⁣ Installation images now online…⁣ ⁣ Ryan McLaughlin:⁣ Saentis Bindle II⁣ May 1–May 30, 2026

Ryan McLaughlin: Saentis Bindle II May 1–May 30, 2026 Ryan McLaughlin studied painting at the Rhode Island School of Design and, immediately after graduation, moved to Berlin, Germany, where he lived and worked for fourteen years. He later returned to the United States, living successively in Georgia, Florida, New York, and Massachusetts, where he is now based. Itinerancy has profoundly shaped both his visual library and his painterly practice—the latter necessarily compact and easily adapted to new settings. Some of the works on view have passed through multiple cities, accumulating information, marks, and meaning along the way; their surfaces bear the quiet evidence of this extended life. The exhibition takes its name from Mt. Säntis, a peak in the Swiss Alps that was a constant visual presence during the artist’s 2015–16 residency in Heiligenberg, Germany. The allusion to this highly visible landmark, along with the word “bindle,” a symbol of the transient lifestyle, marks both a fixed point and a constant state of wandering. This exhibition represents the artist’s return to the title Säntis Bindle, which was originally used for his solo show at the Atlanta Contemporary in 2018. Untitled, 2026 flashe and oil on canvas on panel 36h x 24w in 91.44h x 60.96w cm

⁣ Adams and Ollman is pleased to present Säntis Bindle II, an exhibition of paintings by Ryan McLaughlin. The exhibition brings together a select group of works from the past decade, tracing the artist’s sustained investigation into the formal and conceptual possibilities of painting. Säntis Bindle II reveals an artist deeply engaged with the materiality of paint and art historical traditions, while also examining language and systematic structures and other informational frameworks. Working between figuration and abstraction, McLaughlin demonstrates a steadfast commitment to exploring how paintings are made and how images are constructed, read, and experienced.⁣ ⁣ Join us today Friday, May 1, 5–7pm for the opening reception, on view through May 30, 2026.⁣ ⁣ Ryan McLaughlin⁣ Mistral, 2018⁣ oil on canvas on panel⁣ 47h x 33w in⁣ 119.38h x 83.82w cm

⁣⁣⁣ UPCOMING⁣⁣⁣ ⁣⁣⁣ Ryan McLaughlin:⁣ Saentis Bindle II⁣ May 1–May 30, 2026⁣⁣⁣ ⁣⁣⁣ Opening Reception:⁣⁣⁣ Friday, May 1, 5–7pm⁣⁣⁣ ⁣⁣⁣ Ryan McLaughlin⁣ Air Poule, 2015⁣ oil on linen on panel⁣ 46 3/4h x 33 1/8w in⁣ 118.75h x 84.14w cm

⁣⁣⁣ EXTENDED ⁣⁣ ⁣⁣ Joseph Jones with Carolee Schneemann’s Infinity Kisses—The Movie, through April 18⁣⁣⁣ ⁣⁣ UPCOMING⁣⁣ ⁣⁣⁣ Ryan McLaughlin, May 2–30⁣⁣⁣ ⁣⁣⁣ Nao Kikuchi, May 2–30⁣⁣⁣ ⁣⁣⁣ ellipses: ⁣⁣⁣ Adams and Ollman + Romance, June 5–27⁣⁣⁣ ⁣⁣⁣ Tenez, July 8–August 8⁣ ⁣ ⁣ Ryan McLaughlin, 𝘚𝘰𝘶𝘳 𝘋𝘶𝘤𝘬 𝘊𝘰𝘭𝘭𝘢𝘨𝘦, 2010, oil on linen on board, 19 3/4 x 22 1/2 inches, 50 x 57 cm.⁣ @joseph_.jones @schneemannfoundation @skyexec @naokkc @romance.gal

Final day to visit us!⁣ ⁣ Felix Art Fair⁣ Hollywood Roosevelt Hotel, Los Angeles⁣ Room 1223⁣ ⁣ Katherine Bradford⁣ Mariel Capanna⁣ Peter Gallo⁣ Marina Grize⁣ Alfred Jensen⁣ Joseph Jones Nao Kikuchi⁣ Kinke Kooi⁣ Tomoya Matsuzaki⁣ Ryan McLaughlin⁣ Marlon Mullen⁣ Joan Nelson⁣ Bethann Parker⁣ Ralph Pugay⁣ Lynne Woods Turner⁣ ⁣ Ryan McLaughlin⁣ BOCA RATON, 2018⁣ oil on linen on panel⁣ 23 3/4h x 31 1/4w in⁣ 60.33h x 79.38w cm⁣

⁣ 2026 Exhibition Preview ⁣ ⁣ We’re thrilled to share what’s ahead this year.⁣ ⁣ Lynne Woods Turner: one thing and another⁣ January 16–February 28⁣ ⁣ For more than five decades, Lynne Woods Turner has explored the world through abstraction, developing a unique visual vocabulary drawn from an expansive range of interests.⁣ ⁣ Ryan McLaughlin⁣ April 18–May 16⁣ ⁣ McLaughlin’s finely worked surfaces yield a deadpan realism built through unexpected juxtaposition and exacting craft.⁣ ⁣ Nao Kikuchi⁣ April 18–May 16⁣ ⁣ Kikuchi’s small-scale ceramic works reference memories and experiences of extant places, such as the shape of a room, a tile floor, a staircase, or a cloister of windows. This is Kikuchi’s first solo exhibition in the United States.⁣ ⁣ Adams and Ollman + Romance⁣ Portland: May 30–June 27 / Pittsburgh: July 11–August 16⁣ ⁣ A collaborative group exhibition creating a dialogue between both galleries’ distinct programs and artistic communities.

Final day to visit us… ⁣ Frieze London⁣ The Regent’s Park⁣ Through today, October 19, 2025⁣ Booth B04⁣ ⁣ Katherine Bradford⁣ Peter Gallo⁣ Ryan McLaughlin⁣ Marlon Mullen⁣ Joan Nelson⁣ Lynne Woods Turner⁣ ⁣ All inquiries: [email protected]⁣

We are excited to welcome you to Frieze London! You can visit us at Stand B04 where we will present a cross-section of our distinctive programming with new paintings by Katherine Bradford featuring her iconic swimmers and works by Marlon Mullen, whose exhibition Projects: Marlon Mullen was recently on view at the Museum of Modern Art in New York. Our booth will also feature paintings and works on paper by Ryan McLaughlin, Joan Nelson, Peter Gallo, and Lynne Woods Turner. Frieze London The Regent’s Park October 15–19, 2025 Katherine Bradford Peter Gallo Ryan McLaughlin Marlon Mullen Joan Nelson Lynne Woods Turner Please email [email protected] with any requests.

⁣⁣⁣⁣⁣⁣⁣ Opening tomorrow: ⁣⁣⁣ Frieze London⁣⁣⁣⁣⁣⁣⁣⁣ The Regent’s Park⁣⁣⁣⁣⁣⁣⁣⁣ Booth # B04⁣⁣⁣⁣⁣⁣⁣ October 15—19, 2025⁣⁣⁣⁣⁣⁣⁣⁣ Wednesday, October 15: 11am - 7pm (invitation only) Thursday, October 16: 11am – 1pm (Members and Invitation only preview) 1pm – 5pm General admission tickets Friday, October 17: 11am - 7pm Saturday, October 18: 11am - 7pm Sunday, October 19: 11am – 6pm Katherine Bradford⁣⁣⁣⁣⁣⁣⁣⁣ Peter Gallo⁣⁣⁣⁣⁣⁣⁣⁣ Ryan McLaughlin⁣⁣⁣⁣⁣⁣⁣⁣ Marlon Mullen⁣⁣⁣⁣⁣⁣⁣⁣ Joan Nelson⁣⁣⁣⁣⁣⁣⁣⁣ Bill Traylor⁣⁣⁣⁣⁣⁣⁣⁣ Lynne Woods Turner⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣ Adams and Ollman returns to Frieze London with a group presentation that highlights the gallery’s diverse, dynamic roster. Since its founding in 2013, the gallery has prioritized the unique contributions of women artists and those working far from the mainstream, with a focus on both contemporary and historical works. Our presentation for Frieze London will include major works by Katherine Bradford, Peter Gallo, Ryan McLaughlin, Marlon Mullen, Joan Nelson and Lynne Woods Turner.⁣⁣⁣ For preview inquiries, contact [email protected]⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣ Ryan McLaughlin ⁣⁣⁣ 𝘠𝘢𝘸 𝘋𝘢𝘮𝘱𝘦𝘳, 2023 ⁣⁣⁣ flashe and oil on linen ⁣⁣⁣ 15h x 11w in ⁣⁣⁣ 38.10h x 27.94w cm⁣⁣⁣

⁣ Ryan McLaughlin⁣ 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2018⁣ oil on linen mounted on MDF, framed⁣ 33h x 47w in⁣ 83.82h x 119.38w cm⁣ McLaughlin’s paintings feature fragmented words and crumbled pictograms hovering against dusty visual fields that fuse interpretations of still-life, landscape, and abstraction. Toggling between subjective symbols and known signifiers, McLaughlin works to extract a complex coherence between psychic unease and disambiguated aesthetic pleasure. His rich and varied surfaces present an ostensibly traditional format, one grounded in color, texture, shape, but with chance registrations that simultaneously suggest and dissect the visual proposition. It is from this familiar locus that McLaughlin continues to build his idiosyncratic cache of signage that navigates a fugitive space between aesthetic tension, definition, and playful provocation. ⁣ Ryan McLaughlin (b. Worcester, MA) received his BFA from Rhode Island School of Design in Providence. Recent solo exhibitions include Säntis Bindle, Atlanta Contemporary, Atlanta, GA; Impreza Earth, David Petersen Gallery, Minneapolis, MN; TraffiQ, Laura Bartlett Gallery, London; Lacus PM, Kölnischer Kunstverein, Cologne; Raisins, Laurel Gitlen, New York City; and Barbara (I and II) at Lüttgenmeijer, Berlin. McLaughlin’s work has been exhibited in group exhibitions at Metro Pictures, Sikkema Jenkins, both New York; Tanya Leighton, Berlin; Off Vendome, Dusseldorf.

Domestic 1: A Shaggy Dog May 4 - June 8, 2025 Uri Aran, Lucas Blalock, Peggy Chiang, Jill Goldstein, Max Guy, Kenji Ide, Bill Jenkins, Edward Kay, Em Kettner, Sam Linguist, Charles Mayton, Ryan McLaughlin, Shala Miller, Yu Nishimura, Umico Niwa, Alexandra Noel, Virginia Overton, Eric Palgon, Walter Price, Aurie Ramirez, Bruce Sherman, Angus Suttie “Domestic (1): A Shaggy Dog” is a large group show of mostly small and very small works, arranged on shelves alongside books and objects. The installation will take the form of a private conversation between things, between myself and a dear friend and collaborator*, between artists, and with the viewer who will be seeing works in an intimate landscape of sorts, within a private space, and with someone’s personal effects. The exhibition has taken shape (as most things do these days) across text chains about what’s for dinner, art, books, cocktails, politics and interior design. There have been messages/images sent over Instagram, shared Dropboxes, Google docs, video meetings and some excellent sandwiches. This intimacy, and some slippage between the personal and the professional is part of the whole performance. Arranged in accordance with aesthetic or personal logic, this exhibition abstracts the concept of the wunderkammer and a human tendency to shelve things that fit into categories like naturalia, artificialia and exotica. Most of the works are less easily categorized, more hybrid, less overt in their source. Memento mori and still-life are embedded in the domestic experience too: the family photo, the melted candle, crumbs on the counter, the pawprints of deceased family dogs. Thursday - Saturday, 11-5, and other times by appointment. DM for the address. Previews are available on request. *This exhibition was made in collaboration with Steven Eckler. @epal_turtle @vloverton @freddie.june @skyexec @edwardkay__ @em_kettner @kenjiide @leaf_bootleg @streamandstitch @peggy__wendy @lucasblalock @relational_athletics @littledogslikethese @ecklers #billjenkins #brucemsherman #samlinguist #alexandranoel #walterprice #aurieramirez #angussuttie #umiconiwa