Sofía Enríquez G.

I’ve been developing A Field Guide to Orbital Melancholy for the past year, and I’m so excited to slowly start sharing this body of work with the world 🛰️ A few pieces from this project are currently on display at @office_impart , part of “drifts”, a group exhibition with the amazing @yehwan.yen.song and @yoshisodeoka . Field Guide is a project about earth observation systems as unreliable narrators, spirals, competing narratives, phantom islands, reenactment, Point Nemo and a lake that might or might not have disappeared. The videos and images in this post are part of The Lake, a real-time simulation in which Argus, an AI driven constellation of satellites, is in a forever loop of trying (and failing) to accurately reconstruct the events that led to a questionable series of images it produced. Making this simulation would have been impossible without a few amazing collaborators: @laenzzz (sound design) — you always create soundscapes that go above and beyond what I could possibly imagine, always so deeply aligned with the worlds we’re building. Thank you 🫶 @ailiescu7 (3D environment design) — your craft, dedication, attention to detail and willingness to dive into the unknown have been so inspiring, I can’t picture this project without your contributions. Thank you 🫶 @sofiaenriquezg (curatorial development) — your writing, ideas, references, feedback and energy to engage with a messy pile of research have been so essential in helping this work come together. Thank you 🫶 And of course thank you to @office_impart , @onkaos_ and @studiotopia.art for the trust and support. More to come ✨

Que fortuna 🤍 -Larga vida al registro análogo-

O Diabo, a Bruxa e Deus Todo Poderoso Exposição da querida Lola @lolaramoslola na Galeria Cisterna da Faculdade de Belas-Artes, que assinala o culminar da sua investigação sobre a história da bruxaria em Portugal — um período marcado pela perseguição e invisibilidade de homens e mulheres dissidentes. Através das obras reunidas, a artista procura dar luz sobre a memória daquelas que foram acusadas de bruxaria, prestando-lhes homenagem e propondo uma releitura deste imaginário — não como mito simplificado, mas como forma de ligação a um legado complexo e multifacetado. Obrigada, Lola, por todo um período de trabalho conjunto. 🤍 Se estiverem em Lisboa, podem visitá-la até 28 de agosto.🔥

Berlin- Little notes 1-2 | Klára Hosnedlová, Embrace 3-4 | Delci Morelos, Madre 5 | Joseph Beuys, Works from the Nationalgalerie Collection 6 | Young Kim, Many Worlds Over 7 | Jeremy Shaw, Phase Shifting Index, Hamburger Bahnhof 8 | Neue Nationalgalerie 9-10| Lygia Clark, Retrospective 11 | Anawana Haloba, Iris Yingzen, KW 12 | Amol K Patil, Sophiensaele 13 | König Galerie 14 | Aslan Goisum, KINDL 15 | Reencuentros 16 | Rundgand, UdK 17| Pablo falling - UdK 18| The beautiful hosts ☂️🤍

REPLICATIO, the new artwork of MCSK @marcocontisikic presented in Artmeta @artmetaofficial , Art Basel 2025. REPLICATIO transforms the artist’s studio into a system in flux, an experimental laboratory where human gesture, artificial intelligence, mechanical performance, and uncertainty form a continuously evolving network. Drawing becomes a process of negotiation, an interplay between precision and deviation, where machines replicate, distort, and reinterpret rather than merely duplicate. The result is not a fixed image, but a generative process that reveals authorship as porous and shifting, rather than singular and stable. 📺

“Me sabe a metal la boca”, la nueva exposición individual de Montserrat Ayala @mntsrt_ En ella, nos encontramos en un tiempo donde las flores han desaparecido. A través de la pregunta “¿Qué le llevarán a las flores en su velorio?”, exploramos la historia de este vacío contada a dos voces: la de los humanos, sorprendidos por su ausencia, y la de las flores, que narran su propia desaparición. 🌻 Muchas gracias al equipo de @ssuave3000 por toda la ayuda y el cariño. Pueden visitarla e ir por su shot de metal hasta fines de Junio en C. Corsega 689, Barcelona.

El próximo 23 de mayo a las 19:00 será la inauguración de mi exposición ME SABE A METAL LA BOCA Me encantará verlxs x ahí, platicar y que disfruten las piezas que he preparado en los últimos meses. Todo esto y más en @ssuave3000 Curaduría : @sofiaenriquezg Cartel : @melyso & @anadrckr #grabado #ecología #duelo ———— Join me for the opening of my solo exhibition : ME SABE A METAL LA BOCA I’ll love to see you there, talk and to show you the artwork I’ve been preparing over this last months. This and more at @ssuave3000 Curated by : @sofiaenriquezg Poster : @melyso & @anadrckr #etching #ecology #grief

SOLVM_I, a solo show by @marcocontisikic at @artverseparis , which I had the joy of curating hand in hand with Mother Leopard @mother_leopard_arts and Grida @bygrida . 📅 Until the 30th of April Special thanks to Titou @titouspatiotemporel for all the technical support. 🔨 — This exhibition is a delicate bridge between traditional Renaissance techniques and the possibilities offered by generative art, artificial intelligence, and code. During his years of training in Fine Arts, Marco spent countless hours inside churches, meticulously studying the great masters. That formative experience left an indelible mark on his gaze, one that today is reinterpreted through a deeply contemporary sensitivity. While preparing this exhibition, we followed an intuition: to imagine the gallery as a church, a space for contemplation and symbolism. On the glass ceiling above, we placed colored pixels evoking ancient stained glass. On sunny days, they cast their light over the works, enveloping them in a chromatic atmosphere that shifts with the passing hours. On the lower floor, draped in golden fabrics and surrounded by digital pieces, the artist created a sound installation that weaves together church choir music with digital interference: glitches, static, ruptures that pull us back into the present. Above and below communicate through the projection of the stained glass, generating an immersive environment that revives the atmosphere that once inspired Marco during his encounters with classical painting traditions, an atmosphere now translated into the works we present here. If you’re in Paris, don’t miss the opportunity to visit, where each piece offers an entry point into the poetic and visual depth of the artist. 💎

Empezar el año con ellos 🤍

Venice Biennale - Little notes 1. The Penultimate, Anna Jermolaewa - Austria pavilion 2. The Mapping Journey Project, Bouchra Khalili 3. Kang Seung Lee 4. Repeat after Me II, Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga) - Poland pavilion 5. Disobedience Archive 6. Self-Portrait as a coffee-pot , William Kentridge 7. Kiss and Don’t Tell, Maria Madeira - Timor Leste pavilion 8. The heart of a giraffe in captivity is twelve kilos lighter, Eva Koťátková, Czech Republic pavilion 9. kith and kin, Archie Moore - Australia pavilion 10. Lina Bo Bardi

Hace unas semanas salió la nueva edición de Bloque @bloque_mx "Ser Tierra", de la cual formo parte junto a la querida Lucía Pizzani @luciapizzani donde fuimos tramando una conversación en torno a la idea de transformación como un recorrido a lo largo de su práctica. La edición, llena de textos maravillosos, la pueden descargar desde el perfil de bloque. 🤍🌱

London - Easter 2024 Gracias a los amigos y a la primavera por los tulipanes 🌷