splitartprojects

@splitartprojects

Mirror, pixels✨stars Vol.II Patrizier und Zünfte May 4 - 17 Link to Program ↓
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Weeks posts
Video screening and performance at @splitartprojects : Omnipresent surveillance shapes our behavior, both visibly and invisibly. The digital panopticon shapes our behavior and causes us to adapt it in a spirit of preemptive obedience.
14 0
7 hours ago
Tonight 8:30 pm live by Despot, singer and songwriter. Pr. by Gary Scott. @splitartprojects Radetzkystraße 4, 1030 Wien
12 0
8 hours ago
Thanks to all for visiting tamir_hadar_ “IN THE NAME OF” Video and installation @tamir_hadar_ Curated by Julia Harrauer & Marlene Stahl @juliaharrauer @malusstahlus Photo credits: Julia Harrauer «Mirror, pixel & stars - Patrizier und Zünfte» 📍 Splitart Projects Wien Radetzkystrasse 4, 1030 Wien @georggeorgakopoulos @michalisargyrou
120 5
9 hours ago
Church in exile! For friends and colleagues. Tonight from 8:30 pm live by Despot, singer and songwriter. Pr. By Gary Scott The eurovision projection follows. Everyone brings something with them!! Let any depression at home and see you tonight in an unexpected evening in splitartprojects!! Church im Exil! Für FreundInnen und KollegInnen Heute Abend ab 20:30 Uhr live: Despot, Sänger und Songwriter. Pr. von Gary Scott. Im Anschluss die Eurovision-Projektion. Jede:r bringt etwas mit! Lasst die schlechte Laune zu Hause und wir sehen uns heute Abend zu einem unerwarteten Abend bei splitartprojects. @splitartprojects WIEN Radetzkystrasse 4, 1030 Wien #wien #vienna #eurovision2026
31 0
12 hours ago
Yesterday @die4grazien and a 5. Grazie in the middle. A long story over 20 years, grazie tante!! @meladiamant @susanna.schwarz.art @gmariawetter @christianespatt �Tonight Mirror, pixels & stars Vol.II | “Patrizier und Zünfte” “IN THE NAME OF” Tamir Hadar @tamir_hadar_ Curated by @juliaharrauer & @malusstahlus Marlene Stahl Pomegranate: Within the installation, the video documents rotting pomegranates thrown against white fabric, the projection calibrated to fall precisely upon the existing stains. It’s not decoration, it’s a rupture. The fruit’s idealized iconography is contaminated, recast as an index of damage, decay, and dispossession. It acts as friction between symbolic authority and its contemporary application: an interrogation of what it costs to honor tradition when tradition is conscripted into the service of destruction, and of the precise moment at which images of life become mechanisms of harm. @splitartprojects WIEN Radetzkystrasse 4, 1030 Wien “Mirror, pixel & stars - Patrizier und Zünfte» @michalisargyrou Georg Georgakopoulos #film #videoart #performanceart @kunstimkeller_wien
73 1
1 day ago
Tonight @ «Mirror, pixel & stars - Patrizier und Zünfte» tamir_hadar_ “IN THE NAME OF” Tamir Hadar @tamir_hadar_ Curated by Julia Harrauer & Marlene Stahl @juliaharrauer @malusstahlus Actions may be authorized, and absolved, through the sovereign currency of belief. The pomegranate occupies a centrifugal point of royalty, blessing, and righteousness: a symbolism distributed across civilizations, carrying particular weight within Jewish tradition as an ancient cipher for abundance and fertility. Across Greek, Roman, Egyptian, Persian, Christian, and Islamic traditions alike, the fruit has consistently occupied a threshold space, suspended between life and death, earth and paradise, the mortal and the divine. That the Hebrew “Rimon” (lip?) names simultaneously the pomegranate and the grenade is not, then, an anomaly. It is an unguarded articulation of what the symbol has always held. This linguistic doubling does not merely complicate the symbol, it detonates it, opening a volatile field in which the generative and the annihilating are held in unresolved suspension. Within the installation, the video documents rotting pomegranates thrown against white fabric, the projection calibrated to fall precisely upon the existing stains. It’s not decoration, it’s a rupture. The fruit’s idealized iconography is contaminated, recast as an index of damage, decay, and dispossession. It acts as friction between symbolic authority and its contemporary application: an interrogation of what it costs to honor tradition when tradition is conscripted into the service of destruction, and of the precise moment at which images of life become mechanisms of harm. 📍 Splitart Projects Wien Radetzkystrasse 4, 1030 Wien @georggeorgakopoulos @michalisargyrou
10 1
1 day ago
@die4grazien vibes ✨last night at «Mirror, pixel & stars - Patrizier und Zünfte»! Screening of “Heldinnen – staying alive as female artists” Die 4 Grazien - Mela Diamant @meladiamant Susanna Schwarz @susanna.schwarz.art and G. Maria Wetter @gmariawetter @christianespatt February is dedicated to Film / Video / Performance SPLITART PROJECTS WIEN @georggeorgakopoulos @michalisargyrou Radetzkystrasse 4, 1030 Wien [email protected]
35 1
1 day ago
“Heldinnen – staying alive as female artists” @die4grazien Screening tonight! Die 4 Grazien dance as artists, mothers, friends, heroines of everyday life. Their video work is a performative gesture of survival, visibility, solidarity, and self-assertion within the tensions between art and societal expectations. They approach feminism with humor and irony. “Staying alive” is not a slogan, but a declaration of love for perseverance for art, life, and solidarity. Die 4 Grazien is a feminist women artists’ collective founded in Vienna in 2002 by Mela Diamant @meladiamant Susanna Schwarz @susanna.schwarz.art and G. Maria Wetter @gmariawetter . The collective’s fourth role, currently held by @christianespatt remains deliberately open, to make space for collaboration, exchange, and collective creation. 📍 Splitart Projects Wien 🗓 Duration: May 4–17, 2026 February is dedicated to Film / Video / Performance SPLITART PROJECTS WIEN Radetzkystrasse 4, 1030 Wien [email protected] «Mirror, pixel & stars - Patrizier und Zünfte» @georggeorgakopoulos @michalisargyrou #film #videoart
100 2
2 days ago
Last night’s screening of “NOT I (After Beckett)” by Nikos Artemis and Kostas Bassanos @kostas.bassanos - a collaborative video work based on Samuel Beckett’s fragmented monologue “Not I”, brought together two experimental practices exploring language, sound and abstraction. With Volume ll of “Mirror, pixel & stars, Patrizier und Zünfte” @splitartprojects brings a unique opportunity for Vienna’s art audiences and the local art community, to view international artists working with film, video, and the moving image. 📍 Splitart Projects Wien 🗓 Duration: May 4–17, 2026 February is dedicated to Film / Video / Performance SPLITART PROJECTS WIEN Radetzkystrasse 4, 1030 Wien [email protected] «Mirror, pixel & stars - Patrizier und Zünfte» @georggeorgakopoulos @michalisargyrou #film #videoart
12 0
2 days ago
Tonight at 20:30! Do not miss the screening of “NOT I” (After Beckett) by Nikos Artemis & Kostas Bassanos @kostas.bassanos Two artists come together in a collaborative video work inspired by the intense monologue play by Samuel Beckett’s “Not I”. Production year: 2026 10 min HD Video with audio mp4, 1920×1080, AAC, H.264 Join us tonight!! 📍 Splitart Projects Wien 🗓 Duration: May 4–17, 2026 February is dedicated to Film / Video / Performance SPLITART PROJECTS WIEN Radetzkystrasse 4, 1030 Wien [email protected] «Mirror, pixel & stars - Patrizier und Zünfte» @georggeorgakopoulos @michalisargyrou #film #videoart
6 0
3 days ago
A taste of last night’s screening of “Alan Wu” by Victor Karamanlis @vikochico “Alan Wu” is a 2025 feature film (40 min), presented in 2K resolution (2560 × 1440 px), 25 fps, with AAC audio at 48 kHz in stereo. 📍 Splitart Projects Wien 🗓 Duration: May 4–17, 2026 February is dedicated to Film / Video / Performance SPLITART PROJECTS WIEN Radetzkystrasse 4, 1030 Wien [email protected] «Mirror, pixel & stars - Patrizier und Zünfte» @georggeorgakopoulos @michalisargyrou #film #videoart #performanceart
15 0
3 days ago
An ordinary guy tries to change his boring and average life but accidentally sets off a chain of mishaps and proves that things can always get worse. Join us tonight for the screening of “Alan Wu” by Victor Karamanlis @vikochico - an aspiring filmmaker based in Athens. “Alan Wu” is a 2025 feature film (40 min), presented in 2K resolution (2560 × 1440 px), 25 fps, with AAC audio at 48 kHz in stereo. 📍 Splitart Projects Wien 🗓 Duration: May 4–17, 2026 February is dedicated to Film / Video / Performance SPLITART PROJECTS WIEN Radetzkystrasse 4, 1030 Wien [email protected] «Mirror, pixel & stars - Patrizier und Zünfte» @georggeorgakopoulos @michalisargyrou #film #videoart #performanceart
88 0
4 days ago