3月3日に七針にてSlaylor Moonとnqthqnの来日ライブ企画しました!
Slaylor MoonことSydney KokeはTristwch Y Fenywodというバンドもやってて、去年アルバムたくさん聴いてたので嬉しい!ソロもめちゃかっこいいです。
最後には三人のセッションもあります。
ぜひお越しくださいませ🎎
予約 ftftftf+yy22gmail.com
I’ve organized a live show for Slaylor Moon and nqthqn at Nanahari on March 3rd!
Sydney Koke (aka Slaylor Moon) is also in a band called Tristwch Y Fenywod—I listened to their album so much last year, so I’m stoked to have her! Her solo work is incredibly cool too.
We’ll even have a session with the three of them at the end! Hope to see you there 🎎
Reservation ftftftf+yy22gmail.com
Slaylor Moon (Canada/France)
A former neuroscientist turned artist and musician, Sydney Koke (Calgary, Canada) is currently based in Paris, France. As a founding member of goth band Tristwch Y Fenywod and experimental improv collective Two Form a Click, she previously performed in experimental punk band Shearing Pinx and grunge band The Courtneys (Flying Nun, Waterslide Records, etc). In her experimental electronic project Slaylor Moon, she creates improvised compositions via intuitive abstraction of DIY samples and loops using DJ software and manipulated vocals. Her influences include musique concrete, experimental electronic music, old school rave, 70s industrial, noise rock, queer punk, and above all, no wave. For fans of Excepter, Sightings, Ruth White, Cabaret Voltaire, Drainolith, AWOTT, etc.
/album/zone-of-pure-resistance
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nqthqn (Australia/France)
this solo guitar exploration finally asks the question, “well what if travis went out into the desert but never actually came back”?
ry cooder twangs start to melt, warp, bend and fall apart into a pile of dead bones for the vultures to chew on as the narrative changes turns like a tumbleweed and landscape morphs into unfamiliar dream/nightmare terrain.
No water. No hope. No growth.
The rules are simple: No effects, clean, finding and unfinding sound in the
same space..
Fred Frith, Derek Bailey,
Delayed thanks to @k.deliniate for having such a fun bday party! I had the nicest time in the uk over Xmas holidays, and got to play this sick bill with @leohermitt@k.deliniate@green_layer_staircase 💚 nice to remember good times in these times 💚
The venue is finished!
Well it will be fully finished in a couple months when the garage door is replaced with a pedestrian entrance
But Imbolc is upon us so we thought we’d have our opening FIRST CHURCH of the SECOND ALIENATION gig now!
FEB 1 2026
13:00-15:00
STEPHAVEN 58 LOCKWOOD SCAR
HUDDERSFIELD
HD4 6BD
Bring a bottle, ring the bell!
Come one, come all!
#firstchurchofthesecondalienation #airpurifier #diyethics #topentertainment
S O U D A I N E M E N T
YO
Fly @_jolindien_
YES CANADA!
ANNE-F JACQUES
Artiste et ferrailleuse travaillant à Montréal, elle s'intéresse à l'amplification, aux interactions obliques entre matériaux et à la construction de divers systèmes et assemblages idiosyncratiques. Son (in)attention se concentre plus particulièrement sur les technologies légères, les objets banals et les sons rugueux.
OËL LAVOIE
Compositeur, artiste sonore et ingénieur de son basé à Montréal/Tiohtá:ke, Canada. Sa pratique artistique se questionne sur les enchevêtrements entre les individus et l’environnement au travers la création de situations d’écoutes sensibles. Performant en utilisant des systèmes de micro sampling, de concaténation et de trituration sonore, il nous encourage à reconsidérer notre environnement au travers de paysages sonores spéculatifs questionnant les mécanismes de perceptions et d’appréhension
SLAYLOR MOON
membre du trio avant-goth-folk, Tristwch Y Fenywod, dans son travail solo elle se spécialise dans une forme d’abstraction électronique queer, volontairement effrayante et disloquée.
Sa musique se construit à partir de substrats disparates issus de la musique électronique expérimentale
CITY DRAGON
Improvised tropical collages of looped electro-acoustics mixing sax, percussion, voice and other toys. Erotically charged trance and gutter trash aesthetics. (… ) chance is relied upon to provide a garden of pitchshifted feeling.
Sequences of accumulated sound are looped, melted, hemmed, and replaced, never to be repeated again. Live sets offer soma, displayed in a blind state. du début des années 2000, de la rave old school, de l’industriel des années 70, de la no-wave et du noise rock.