kenji Ide

--- Open account only for works @works_kenjiide --- 作品のアカウント作りました @works_kenjiide ---

- until 16th May in Milan. @clima_gallery - #Repost @kubaparis Kenji Ide / Nicola Martini at Clima, Milan @clima_gallery Kenji Ide @kenjiide Nicola Martini @neuemartini #kubaparis #kubaparissubmission

- Statics of an Egg May 8—June 27, 2026 at David Zwirner New York : Walker Street @davidzwirner curated by Martin.Germann artist Ryoko Aoki, Masaya Chiba, Miho Dohi, Daisuke Fukunaga, Kenji Ide, Soshiro Matsubara, Yu Nishimura, Hikari Ono, Reina Sugihara, and Masanori Tomita - Statics of an Egg—an exhibition bringing together a selection of multimedia work by a group of Japanese-born artists—opens Friday, May 8 at #DavidZwirnerTribeca, located at 52 Walker Street. Curated by Martin.Germann, the exhibition will feature new and recent work by Ryoko Aoki, Masaya Chiba, Miho Dohi, Daisuke Fukunaga, Kenji Ide, Soshiro Matsubara, Yu Nishimura, Hikari Ono, Reina Sugihara, and Masanori Tomita. Interspersed throughout the presentation will be works spanning the 1950s to the 1990s by Koji Enokura, Yutaka Matsuzawa, Natsuyuki Nakanishi, Fujiko Nakaya, and Isamu Wakabayashi. — Fujiko Nakaya, Statics of an Egg, 1973 (still) @martin.germann @rani2orion @c.masaya @daisuke.fukunaga @kenjiide @soshiro_matsubara @onhkr @reinasugi

- In the exhibition in Milan, you can experience the space, the architecture, and its traces—all brought to the surface by the classical photographic developer that Nicola Martini applied across the walls. This act itself is Nicola’s sculpture, guiding out the inherent "voice" of the material. In contrast to the room’s history revealed by Nicola, my small works regarding slopes—which are the crystallization of my own experiences—are placed on the floor. It is an exhibition where you can feel two different flows of time. @neuemartini @kenjiide - Kenji Ide / Nicola Martini 31.03 - 16.05.2026 @clima_gallery - The exhibition is part of the program of @milanoartweekofficial - Thank you, Francesco, Clarissa

- I'm pleased to announce new show. Duo show at Clima, Milano @clima_gallery Kenji Ide / Nicola Martini Opening reception 31.03.2026 From 18 to 21 On view: 01.04 - 16.05.2026 Moving from the broken plot of an abandoned backyard alley, the practices of Kenji Ide and Nicola Martini melt into a dark scenario of material presences, leftover of a hidden gathering. Martini re-enacts his ongoing work Sippe, a photosensitive tar who activates the gallery’s wall and their marks, embracing Ide’s punctual sculptural threads. The exhibition is part of the program of @milanoartweekofficial @kenjiide @neuemartini image 1 : A starange feeling, 2026

- Thank you for giving me many chance for learning. It has been a year of many changes and I’m also grateful for the many people I’ve had the chance to meet. I'm looking forward to see you again, in 2026. And I wish you have very comfortable holiday. See you soon. - 今年もお世話になりました。 様々な変化があった年になりました。 また会える日を楽しみにしています。 どうぞ来年もよろしくお願いいたします。 良い歳をお迎えください。 - image : If only it were a dream, 2025

- New work by Kenji Ide will be on view in Art Basel Miami Beach booth (C20) with Matthew Brown. @matthewbrowngallery Kenji Ide A majestic time where no one is involved, 2025 Wood, water color, acrylic varnish, concrete 3 1/2 x 9 7/8 x 1 3/4 in

- last week of 15th Kaunas Biennial Thank you for your support. @kaunasbiennial @adomas.n @wschodgallery

Kenji Ide at The Kaunas Biennial ! 𝘛𝘩𝘦 15𝘵𝘩 𝘒𝘢𝘶𝘯𝘢𝘴 𝘉𝘪𝘦𝘯𝘯𝘪𝘢𝘭 (@kaunasbiennial ) 𝘓𝘪𝘧𝘦 𝘈𝘧𝘵𝘦𝘳 𝘓𝘪𝘧𝘦, 𝘤𝘶𝘳𝘢𝘵𝘦𝘥 𝘣𝘺 𝘈𝘥𝘰𝘮𝘢𝘴 𝘕𝘢𝘳𝘬𝘦𝘷𝘪č𝘪𝘶𝘴 (@adomas.n ) 𝘣𝘳𝘪𝘯𝘨𝘴 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘰𝘷𝘦𝘳 30 𝘢𝘳𝘵𝘪𝘴𝘵𝘴 𝘵𝘰 𝘳𝘦𝘧𝘭𝘦𝘤𝘵 𝘰𝘯 𝘵𝘩𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘮𝘰𝘰𝘥𝘴 𝘰𝘧 𝘵𝘳𝘢𝘯𝘴𝘪𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘶𝘯𝘤𝘦𝘳𝘵𝘢𝘪𝘯𝘵𝘺. 𝘓𝘪𝘧𝘦 𝘈𝘧𝘵𝘦𝘳 𝘓𝘪𝘧𝘦 𝘦𝘹𝘱𝘭𝘰𝘳𝘦𝘴 𝘶𝘯𝘤𝘦𝘳𝘵𝘢𝘪𝘯𝘵𝘺 𝘢𝘴 𝘴𝘶𝘣𝘫𝘦𝘤𝘵 𝘢𝘯𝘥 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯, 𝘦𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘣𝘪𝘦𝘯𝘯𝘪𝘢𝘭 𝘢𝘴 𝘢 𝘮𝘢𝘭𝘭𝘦𝘢𝘣𝘭𝘦 𝘴𝘵𝘳𝘶𝘤𝘵𝘶𝘳𝘦, 𝘤𝘢𝘱𝘢𝘣𝘭𝘦 𝘰𝘧 𝘳𝘦𝘰𝘳𝘨𝘢𝘯𝘪𝘴𝘪𝘯𝘨 𝘵𝘩𝘦 𝘦𝘴𝘵𝘢𝘣𝘭𝘪𝘴𝘩𝘦𝘥 𝘥𝘺𝘯𝘢𝘮𝘪𝘤𝘴 𝘰𝘧 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘢𝘳𝘵’𝘴 𝘴𝘰𝘤𝘪𝘢𝘭 𝘢𝘯𝘥 𝘢𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤 𝘧𝘭𝘶𝘦𝘯𝘤𝘺. […] Kaunas Biennial is running until November 23, 2025. Kenji Ide’s works can be viewed at Temporary M. K. Čiurlionis Art Gallery. _ Kenji Ide (b. 1981, Yokosuka, Japan) lives and works in Tokyo. Ide’s work focuses on the relationship between people and the sense of time that surrounds them. His small works, viewed from above, evoke memories and experiences of the past as well as a diary. Using material language to turn these abstract images into objects and three-dimensional works comes close to the sensation of building with the time of each material. The wood used as material and the objects Ide finds on the street create a visually intimate effect on personal time and relationships. At the heart of Ide’s work lies the idea of giving form to ambiguous atmospheres and memories through the use of air as a structure. @kenjiide #kenjiide #kaunasbiennial #wschodgallery

- Thank you for comming. @friezeofficial @wschodgallery Galeria Wschód is exhibiting new works by Kenji Ide (b. 1981, Kanagawa, Yokosuka) and Anton Munar (b. 1997, Copenhagen). _ 𝘕𝘰𝘴𝘵𝘢𝘭𝘨𝘪𝘢 𝘮𝘢𝘬𝘦𝘴 𝘦𝘷𝘦𝘯 𝘵𝘩𝘦 𝘴𝘰𝘭𝘪𝘵𝘢𝘳𝘺 𝘮𝘰𝘮𝘦𝘯𝘵𝘴 𝘴𝘦𝘦𝘮 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭, 𝘦𝘴𝘱𝘦𝘤𝘪𝘢𝘭𝘭𝘺 𝘸𝘩𝘦𝘯 𝘺𝘰𝘶 𝘢𝘳𝘦 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘦𝘷𝘦𝘳𝘺𝘰𝘯𝘦 𝘢𝘯𝘥 𝘪𝘯 𝘱𝘶𝘳𝘦 𝘢𝘯𝘥 𝘶𝘵𝘵𝘦𝘳 𝘦𝘮𝘱𝘵𝘪𝘯𝘦𝘴𝘴. 𝘛𝘰 𝘮𝘦, 𝘪𝘵 𝘪𝘴 𝘷𝘦𝘳𝘺 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘵𝘰 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘺𝘰𝘶𝘳𝘴𝘦𝘭𝘧 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘴𝘵𝘢𝘵𝘦, 𝘴𝘰 𝘵𝘩𝘢𝘵 𝘺𝘰𝘶 𝘤𝘢𝘯 𝘧𝘦𝘦𝘭 𝘺𝘰𝘶𝘳 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦 𝘢𝘵 𝘪𝘵𝘴 𝘳𝘪𝘤𝘩𝘦𝘴𝘵. […] 𝘔𝘺 𝘸𝘰𝘳𝘬𝘴 𝘢𝘳𝘦 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘱𝘭𝘢𝘺 𝘰𝘧 𝘵𝘪𝘮𝘦 𝘢𝘯𝘥 𝘱𝘰𝘦𝘵𝘪𝘤 𝘴𝘦𝘯𝘵𝘪𝘮𝘦𝘯𝘵. 𝘐 𝘶𝘴𝘶𝘢𝘭𝘭𝘺 𝘴𝘵𝘢𝘳𝘵 𝘣𝘺 𝘤𝘳𝘦𝘢𝘵𝘪𝘯𝘨 𝘢 𝘧𝘰𝘳𝘮 𝘰𝘳 𝘴𝘵𝘢𝘨𝘦, 𝘢𝘯𝘥 𝘵𝘩𝘦𝘯 𝘢𝘴𝘴𝘦𝘮𝘣𝘭𝘪𝘯𝘨 𝘴𝘮𝘢𝘭𝘭 𝘰𝘣𝘫𝘦𝘤𝘵𝘴 𝘰𝘯 𝘪𝘵. 𝘛𝘩𝘪𝘴 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘪𝘴 𝘤𝘰𝘮𝘱𝘢𝘳𝘢𝘣𝘭𝘦 𝘵𝘰 𝘢 𝘤𝘩𝘪𝘭𝘥 𝘱𝘭𝘢𝘺𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘵𝘰𝘺𝘴. 𝘐 𝘴𝘦𝘯𝘴𝘦 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬 𝘪𝘴 𝘯𝘦𝘢𝘳𝘪𝘯𝘨 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘪𝘰𝘯 𝘸𝘩𝘦𝘯 𝘪𝘵 𝘦𝘷𝘰𝘬𝘦𝘴 𝘢 𝘴𝘦𝘯𝘴𝘦 𝘰𝘧 𝘵𝘪𝘮𝘦 𝘢𝘯𝘥 𝘮𝘦𝘮𝘰𝘳𝘺 𝘵𝘩𝘢𝘵 𝘳𝘦𝘴𝘰𝘯𝘢𝘵𝘦𝘴 𝘸𝘪𝘵𝘩 𝘮𝘺 𝘰𝘸𝘯 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴. 𝘞𝘩𝘦𝘯 𝘐 𝘤𝘢𝘯 𝘪𝘯𝘤𝘰𝘳𝘱𝘰𝘳𝘢𝘵𝘦 𝘮𝘺 𝘪𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘵 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦𝘴𝘦 𝘦𝘹𝘱𝘢𝘯𝘥𝘦𝘥 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴, 𝘐 𝘧𝘦𝘦𝘭 𝘭𝘪𝘬𝘦 𝘢 𝘸𝘰𝘳𝘬 𝘪𝘴 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦. 𝘛𝘩𝘦 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘪𝘴 𝘮𝘢𝘥𝘦 𝘶𝘱 𝘰𝘧 𝘢 𝘴𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘳𝘢𝘯𝘥𝘰𝘮 𝘪𝘥𝘦𝘢𝘴, 𝘦𝘹𝘪𝘴𝘵𝘪𝘯𝘨 𝘪𝘯 𝘢 𝘴𝘱𝘢𝘤𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘥𝘦𝘴𝘪𝘳𝘦𝘴, 𝘪𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘦𝘨𝘰. 𝘚𝘰, 𝘵𝘩𝘦 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘪𝘰𝘯 𝘪𝘴 𝘴𝘪𝘵𝘶𝘢𝘵𝘦𝘥 𝘪𝘯 𝘢𝘯 𝘢𝘮𝘣𝘪𝘨𝘶𝘰𝘶𝘴 𝘴𝘱𝘢𝘤𝘦. - Kenji Ide for 'Something Curated’ (2024) image: Kenji Ide A crack connecting to the small void, 2025 wood, water color, acrylic varnish, thread 21 x 21 x 13 cm 8 1/4 x 8 1/4 x 5 1/8 in Kenji Ide Two possibilities, 2025 wood, water color, lacquer spray, acrylic varnish 11 x 3 x 12 cm 4 3/8 x 1 1/8 x 4 3/4 in @kenjiide #kenjiide

Frieze London @friezeofficial opened yesterday! We are presenting new works by Kenji Ide (b. 1981, Kanagawa, Yokosuka) and Anton Munar (b. 1997, Copenhagen). 𝘛𝘩𝘦 𝘥𝘶𝘢𝘭 𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘢𝘵𝘪𝘰𝘯 𝘴𝘦𝘦𝘬𝘴 𝘵𝘰 𝘦𝘴𝘴𝘦𝘯𝘵𝘪𝘢𝘭𝘭𝘺 𝘶𝘯𝘦𝘢𝘳𝘵𝘩 𝘵𝘩𝘦 𝘵𝘩𝘦𝘮𝘦 𝘰𝘧 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦𝘴 𝘸𝘩𝘪𝘤𝘩 𝘢𝘳𝘦 𝘭𝘦𝘥 𝘣𝘺 𝘪𝘮𝘢𝘨𝘪𝘯𝘢𝘵𝘪𝘷𝘦 𝘪𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘢𝘵𝘪𝘰𝘯𝘴. 𝘉𝘰𝘵𝘩 𝘐𝘥𝘦 𝘢𝘯𝘥 𝘔𝘶𝘯𝘢𝘳, 𝘢𝘭𝘣𝘦𝘪𝘵 𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘮𝘦𝘥𝘪𝘢, 𝘤𝘳𝘪𝘵𝘪𝘤𝘢𝘭𝘭𝘺 𝘦𝘯𝘨𝘢𝘨𝘦 𝘸𝘪𝘵𝘩 𝘢 𝘥𝘦𝘦𝘱𝘭𝘺 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘯𝘢𝘵𝘶𝘳𝘦 𝘵𝘩𝘢𝘵 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦𝘴 𝘪𝘯𝘷𝘰𝘬𝘦. 𝘉𝘦 𝘪𝘵 𝘯𝘰𝘳𝘵𝘩-𝘦𝘢𝘴𝘵 𝘈𝘴𝘪𝘢, 𝘤𝘰𝘯𝘵𝘪𝘯𝘦𝘯𝘵𝘢𝘭 𝘌𝘶𝘳𝘰𝘱𝘦 𝘰𝘳 𝘉𝘢𝘭𝘦𝘢𝘳𝘪𝘤 𝘐𝘴𝘭𝘢𝘯𝘥𝘴, 𝘳𝘪𝘤𝘩 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘳𝘦𝘤𝘰𝘳𝘥𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘯𝘢𝘵𝘶𝘳𝘢𝘭 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵 𝘮𝘢𝘺 𝘱𝘳𝘰𝘮𝘱𝘵 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘭 𝘪𝘮𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 𝘰𝘧 𝘣𝘦𝘢𝘶𝘵𝘺 𝘢𝘯𝘥 𝘪𝘯𝘵𝘳𝘰𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦 𝘵𝘳𝘢𝘷𝘦𝘭. 𝘛𝘩𝘪𝘴 𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘢𝘵𝘪𝘰𝘯 𝘵𝘩𝘦𝘳𝘦𝘧𝘰𝘳𝘦 𝘢𝘪𝘮𝘴 𝘵𝘰 𝘰𝘱𝘦𝘯 𝘶𝘱 𝘵𝘩𝘰𝘴𝘦 𝘢𝘭𝘭𝘦𝘺𝘸𝘢𝘺𝘴 𝘰𝘧 𝘷𝘪𝘴𝘪𝘰𝘯, 𝘰𝘧𝘧𝘦𝘳𝘪𝘯𝘨 𝘢𝘯 𝘪𝘯𝘴𝘪𝘨𝘩𝘵 𝘪𝘯𝘵𝘰 𝘳𝘩𝘺𝘵𝘩𝘮𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘸𝘩𝘦𝘳𝘦 𝘩𝘶𝘮𝘢𝘯 𝘦𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦 𝘪𝘴 𝘩𝘦𝘭𝘥 𝘢𝘯𝘥 𝘤𝘦𝘭𝘦𝘣𝘳𝘢𝘵𝘦𝘥. […] Kenji Ide’s sculptures, composed of simple modular elements, are deeply rooted in Japanese aesthetics, natural forms, asceticism, and balance. At their core lies a profound engagement with materiality and emptiness. Ide’s work emphasizes the material qualities of objects – their texture, weight, and placement in space. He urges the viewer not only to observe the object but also to consider its physical presence and the sensations it elicits. Anton Munar’s practice involves a wide range of materials including oil, charcoal, distemper, gouache, ink, and pastel, applied on either canvas, linen or wood. Through the application of rich layers of paint, he builds up evocative compositions at the confluence of fragmented narratives drawn from the driving force of love, where interior and exterior spaces intertwine and where poetic visions infiltrate the physical world. #kenjiide #antonmunar

- I will be participating in Frieze London 2025 from Wschód @wschodgallery . For me, who believes that new ideas emerge from the intersection of diverse cultures and the resulting fissures, sharing a single booth with a remarkable Danish painter, Anton Munar @antonmunar , from an Eastern European gallery, Wschód represents a highly challenging approach. I am very much looking forward to seeing what kind of chemistry occurs. While such collaborations across distances are, in a sense, very contemporary, drawing on the backdrop of social media effects, I believe the actual friction between works rubbing against one another remains stimulating in any era. My work is born from such emotions. - Frieze London 2025 @friezeofficial 2025.15th Oct - 19th Oct The booth F23 Wschód Anton Munar, Kenji Ide - image : The time spent thinking of you