Pale World & Y Gwacter is a fascinating take on art and noise. Watch Y Gwacter create a black and grey art piece of unnerving beauty as Pale World uses the movements and motions of Y Gwacter to make a soundtrack of harsh noise which envelopes the audience.
Undumë is a relatively new Dungeon synth project. An individual who has put in time and dedication to make sure they put out only the finest sounding releases. Bleak, tortured, atmospheric and noisy, a true dungeon synth great.
NoUnity is very new harsh noise artist and new to performing. A person who understands how to get the best out off their equipment. Definitely one to keep your eyes on.
M28/30-THE NOOSE WILL SET YOU FREE
Unapologetically harsh electronics duo made up of @swole_hnw and @slo_ughed
Synth lines spluttering and barely holding on meets harsh walls and feedback ridden vocals
C16
🥚EGG68: RHOMBOHEDRON🥚
Harsh noise collab recording from the 3 of the UKs freshest and most promising artists, @petrichor_noise , @swole_hnw and @slo_ughed
Performed and recorded live at The Sal as part of their joint tour in May of 2025, RHOMBOHEDRON is a juicy slab of densely textured noise which continues to morph and mutate through its 18 minute duration.
Dubbed with Dolby HX Pro in real time on new stock black marble cassettes
AVAILABLE NOW
eggytapes.co.uk/shop
DIY OR DIE
#harshnoise #noise #harshnoisewall #cassetteculture #diyordie
@worldfuckingpeace are coming to @thehollowaynorwich next April and we can't bloody wait!
Absolutely crushing bass driven Powerviolence from America with support from East Anglian Hardcore/Crust rockers Berenice, the slamin' grinding Bury st Edmunds favourites Hello KItty Fun Land & Harsh Noise project Slouged.
7pm doors all done by 10. Grab a ticket before ya can't.
THURSDAY 6TH NOVEMBER
THE PEER HAT
DORRS 7:00PM
ERROR CONTROL
SLOUGHED
WREN ADOBE
SWOLE
ACCELERANT
VARIOUS TICKETS STARTING FROM £1.00 AVAILABLE AT
itcamefromthedeep.bigcartel.com/product/errorcontrolsloughedwrenadobeswolethepeerhat061125
SLOUGHED ZETA RETICULI 192091961 DOUBLE CS
1961: Betty & Barney Hill claim to be abducted by aliens who show Betty a star map, which she later sketches. Over a decade later an amateur astronomer from a small town 90 minutes from Cleveland, OH, USA determines that the map must have been from the viewpoint of Zeta Reticuli, a binary star system almost 40 light-years from earth. Decades of skepticism and humiliation follow the Hills and the study of UFOs.
2017: The New York Times publishes a story in which the US military confirms that footage released of Unidentified Aerial Phenomenon is authentic, marking an historic moment in the UFO discourse. We enter an age where it is no longer an "if" regarding non-human intelligence but rather a question of when public disclosure will come.
2024-2025: Mass sightings of Unidentified Aerial Phenomenon are reported across the United States and United Kingdom. The "drone flap" as it is referred to by mainstream media has still not proven to have been any man-made objects or a coordinated effort made by any agency. These incidents persist, including most recently the shutdown of a major European airport.
And all the while, the collective human consciousness has been slowly suffocating at the hands of its own paranoia, its own panic and the realization of our own cosmic insignificance. The facades of faith, the arrogance that we are the lonely children of god not only crumbles around us, but in its stead we confront that the real gods themselves may be on their way.
It is in that context of suffocation, paranoia, collapse, and apocalypse that Sloughed has provided a soundtrack to our reality being ripped asunder. From subtle static crackling to massive walls of harsh noise, pierced with feedback and an ever-present recounting from the Hills of their experience, the listener is thrust into the discomfort of our moment. For nearly 90 minutes we are the ones being abducted, not by grey extraterrestrials, but by the sonic violence that can only be wrought by true maniacs in the harsh noise paradigm. ROMAN J/SLIT THROATS @truetildeaf
Recorded by @slo_ughed
Mastered by @foulprey
Edition of 25
