Iâve been working toward for a long time.
The record will also be released on Friday.
Weâll bring a few copies with us, so if you want to grab one in person and save on shipping, you can do that at the club.
Capacity is very limited.
Thereâs no guest list â please come early. Once we hit capacity, we wonât be able to let anyone in.
Hope to see many of you there.
See you on Friday.
The worst part is when youâve got a killer loop but canât turn it into a track. Suddenly your hard driveâs full of Ableton ghosts â projects that never made it past eight bars.
What changed everything for us: recording a rough arrangement right in the first session. You can always refine it later, but youâll capture the energy of that exact moment â the vibe that made you start the idea in the first place.
Since doing that, we barely have any âloop limboâ projects lying around. Nine out of ten tracks we start now actually get finished.
We followed the same approach last week â live-recorded the arrangement the same day we created the idea. Some needed tweaks, some worked straight away. Either way, four days later we had three new tracks ready to play.