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Montreal trio SUUNS join forces with Dominican producer Kelman Duran for a self-titled collaborative LP, documenting an intensive, largely improvised session in late 2025. Recorded over six days, Duran’s remote interventions—digitally transmitted and recontextualized—intersect with SUUNS’ hardware-driven setup, where MPC sequencing, guitar synth, and vocoder treatments generate a fragmented but cohesive sonic field. Listen on #streaming on #sonofmarketing 🔥

Jazz Is Dead! Festival returns to Turin with a three-day sonic trip across genres Turin has always been a city of layered identities—industrial memory, cinematic melancholy, experimental undercurrents and it is the perfect places for events like Jazz Is Dead! Festival. For its ninth edition, running 29–31 May 2026, the festival reshapes itself as a full-scale sensory environment. Spread across Cascina Falchera and El Barrio, this year’s edition expands its physical and conceptual geography. The shift in locations is not just logistical but experiential: from open-air rural edges to more enclosed urban intensity, the festival positions Turin itself as an active medium—echoing, absorbing, and refracting the music that passes through it. The artists involeved are A Guy Called Gerald, Alessandro Cortini, Aya, @big_brave_ , @lucreciadalt , Moor Mother, Matmos, Horse Lords, The Heliocentrics, and The Kilimanjaro Darkjazz Ensemble sit alongside collaborations and hybrid formations such as @martasalogni & Stefano Pilia, Glacial (Lee Ranaldo, Toby Buck, David Watson), and Dwarf of East Agouza (Maurice Louca, Sam Shalabi, Alan Bishop). More info on their official channels & #sonofmarketing

Helen Svoboda announces Headwater, out June 26 on Room40, built from sixteen interconnected pieces. The Finnish-Australian composer works with double bass, voice, and electronics, arranging them as shifting layers rather than fixed roles. Across the album, low-frequency resonance and vocal lines fold into each other, with loops and processing shaping a continuous flow. “Void of Space” is the new excerpt. She explains: ” ‘Void of Space’ exists in the in-between, in a daydream, where thoughts evaporate into one another. The lyrics paint this picture, where a stream of thought “climbs up a cloud, but falls through”, in a never-ending abstract void of space.“ Filmmaker Angus Kirby adds, “This video is a trip from the vaguely familiar to the unknown. Besides a literal interpretation of the title, ‘Void of Space’ has a celestial quality in its silences and sense of scale. To listen to it is it float through an eerie vacuum. I figured the video should reflect that with experiments with light and empty locations we’re used to seeing populated. Gradually we become untethered until we find ourselves in the titular void.” Watch the video on #sonofmarketing

Anna Ferrer releases PA, her fourth album, out now via La Castanya. Based in Menorca, has collaborated with Sílvia Pérez Cruz and Marco Mezquida, developing a practice rooted in reinterpretation of folk material. Following Parenòstic, the new album continues her focus on voice, archival forms, and hybrid acoustic-electronic production. According to the press release, "The project is inseparable from its performative dimension. In the live show, premiered at Fira Mediterrània de Manresa, Auditori de Barcelona and Auditori de Girona, Ferrer ritualizes the transmission of her paternal lineage’s craft, accompanied onstage by her baker father, who shares a worktable with two musicians—Toni Llull (Marina Herlop) on percussion and Pol Batlle (Rita Payés) on guitar." Listen on #sonofmarketing

Delights Of My Life (2024) sees Eric Chenaux refine his singular language of warped jazz balladry into a trio setting, where familiarity and abstraction coexist. With Ryan Driver on Wurlitzer and Philippe Melanson on electroacoustic drums, the music loosens time, letting groove emerge as something fluid and unstable. In support of Delights Of My Life, Eric Chenaux brings his time-bending sound to a run of live dates across the UK and Canada this spring. Tour dates: 30 Apr 2026 (Coventry), 01 May 2026 (Manchester), 02 May 2026 (Newcastle), 03 May 2026 (London), 14 May 2026 (Toronto), 15 May 2026 (Peterborough), 17 May 2026 (Victoriaville). Listen below and check this awesome list with 5 artists and tracks which have inspired his music. Link on #sonofmarketing

SPOT Festival will unfold from April 30 to May 2, where you will be able to experience the music flowing from both established venues and stages around Aarhus Every year, SPOT Festival presents a unique mix of the best, the newest and the most inspiring from the Danish and Nordic music scene. Since 1994, the festival has taken over Aarhus and filled the city with new music, and over the years SPOT has been an important starting point for many artists with ambitions for both national and international breakthroughs. LINK in the first comment.

San José six-piece Las Robertas announce All We Need Is Now, out June 26 via Kanine Records and Spinda Records. Formed in 2009, the band have built their sound across releases and festival sets including Coachella and Primavera Sound. New material continues their blend of layered guitars, steady drum patterns, and vocal lines placed within dense reverb fields. “Everything I Wanted To Be” is the new song. Link in first comment. #newtracks #lasrobertas #Costarica #guitars

Aspetuck announces Immersion, a full-length shaped from sessions spanning several years, following work on Never Late and Oslated. It is out on May 15th via A Strangely Isolated Place. The opener “Hit Me With Your Pet Shark” is built from a single Omnisphere source, arranged into a slow, minimal structure that sets the record’s tone. According to the press release, working from upstate New York, Aspetuck records live jams through hardware setups, routing synths and drum machines into tape-era mixers to capture raw signal flow. Listen below. /2026/04/20/streaming-aspetuck-hit-me-with-your-pet-shark/ #electronic #idm #house #astrangelyisolatedplace

• French producer Rone shares a new track ahead of his new album out in June via @infinemusic . • Seefeel return with the new LP bia @warprecords • Dublin-based Burglar with a dual vocal new single via @tullecollective • Grammy-nominated Sebastian Plano and his new piece • O'Flynn previews his 3rd LP • French percussionist & composer Lucie Antunes shares the opnening-track of the new album. Check it out on our blog or the artist’s channels.

Marking two decades of worriedaboutsatan, Yorkshire producer Gavin Miller reaches a symbolic milestone with his twentieth album, released independently on his long-running This Is It Forever imprint. According to the press release, No Knock No Doorbell documents a deliberate pivot away from extended ambient forms toward compact, muscular electronic constructions steeped in noir tension. Listen below & read more about the new LP. /2026/04/12/album-streaming-worriedaboutsatan-no-knock-no-doorbell/ #newmusicalert🚨 #newmusic #newalbum2026 #worriedaboutsatan #Electronic

Two decades into their shapeshifting existence, Gnod open a new chapter with Chronicles of Gnowt Vol. 1, the first instalment of a sprawling trilogy for Rocket Recordings. It is out on April 10th. Recorded with producer John ‘Spud’ Murphy, the sessions unlocked an unexpected surplus of material, expanding into three albums that map Gnod’s full emotional and sonic range. Listen below and check this awesome list with 10 artists and tracks which have inspired their music (curated by Paddy Shine and Chris Haslam). Mentioning @fallsoundarchive @acdc , @godfleshofficial & more. /2026/04/08/my-awesome-guest-list-gnod/ #Gnod #newalbum #emotional

Ali Sethi and Gregory Rogove announce Room Jhoom, their frist collaborative album set for May 22. Lead single “Embrace” builds on looping synth patterns, with strings entering as a secondary melodic layer. About the single Sethi explains: “lies tantric psychedelia! The lyric describes a visitation that transforms and transports our heroine into a state of pure rapture.” Listen below. /2026/03/31/streaming-ali-sethi-and-gregory-rogove-embrace/