shaniqwa jarvis

Is it me? Is it US? 🤎🌸

Only Love Can Break Your Heart at @public.gallery Thanks for coming to see the inner workings of my mind. If you haven’t seen it and want to catch a glimpse, the show is up til June 7th. 🤎

❤️ TO ALL MY ENGLISH MUFFINS FOR MAKING ME FEEL ALL THE FEELS LAST WEEK. BIG LOVE TO THE @thezetterhotels FOR MY NEW HOME AWAY FROM HOME. #GUTS #ONLYLOVEWILLBREAKYOURHEART

Latest High Hopes show Special guest selector @sheekswinsalways 🧡 Listen back @nts_radio 03/05/26 link in the bio - Cover Image by S.Jarvis

GUTS is launching this week!! Inside my new book is a meditation on reflection and perseverance. Many florals, self portraiture, places and spaces. I hope you ❤️ it as much as I do. See you this week at: Climax London May 6th, 6-8pm LAABF, B25 May 8th, 4-6pm Arcana, May 9th, 4-6pm

Join us at Climax London next Wednesday to celebrate the launch of @sheekswinsalways ’s new photobook, GUTS — a 120-page offering of Shaniqwa Jarvis’s inner world, through an unfolding of florals, self-portraits, double exposures, and editorial images. Made across South Africa, Greece, Korea, New York, Japan, California, and the Pacific Northwest, GUTS is a meditation on reflection, perseverance, and veneration of nature. The book features an introduction by Essence Harden, and is published by SUPER LABO. It will launch alongside Jarvis’s first UK solo exhibition, Only Love Will Break Your Heart, at Public Gallery. See you there! 💖 Wednesday 6th May 6-8pm Climax London 8a Herbal Hill London, EC1R 5EJ

🇬🇧 she’s coming home🇬🇧 @public.gallery are pleased to present Only Love Will Break Your Heart, the first UK solo exhibition by New York born, Los Angeles based artist Shaniqwa Jarvis, opening Thursday April 30 from 6 - 8 pm. Through floral motifs, layered compositions, and reflective surfaces, the exhibition attends to traces of grief, memory, loss, and resilience while foregrounding questions of spectatorship. Central to the exhibition is a sustained interrogation of the material condition of the photographic image. Across fifteen new works, Jarvis considers photography as object-based and subject to physical encounter, resisting the medium’s association with flatness and fixity. - Shaniqwa Jarvis i feel your warmth and it feels like home, 2026 Archival digital print on silk with acrylic paint, mirror, walnut frame 104.1 × 78.7 × 7 cm

My piece Slowly, Surely is included in Space Is The Place at the @hammer_museum ❤️ it’s incredible to be showing alongside so many artists I love THANKFUL to theeeeee curator 👑 @erinzulie and @curat0rial.ang3l

THEEEEEEE @doncheadle with @thevonford for @highsnobiety with @ydesta @katiebinfield @quarterpoundr @edge_studios I was threatening to call HR all day, so you knowwwww we had a time.

Tessa Thompson’s always had range. But she’s about to take even bigger swings—onscreen, onstage, and in the boardroom. The Los Angeles-born actor and Entertainers issue cover star made her name in the mid-2010s in films like ‘Dear White People,’ ‘Creed,’ and ‘Selma’ before cementing herself as an MCU staple, becoming a blueprint for an actor who could go big without selling out or foregoing the quieter indie flick. Then, without any projects to promote, Thompson slipped out of the spotlight for two years, taking advantage of this lower-key period to build up @vivamaude , the production company she founded in 2020. This winter has seen her re-enter the chat with a suite of conversation-starting projects. Thompson made her rounds on the award circuit for ‘Hedda,’ Nia DaCosta’s reinvention of Henrik Ibsen’s 19th-century play about an aristocratic woman defying every norm imposed on her. (Her role as the titular Hedda Gabler won her a Critic’s Choice award and a Golden Globe nom.) ‘His & Hers,’ the mystery thriller limited series she leads with Jon Bernthal, hit 19.9 million views on Netflix within days of dropping in January. Next, she’ll be making her Broadway debut opposite Adrien Brody in ‘The Fear of 13.’ The production, which begins previews this March, tells the story of a man who spent more than two decades on death row before being exonerated with new DNA evidence. “I feel this sense of impending excitement,” @tessamaethompson tells her friend, the director @janicza . “It’s been a circuitous route to get there. And here I am.” Link in bio to read their cover conversation, and order your copy of the Entertainers issue today. 1/ Tessa wears earrings and necklaces by @cartier and a bralette by @versace with Smog, the bearded dragon. 4/ A skirt by Bottega Veneta with hoop earrings by @cartier . Editor-in-Chief: @sarahgharrelson Photography: @sheekswinsalways Creative Direction and Styling: @studioand Casting: @tommacklin Makeup: @babskymakeup Hair: @lacyredway Nails: @stephstonenails Creative Production: @katiebinfield Project Management: @chloe_kerins Set Design: @_ro.______

Don’t Forget Us, utilizing a family heirloom passed down through my maternal line, and I Dreamt of Easier Times both move through memory, reflection, and connection. Those breaths you take that weave between what was and what can be. Both are on view in Driftwork, curated by @essenceh @southernguildgallery A group exhibition I’m honored to be included in amongst the best of the best.

She’s home 🇬🇧🌸❤️!!! Grateful to be showing three new works alongside so many new/old faves @public.gallery These pieces continue my exploration of how time runs in a loop and is all a blur, which bends and fold and overlaps and echos across time. i’m okay, now. something sweet, something tart. and never ending story. touch on mirror work, double exposures, and the fragility of moments we try to hold onto. Go seeeeeeee