Last Rinse show was dedicated to @systemmusicuk !
A tribute to one of my favorites labels that influenced me the most musically.
The show features only tracks released on the label curated by @viveksystem , from dub to dubstep.
I recorded it just after the System 14th Birthday Party with all the powerful vibrations from the Sound System still resonating in my body.
Wanted to do a focus on some of my favorites I played for the first time for that set + share some pictures of the night!
Full tracklist available on Soundcloud! Big up to all the producers đ
Bukkha - Revolution Dub (SYSTM036 / 2020)
@bukkhagram
Sleeper - Oram Mode (SYSTM022 / 2018)
Mantra - Reshma (SYSTM049 / 2024)
@dj.mantra
LAS - Reclight (SYSTM016 / 2017)
Cimm - Silva (SYSTM039 / 2021)
@cimmmusic
VersA - Amanita (SYSTM040 / 2021)
@michael_versa
Visual by @ninii.adamia
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Started my @rinsefrance residency a few weeks ago with a series of visuals created by @ninii.adamia !
Nini is an artist with Georgian roots, born and raised in South Africa! She graphically reveals the sounds of music collectives & artists. We met in Nantes (FR) and we bounded over our love for Soundsystem culture đâ€ïž so happy to present our collaboration!
First episode with this first visual already available!
And second episode airs tomorrow on Rinse France ;)
xx
Last Rinse residency show was once again dedicated to a record label and this time, I invited the artist @tinatornade to present the London-based label founded by Kode9, @hyperdubrecords !
Hyperdub played a pivotal role in shaping Tinaâs music and profoundly influenced her musical language, resonating with her own approach to crafting emotionally charged soundscapes that explore identity.
Tinaâs work has always been driven by an exploration of the impact of post-memory in music, and this fitted perfectly with Hyperdubâs legacy and Kode9ÂŽs concept of Sonic Warfare.
2 & 3 : Introduction & Kode9 - Samurai (2015)
@kode9
4 & 5 : The concept of post-memory & Burial - Ashtray Wasp (2012)
@burial
6 & 7 : Militaristic sound design & Nazar - UN Sanctions (2020)
@noallies
8 & 9 : Music as an acoustic weapon & Fatima Al Qadiri - Endzone (2016)
@fatimaalqadiri_
10 & 11 : Post-dictatorial melancholy & Lila Tirando a Violeta and Sin Maldita - Outro (2023)
@lilatirandoavioleta
Visual by @ninii.adamia
đą
Soa420âs first soundsystem was her family.
A Franco-Malagasy household in the Paris suburbs, raised on her siblingsâ reggae and dancehall and her motherâs Malagasy singing. Music as something spiritual before it was ever a dancefloor question. The clubs came later, in Berlin, where she figured out what she was actually chasing: a body, a soundsystem, the physical thing.
She brought it back to Nantes in 2018, embedded at Macadam, and co-founded Zone Rouge a year later. Her debut EP No Nerve landed on Beatrice M.âs Bait in September 2024. Red Island, a nod to Madagascar, drops in a few weeks.
This Friday she opens WORMS at Badaboum, alongside Sam Binga, Samurai Breaks, and Vitaline.
Full interview at the link in bio.
đž @olga____b__
The art of the warm up set.
Listen back to SOA420 setting the pace with an hour of warm, bouncy pressure as she opened Outernet back in February.
London - we are back three weeks from now as we return to KOKO for Night 2 of Mala: In Session. Welcoming a cross generational lineup of pioneers and selectors in one of the cities most iconic venues.
Remaining tickets on sale via link bio.
@soa42o__
Focus on the latest episode of my Rinse France Residency: Reggae & Dub Cover Songs!
2 & 3 : Great Dub in the Sky, Easy Star All-Stars, 2003.
Dub bonus track of the original track The Great Gig in the Sky, released in the album Dub Side of The Moon. A majestic tribute to Pink Floydâs album The Dark Side of The Moon (1973). Easy Star All-Stars is famously known for their reggae covers of pop & rock classics.
3 & 4 : Iâm Still in Love, Marcia Aitken, 1977.
The original song Iâm Still in Love With You (1967) by Alton Ellis is already a rocksteady tune. Jamaican singer Marcia Aitken covered the song and firstly changed the lyrics to adopt a female perspective becoming the infamous âIâm Still in love with you Boyâ.
5 & 6: The Tamlins, Baltimore, 1980.
Originally a cover of the folk-rock track Baltimore (1977) by Randy Newman, the interpretation of The Tamlins is actually inspired by the Baltimore cover of Nina Simone. She proposed the first interpretation with reggae influences, mixed with soul & jazz.
7 & 8 : Dub Be Good to Me, Beats International, 1990.
A tune full of surprising samples that became a number One Hit in the UK. The British band Beats International covered the whole vocal of the song Just Be Good To Me of The S.O.S Band (1983). The bassline actually comes from The Clashâs Guns of Brixton.
9 & 10 : And the Beat goes On, Prince Fatty & Hollie Cook, 2012.
Reggae Disco was a popular Reggae subgenre in the early 80âs. And so naturally the UK producer Prince Fatty & singer Hollie Cook covered the Disco classic And the Beat Goes On by The Whispers (1979).
11 & 12 : You will know, Samory I, 2024.
Jamaican singer Samory I covered the Stevie Wonderâs song I will know in the reissue of his album Strength Deluxe.
13 : Sly & Robbie.
Sly and Robbie are a Jamaican duo composed of Sly Dunbar, drummer, and Robbie Shakespeare, bassist. They composed and played two tracks I played in this mix âBaltimoreâ and âNightclubbingâ by Grace Jones. They played a major part in the reggae scene and produced many hits that crossed genres and time. RIP Sly & Robbie.
Full tracklist on Soundcloud!
Visual by @ninii.adamia
& Content support by @tinatornade
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@soa42o__ 's work consistently nods to rapâs raw functionalism as much as to dubstepâs darker architectures, threading introspective dub weight through a framework that remains confrontational and restless.
Recent releases crystallise a singular voice: hybrid by design, grounded in Afro-descendant aesthetics, and firmly rooted in the margins where bass music mutates fastest.
pic: @olga____b__
Beginning 2026 with a late throwback (as usual) of my @reprezentradio set in London. Wanted to highlight some tracks I love for this one!
2/ One of my favorite tracks from the label System Music. A classic by Karma released in 2013! I never missed a chance to play it on Soundsystems in 2025 hihi. I get goosebumps listening to the vocals sampled from the Jamaican artist Buju Banton âš
@systemmusicuk@karma_se20
3/ My mate Stacktrace released his EP Incantation on the late label Strike a Posse (runned by Tarba in Lyon, FR). I played this remix way too much in 2025 haha. The steppa part of the remix by Curtis Campbell is so powerful, so well brought by the female vocals. Iâm left with strong memories of it especially while playing it at Essaim in Paris or NLDC in London đ„
@stacktraced@russellkrew
4/ There is a spontaneity to this unconventional track that is very short, yet mesmerizing in its sensuality and spirituality. There are so many soul and dub influences
that inspired me to include this tune in this music selecta. Big big respect for Greentea Peng!!! đ
@greenteapeng
Thanks to @lisam0re and to @_daviaa___ for having me đ set available on Youtube!
Visuals: @ninii.adamia
xx đ