🎶🌊 SIRENS CALL x Simon Waskow 🌊🎶
@simonwaskow
Thanks for the amazing collaboration with composer Simon Waskow, who created the original score for SIRENS CALL — bringing the film’s world to life through sound. ✨
🧜♀️ Synopsis:
A siren in a human body nomadizes through the postmodern reality of a drying planet, exploring survival, identity and belonging. Blending sci-fi and documentary, the film dives deep into the Merfolk subculture between self-preservation and political activism.
#SirensCall #SimonWaskow #OriginalScore #FilmMusic #Collaboration HybridFilm QueerCinema ClimateCinema Merfolk IndieFilm Arthouse 🎬🌊🎶
Glashaus 002: Huyghend “Fairytale Light”
Tape Release and Concert: February 8th, 5pm @goldundbeton_
Huyghend are driving on both sides of the line between meticulous pop production and free improvisation, machine-learning-based voice modelling and tape delay. On their second release, Thomas Meckel and Simon Waskow have assembled six tracks, each a different landscape of open secrets. Like the camera freezes seconds that rush by outside a car window, mics and hard drives organize musical bursts. Heat burns through plastic. Night and city are interlocking fingers.
The tape cases show 75 individual snapshots captured by Saioa Fischer Abaigar on the road in Colombia.
Music by Simon Waskow & Thomas Meckel
Artwork by Saioa Fischer Abaigar
Saxophone by Inga Rothammel @ingarothammel
Additional Vocals by Elisa Kühnl @e.kuehnl
FX Model Training by Tim Pauli
Mastering by Marcus Zilz @jeandadomusic
Tapes Dubbed by Dennis Dycks
Glashaus Tapes
Cologne, 2026
Funded by Kulturamt der Stadt Köln
I'm very happy that my article "Processed Material and the Hybrid Index: Holly Herndon’s 'Godmother'" is part of this nice volume which has now entered the matrix of academia! 💽 /10.30965/9783969753477_012
